PUNTUACIÓN EN IMDb
6,4/10
997
TU PUNTUACIÓN
Un pistolero mexicano mata a algunos pistoleros notorios y es contratado para reemplazar al sheriff de Mesa, pero un tabernero corrupto lo quiere en su nómina o fuera del camino.Un pistolero mexicano mata a algunos pistoleros notorios y es contratado para reemplazar al sheriff de Mesa, pero un tabernero corrupto lo quiere en su nómina o fuera del camino.Un pistolero mexicano mata a algunos pistoleros notorios y es contratado para reemplazar al sheriff de Mesa, pero un tabernero corrupto lo quiere en su nómina o fuera del camino.
Barry Atwater
- Dan Ritchy
- (sin acreditar)
Nora Bush
- Townswoman
- (sin acreditar)
Bill Clark
- Townsman
- (sin acreditar)
Katherine DeMille
- Woman
- (sin acreditar)
Bill Erwin
- Roy Higgens
- (sin acreditar)
Marc Hamilton
- George Dawson
- (sin acreditar)
Paul Harber
- Mr. Brown
- (sin acreditar)
Jack Hogan
- Westin
- (sin acreditar)
Adrienne Marden
- Mrs. Tillman
- (sin acreditar)
Jimmy Noel
- Townsman
- (sin acreditar)
Fox O'Callahan
- Townsman
- (sin acreditar)
Reseñas destacadas
Dreary melodrama about a drifter (played by Anthony Quinn) who initially gains respect as a fast-draw gunslinger, only to find that it takes more than a quick gun to win respect from the town folk.
This obscure western is mostly a character study, and as such, it reminds me of the old Gunsmoke series. The town is predictably drab; the main props are guns and whiskey bottles; and the music and shadows make the atmosphere grim.
The acting is adequate. In addition to Quinn, the film features veteran actor Whit Bissell, and the always engaging Katy Jurado.
This obscure western is mostly a character study, and as such, it reminds me of the old Gunsmoke series. The town is predictably drab; the main props are guns and whiskey bottles; and the music and shadows make the atmosphere grim.
The acting is adequate. In addition to Quinn, the film features veteran actor Whit Bissell, and the always engaging Katy Jurado.
Ah, the good old days, when a slap in the face meant a man loved you. In Man from Del Rio, that's what it meant to Anthony Quinn and Katy Jurado. Believe me, the movie is much more than that, but that scene was pretty amusing.
Anthony Quinn stars a half-Mexican from the wrong side of the tracks who isn't really welcomed by the small town he wanders into-in other words, this is a typical Anthony Quinn role. It's a pretty mediocre 1950s western, which is a genre I don't really like, and if it weren't for Tony's good looks-and good performance-I probably would have turned it off. Thankfully he was good looking, and he did add nuances to his character that made him likable and easy to root for, despite slapping Katy Jurado, so I watched the whole movie.
Another actor could have rattled off his lines with no feeling, like much of the supporting cast, but Tony decided to give his character motivation and feelings. His main issue revolves around pride: he's ashamed that the town doesn't accept him and he wants to be able to hold his head up high. So, whenever he's challenged to a fight, he can't back down. I'm pretty sure it was Anthony Quinn who made those motivations clear. As you might expect from a movie taking place in the Old West, there are lots of shootouts, slugfests, barroom brawls, and lawless mobs. If you like that genre, you'll probably like this movie. I won't spoil anything, but Richard Carr's story grew to be pretty imaginative, and I ended up liking Man from Del Rio much more than I thought.
Anthony Quinn stars a half-Mexican from the wrong side of the tracks who isn't really welcomed by the small town he wanders into-in other words, this is a typical Anthony Quinn role. It's a pretty mediocre 1950s western, which is a genre I don't really like, and if it weren't for Tony's good looks-and good performance-I probably would have turned it off. Thankfully he was good looking, and he did add nuances to his character that made him likable and easy to root for, despite slapping Katy Jurado, so I watched the whole movie.
