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Baby Doll

  • 1956
  • 16
  • 1h 54min
PUNTUACIÓN EN IMDb
7,3/10
8,7 mil
TU PUNTUACIÓN
Baby Doll (1956)
Theatrical Trailer from Warner Bros. Pictures
Reproducir trailer3:00
1 vídeo
56 imágenes
Comedia negraSátiraComediaDrama

La sensual historia de dos rivales cuarentones sureños y de Baby Doll, la esposa de 19 años de uno de ellos.La sensual historia de dos rivales cuarentones sureños y de Baby Doll, la esposa de 19 años de uno de ellos.La sensual historia de dos rivales cuarentones sureños y de Baby Doll, la esposa de 19 años de uno de ellos.

  • Dirección
    • Elia Kazan
  • Guión
    • Tennessee Williams
  • Reparto principal
    • Karl Malden
    • Carroll Baker
    • Eli Wallach
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,3/10
    8,7 mil
    TU PUNTUACIÓN
    • Dirección
      • Elia Kazan
    • Guión
      • Tennessee Williams
    • Reparto principal
      • Karl Malden
      • Carroll Baker
      • Eli Wallach
    • 90Reseñas de usuarios
    • 48Reseñas de críticos
    • 83Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 4 premios Óscar
      • 3 premios y 13 nominaciones en total

    Vídeos1

    Baby Doll
    Trailer 3:00
    Baby Doll

    Imágenes56

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    Reparto principal10

    Editar
    Karl Malden
    Karl Malden
    • Archie Lee Meighan
    Carroll Baker
    Carroll Baker
    • Baby Doll Meighan
    Eli Wallach
    Eli Wallach
    • Silva Vacarro
    Mildred Dunnock
    Mildred Dunnock
    • Aunt Rose Comfort
    Lonny Chapman
    Lonny Chapman
    • Rock
    Eades Hogue
    • Town Marshal
    Noah Williamson
    • Deputy
    R.G. Armstrong
    R.G. Armstrong
    • Townsman Sid
    • (voz)
    • (sin acreditar)
    Madeleine Sherwood
    Madeleine Sherwood
    • Nurse in Doctor's Office
    • (sin acreditar)
    Rip Torn
    Rip Torn
    • The Dentist
    • (sin acreditar)
    • Dirección
      • Elia Kazan
    • Guión
      • Tennessee Williams
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios90

    7,38.7K
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    Reseñas destacadas

    TC-4

    My how views change!

    Back in 1956 when this movie came out it was the Legion of Decency run by the Catholic church that decided what was proper or improper to see. I remember my parents checking that list whenever I wanted to see a movie. They were divided into groups. Unobjectionable, Objectionable with certain restrictions and others but the worst one was rated Condemned. I laugh when I think about it. Baby Doll did not play in my town of 100,000 as the church would have made a big stink about it, but it did play in Boston which was 25 miles away. I did not see it then but I heard from others that did and they told me that it was very steamy. There was so much controversy about this movie that no one dared mention that they saw it in mixed company as being branded as liking porno movies. I finally saw this movie on AMC about 15 years ago and I had to smile because this was such a mild movie by today's standards. This movie could be shown today on regular TV unedited with a PG rating. It had no nudity nor swearing. Karl Malden, Eli Walich and Carol Baker were outstanding. Still today Carol Baker is still being mentioned as Carol "Baby Doll" Baker, truly a role she will never live down. One more thing, the musical score throughout the movie is very moving. I bought the LP soundtrack long before I saw the movie and it was interesting to see how it fit. I have recorded it onto a cassette and still play it in my car. I think that it was the church and it's censorship that made this movie so popular.
    10Regi214

    Eli Wallach shines

    I've seen quite a few films in my life, but none such as this. Elia Kazan's quirky, off-the-wall romp about revenge and justice in 1950's Mississippi is truly remarkable. The first time I saw this movie I didn't know how to take it; I turned on my TV one day right at the scene where Eli Wallach and Carroll Baker are upstairs playing hide and seek... It seemed disturbing, but something about it held my interest.

    A second viewing of this film was powerful. Karl Malden is right on the money as the loud-mouthed, frustrated, alcoholic husband; Carroll Baker, brilliant (and stunning) as Baby Doll; but I have to say, Eli Wallach SHINES as Silva Vacarro. He is so smooth, calculated, and mesmerizing as the one who "does his own justice". Hard to believe he didn't win an Oscar for his performance.

    It is worth noting Kazan's use of the extras in this film (most of whom are African-American). Often you'll see a man or two in the background or off to the side, observing the story as it unfolds; they are the silent and wise observers to the craziness around them. Like the scene where Karl Malden is yelling "Babeee Dolllll!!!!" from his car, and the men just sit there and watch him--you wonder what they're thinking.

