Un fresco en apuros

A few years back, I watched a Dean Martin-Jerry Lewis movie, "Artists and Models." I hadn't watched any of the 16 movies they made together in ages, and I thought that was one of their best and funniest. Since then, I've watched more of their movies, including "You're Never Too Young."

I think this may be one of their best pairings on film. And it struck me that most of the movies with plots in which they were not partners or friends in the story, but strangers, turned out to be much better and certainly much funnier films. In their movies, as with other comedy teams (e.g., Bing Crosby and Bob Hope, Stan Laurel and Oliver Hardy), when the duo starts off as acquaintances in the entertainment field, the plots are ho-hum and one has the sense that we're just audiences at a stage play, waiting for the next entertaining skit. Those plots don't seem to allow for the spontaneity of the actors that these films have when the stars are strangers.

In this one, Jerry is Wilbur Hoolick, a cleaning guy in a barber shop. Dean is Bob Miles, an athletic trainer and coach at an all-girl's college. How they wind up together at that school, with Jerry then playing an overgrown kid, is as far out as any plot can get. And, that's just part of the comedy. To me, comedy doesn't have to have a plot that makes a lot of sense.

This is a wonderful, funny, movie. Some of the individual scrapes and antics that Wilbur gets into are outlandishly hilarious. Paramount must have had a special barber chair made for one scene. There are some marvelous talent scenes in here as well. One is when the college marching team gives a welcoming performance and Wilbur joins them. Before long he is doing the crazy gyrations, jumps and twists of strange dance moves that the entire group of young women imitate to a T. It's one fine job of choreography and must have taken several practice sessions for them all to copy Jerry's lead in synch.

Another very hilarious scene is Wilbur mimicking a woman on a long-distance telephone call. This change in his voice is very funny. Later he conducts a chorus with many similar laughs.

An interesting look in this film is Raymond Burr as Noonan. This is in the days before he became "the" Perry Mason on the long running Perry Mason TV series. Burr is one of the Hollywood tough and bad guys from his early films, who wound up on the right side of the law. Here he keeps a straight face but cracks a couple of very funny lines.

While the general idea for this film borrows from Paramount's 1942 smash hit, "The Major and the Minor," the story is very different. This plot has many original angles and different scenes. A remake is mostly a new cast with the same or an updated setting.

This is one fine comedy that everyone should enjoy. Here are some favorite lines from the film.

Nancy Collins, "What's the matter with you - you're trembling?" Wilbur Hoolick, "I have very loose bones."

Mrs. Brendan, "Wilber's a very remarkable boy. In this day and age, it's so difficult to rear a child properly." Noonan, posing as Wilbur's father, "Yes. I wouldn't give you 10 to 1 on a boy like Wilbur living to grow up." Mrs. Brendan, "Oh, well that's a little on the pessimistic side, Mr. Hoolick." Noonan, "All right, I'll make it 8 to 1."

Wilbur Hoolick, "I like it here. I wanna go to school here." Noonan, "This is a girl's school." Wilbur, "That's why I like it here."

I was watching this movie and suddenly thought it seemed very familiar!! I then realized it was a re-making of the 1942 movie "The Major and the Minor" starring Ginger Rogers! There is a sub-plot that is different,but many of the scenes are identical except for the fact that now it is Jerry Lewis playing a 12 year old boy instead of Ginger as a 12 year old girl.Another pairing of Lewis and Martin-lightweight but enjoyable.

From start to finish, and based on the other pictures the boys were in, this is without a doubt the best of the Martin & Lewis series. For some bizarre reason, 'You're Never Too Young' has been buried in obscurity. Maybe it was because there was just a bit too much M & L exposure in '55, so it got lost in the shuffle. By this time, Paramount was giving M & L pictures the 'A' treatment, in full VistaVision and Technicolor, with a great score of specially-commissioned songs and big production numbers. The Sidney Sheldon script they used in this case wasn't too shabby either, and was more ambitious and wide-ranging than their previous films. There's plenty of the customary wackiness, but more sophistication as well, and the boys can handle it. Lewis is in top form. His multiple role playing is inspired, whether doing a Bogart imitation, or a French barber, or, for most of the picture, posing as an early teen in order to escape tough guy Raymond Burr. Thanks to Norman Taurog's competent direction, he is always 'under control' and consistently hilarious. Dean cruises through effortlessly, and does his usual dandy job. Highlights: crooning to Diana Lynn in his sparkling DeSoto station wagon, and helping Jerry get through 'I Like to Hike' at the girls' school concert. Great supporting roles supplied by Veda Ann Borg, Romo Vincent, Hans Conried and Mitzi McCall as Skeets, who's mad about Jerry. All in all, the best produced, the most rewarding, and the best-managed Martin & Lewis vehicle - not to mention the funniest. Now, Paramount, lift this gem up from the vaults and give us a DVD version. Please? Trust me, you'll get your investment back. UPDATE: Paramount came through: the DVD is outstanding, and the film is better than ever!

The Paramount library was a good place for source material for the Martin& Lewis team while they were making big bucks for the studio. You're Never Too Young was a gender reversal remake of the Billy Wilder classic, The Major And The Minor. Not that anyone would confuse Ginger Rogers and Jerry Lewis.

Just as Ginger Rogers was pretending to be a juvenile in the Wilder film, Jerry is pretending to be a little boy because there's a killer after him. The killer is Raymond Burr and he's killed a man to obtain a very valuable diamond. In trying to escape the hotel where the crime happened Burr palms off the diamond and eventually it winds up with Lewis.

On the train to Blitzen, Washington (is there such a place) Jerry meets up with Dean Martin and Diana Lynn going back to a girl's school. Also on that train is Burr forcing Jerry to adopt that disguise. Jerry takes shelter with them and boards at the girl's school. Lucky dog.

Arthur Schwartz and Sammy Cahn teamed to write the score for You're Never Too Young of which the number Simpatico done in a nice Latin tempo by Dean is the best. There's Nina Foch in the cast playing a designing woman whose designs are on Dean and her mother runs the school. And we can never forget Veda Ann Borg who always adds something to any movie she's in. Watch her try to vamp the diamond out of Jerry.

Even missing some of the Billy Wilder bite, You're Never Too Young is a funny enough film that will please more than Martin&Lewis fans.

Considered the best of the Martin and Lewis comedies, this remake of "The Major and The Minor" (with Lewis in the Ginger Rogers role as an adult disguised as a child to qualify for a half-fare train ticket) improves on the original with a never ending romp of slap-stick humor, musical comedy numbers, and color. Diana Lynn, who plays a teacher, played the teenage roommate to Ginger Rogers in the original. Diana Lynn also starred in Martin and Lewis' debut films "My Friend Irma" and "My Friend Irma Goes To New York." Lewis as a boy is never really believable, but that's okay, it's meant as a spoof of anyone who has tried to pass off an older child as younger for half fare tickets. Most important, the humor is very, very fast and funny. Despite some nice musical moments between Dean and Jerry, there is no mistaking this is Jerry's tour-de-farce, and the reason for their split up obvious. Enjoy the pinnacle of their partnership.