Another actor could have rattled off his lines with no feeling, like much of the supporting cast, but Tony decided to give his character motivation and feelings. His main issue revolves around pride: he's ashamed that the town doesn't accept him and he wants to be able to hold his head up high. So, whenever he's challenged to a fight, he can't back down. I'm pretty sure it was Anthony Quinn who made those motivations clear. As you might expect from a movie taking place in the Old West, there are lots of shootouts, slugfests, barroom brawls, and lawless mobs. If you like that genre, you'll probably like this movie. I won't spoil anything, but Richard Carr's story grew to be pretty imaginative, and I ended up liking Man from Del Rio much more than I thought.
In The Man From Del Rio Anthony Quinn rides into town on a mission, kind of like James Caan in El Dorado. Both are after a group of men and both kill the last they were after. But whereas Caan takes up with John Wayne as a mentor and fights for law and order, Quinn starts to hang out at Peter Whitney's saloon with a whole collection of prize specimens of fast guns who are nothing but bullies.
Whitney has a plan to recreate his sleepy prairie town into a wide open cattle drive town and make a ton of money, never mind what the solid citizens want. Quinn likes the idea and becomes the sheriff, but soon the solid citizens see him as their savior. Will Quinn step into the role?
The Man From Del Rio is a minor western that did not even rate color back in the Fifties. Rarely seen today it's in that category of adult westerns so popular in the Fifties and Sixties with some very adult themes. Quinn and Katy Jurado have some truly adult dialog and she most of all persuades Quinn to step in the role of hero.
Not a film often shown today, The Man From Del Rio with a bit better in the production values department could have been a big hit. Quinn, fresh off his second Oscar for Lust For Life does well in a part perfect for him. Check this one out if broadcast.
Whitney has a plan to recreate his sleepy prairie town into a wide open cattle drive town and make a ton of money, never mind what the solid citizens want. Quinn likes the idea and becomes the sheriff, but soon the solid citizens see him as their savior. Will Quinn step into the role?
The Man From Del Rio is a minor western that did not even rate color back in the Fifties. Rarely seen today it's in that category of adult westerns so popular in the Fifties and Sixties with some very adult themes. Quinn and Katy Jurado have some truly adult dialog and she most of all persuades Quinn to step in the role of hero.
Not a film often shown today, The Man From Del Rio with a bit better in the production values department could have been a big hit. Quinn, fresh off his second Oscar for Lust For Life does well in a part perfect for him. Check this one out if broadcast.
Anthony Quinn always made it look easy and that was one of his strengths as a actor, this movie would have been good with another leading man too, because the supporting actors were top notch, but Tony definitely pulled it up a peg or two!
That gunfight in the beginning was kind of funny though, surprised Dan Ritchie lived so long with that draw of his!
That gunfight in the beginning was kind of funny though, surprised Dan Ritchie lived so long with that draw of his!
An easy role for Anthony Quinn who plays himself, which does not mean that he's bad, on the contrary, because of his strong personality, without too much effort, outlines a credible character. Mexican Katy Jurado, who also starred with Anthony Quinn in "Barabbas" plus other famous westerns ("High Noon" with Gary Cooper, "Broken Lance" with Spencer Tracy, "One-Eyed Jacks" with Marlon Brando, "Pat Garrett & Billy the Kid " with James Coburn and Kris Kristofferson) is also credible in the role of Estella. A western without too many gun-shots, but with more realism.
¿Sabías que...?
- CuriosidadesFinal film of Katherine DeMille (uncredited), who was married to Anthony Quinn; they divorced in 1965.
- PifiasThe player piano in the saloon plays "Lili Marleen." That song wasn't written until 1937.
- Créditos adicionalesAlthough Guinn "Big Boy" Williams is billed on the one-sheet, he is inexplicably uncredited in the film itself.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Man from Del Rio
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 22 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Un revólver solitario (1956) officially released in India in English?
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