    A superb film! The dining room scene at the end is choice.
    dougdoepke

    Grotesque Mess

    Two Southern rivals battle over cotton gins and dumb-as-a-rock wife.

    Seldom have so many theatrical heavyweights been responsible for such a misfire. The movie may have been cutting edge in the repressed 1950's, but the results are now almost unwatchable.

    It's impossible to tell what the movie makers had in mind outside of enraging public watchdogs with an iconic photo of a thumb-sucking Baby Doll (Baker). But, whatever their intentions, the movie's now mainly an exercise in the grotesque. I'm sure all the bluster and bellow are nowhere to be found in Karl Malden's Book of Fond Memories.

    For example, there's that horribly over-extended scene between Silva (Wallach) and Baby Doll that has to be one of the most excruciatingly overdrawn on record. The point is made in the first three-minutes, so why pointlessly drag it out for twenty, except maybe to fill empty screen time with some of the silliest shenanigans imaginable.

    Then too, much of that wasted time could have expanded the roles of such capable performers as Chapman, Torn, and especially Dunnock in a small part that unfortunately a hundred lesser actresses could have minced through. All I can say is if this was supposed to be sophisticated farce, the groans way out-number the chuckles.

    No need to go on, except to point out the one redeeming feature, namely, an unvarnished glimpse of the rural South you won't see in Gone With The Wind. Yes indeed, somehow I missed this mess back in '57. Now I know how lucky I was.
    8jotix100

    Cotton picking

    Elia Kazan took a big chance in directing "Baby Doll". His association with Tennessee Williams must have been the deciding factor in his coming on board. This was a film that caused quite a stir because of the direct intervention of Cardinal Spellman of New York in denouncing it for its suggestive billboard in the Times Square area and the content of the movie.

    This film is a testament of how to film an erotic feature without having the actors running naked all over the place. Carroll Baker, as the Baby Doll of the title, generates a lot of heat every time we see her in the opening scenes through the "peeping tom" eyes of Archie Lee, the husband still awaiting to fulfill his duty as a husband.

    The steamy scenes between Vaccaro and Baby Doll are incredible if one thinks of the era when it was filmed. Nothing like those torrid scenes were seen in an American film before! What is amazing is the fact this film was released at all.

    Unfortunately, the copy that was shown on cable recently has the worst sound track imaginable. The Southern accents from the actors don't help things either.

    Karl Malden adds to the character of Archie Lee by playing it as a dumb hick who is not too worldly in matters of the bedroom. Carroll Baker had a great role in her Baby Doll. She plays her as a typical small town from that part of the South, a real teaser. Eli Wallach's as Vaccaro brought virility and sensuality to his portrayal. Mildred Dunnock was good as Aunt Rose.

    This film is an oddity that heralded the liberation of Hollywood from the hated Hays Code which will come much later on.
    genekim

    Fuzzy and Buzzy

    The conventional wisdom on "Baby Doll" seems to be, "Oh, this movie may have been steamy in its time, but it's totally tame now." Oh, really? If the scene of Eli Wallach and Carroll Baker on the garden swing doesn't leave you feeling "fuzzy and buzzy," I suggest you get your pulse checked.

    Argumento

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    ¿Sabías que...?

    Editar
    • Curiosidades
      In retrospect, Eli Wallach called the film "one of the most exciting, daring movies ever made." But he added, "People see it today and say, 'What the hell was all the fuss about?'"
    • Pifias
      After Silva bursts through the door in the attic, Baby Doll is shown running from him with her blanket wrapped around her. The instant before she falls on to the attic beam, she removes the blanket, and holds it in her left hand. In the very next shot, after she has fallen, the blanket is wrapped around her body once again.
    • Citas

      Baby Doll: Sometimes, big shot, you don't seem to give me credit for very much intelligence at all. I've been to school in my life - and I'm a magazine reader!

    • Conexiones
      Featured in Elia Kazan an Outsider (1982)
    • Banda sonora
      Shame, Shame, Shame
      (uncredited)

      Written by Kenyon Hopkins and Ruby Fisher

      Sung by Smiley Lewis

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    Preguntas frecuentes19

    • How long is Baby Doll?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de abril de 1982 (España)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • HBOMAX (United States)
      • Official site
    • Idiomas
      • Inglés
      • Italiano
    • Títulos en diferentes países
      • Mississippi Woman
    • Localizaciones del rodaje
      • Benoit, Mississippi, Estados Unidos
    • Empresa productora
      • Newtown Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 51 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 54min(114 min)
    • Color
      • Black and White
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.85 : 1

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