El favorito de la reina

The Virgin Queen marks Bette Davis's second go around as Elizabeth I of England. The first and better known film was done in 1939, The Private Lives of Elizabeth and Essex. The action in that film takes place at almost the very end of her regime in 1602. Bette Davis who was 31 at the time was made up to look the 66 that Elizabeth was then.

This film takes place 15 years earlier, but Bette is now 47, a lot closer in age to the real Elizabeth then. The film is a fictional account of the arrival of Sir Walter Raleigh at her court and what transpired therein.

Raleigh is played by Richard Todd, the Private Lives of Elizabeth and Essex, Raleigh was played by Vincent Price. These are two quite different Raleighs, Todd is here, self described as blunt speaking plain soldier who wants Elizabeth to give him a ship to explore the new world. By 1602, Price's Raleigh has become every bit the flattering courtier that he as Todd so despised.

All royal courts are places of intrigue by their very nature, Elizabeth's even more so. First of all she was a woman who did like young handsome men around her. In her early days it was Robert Dudley, the Earl of Leicester played here by Herbert Marshall. Later on it was Christopher Hatton who is played by Robert Douglas. Then it was Raleigh and last the Earl of Essex, the protagonist in the earlier Davis Elizabethan role. These guys fought for her favor and she kind of enjoyed pitting them against each other. In addition she had the Cecils, uncle William and nephew Robert also serving here. There was no romantic attachment there and Francis Walsingham as well with no romance involved. Each one of these people had their good and bad qualities and served Elizabeth well in his own way.

Also she was known as The Virgin Queen because she was unmarried though I doubt strongly she physically kept her virginity. She was the last of the line of Tudors, the succession was very much up in the air. The threat of civil war, like the War of the Roses in the previous century. None of these guys knew who would wind up succeeding her, they all had to be on nimble feet to make the right jump. A wrong decision could cost somebody his head.

This is the background of what Raleigh was dealing with in Elizabeth's court. It's not true however that Christopher Hatton was the villain as shown here. He was battling for his survival like everybody else.

What is true is that Raleigh while Elizabeth was drawn to him, was in turn drawn to Bess Throckmorton one of her ladies in waiting. He did secretly marry her and got her pregnant as the film states. And Elizabeth I got her dander up as she was wont to do.

I'm sorry the Cecils and Walsingham were not included in this film. They were both very much on the scene, it's the biggest inaccuracy of the film.

It's not good history, but fair enough entertainment. Note the presence here of both a young Joan Collins as Ms. Throckmorton and Dan O'Herlihy as Raleigh's Irish sidekick. Both do good jobs in their parts.

This one should have been a lot better, considering the pedigree of its cast and the professionals behind the camera, including the always reliable Franz Waxman, contributing a score that must have sounded wonderful when those theaters equipped with stereophonic sound systems played this costumer during its first release.

But director Henry Koster's touch is particularly pedestrian in this one. (Note how he stages the legendary scene when Sir Walter Raleigh spreads his cape across a muddy patch for Queen Elizabeth to glide over it without soiling her royal hem. Tossed off as if it weren't worth showing!) And the script seems to be regurgitating all those well-worn cliches about a love and sex-starved Queen Elizabeth I surrounded by male courtiers who have only their various personal ambitions to keep them apparently interested in her feminine needs.

Bette does her best (and even supposedly consented to shaving herself bald for the role!) and Richard Todd and a young and lovely Joan Collins convince as a couple willing to risk the frustrated Queen's wrath to consummate their love. And it's always a pleasure to see actors like Dan O'Herlihy and Herbert Marshall in support, despite how woefully little is made of their talents.

Beware the VHS version, a "formatted" desecration of the original 2.55:1 CinemaScope ratio. For no other reason this handsomely mounted production deserves to be given the widescreen DVD treatment.

Basically a soap opera of it's day with Queen Liz and Elexis Carrington fighting over the handsome, young cad, Sir Walter Raleigh who among other things introduced cigarettes to the world. The movie won an academy award for its costumes which unlike the events depicted in the film are spot on in their historical detail.

Bettie Davies is brilliant as The Queen (the template for Miranda Richardson's version in Blackadder II) and Richard Todd looks the part as the dashing Sir Walter Raleigh. The DVD cut of this film, issued as part of the Studio Classics series, is pristine with the digital format bringing out the sheer spectacle of colour in the scenes in the royal court.

A great old fashioned drama.

Bette Davis is again "The Virgin Queen" in this 1955 film, and this time, her attention is on Sir Walter Raleigh. Earlier, in a more interesting film, "The Story of Elizabeth and Essex," she was the younger Elizabeth and the Earl of Essex was Errol Flynn. "The Virgin Queen" is sumptuous in its production, done in color, and the costumes deservedly won an Oscar. Here Elizabeth is older and becomes fascinated with Walter Raleigh (Richard Todd) when he comes to her court to request three ships to sail to the new world in search of treasure on behalf of England. She puts him in charge of the palace guard; he in turn falls for a lady-in-waiting, Lady Elizabeth Throckmorton (Joan Collins) and secretly marries her. The queen grants him one ship, but while he's preparing it, he finds out that Elizabeth Throckmorton is pregnant with his child. Unfortunately, Elizabeth finds out too and has him placed under arrest.

This is a mildly interesting film and historically not very accurate, though it is true that Sir Walter married Beth Throckmorton secretly, she became pregnant, and he was arrested. The real story is simplified in the film. It makes for not very exciting viewing, though the acting is strong and the cast excellent - besides the stars mentioned, Herbert Marshall is Lord Leicester and Dan O'Herlihy is Lord Derry.

Bette Davis does a marvelous job as Elizabeth, a tough, feisty, demanding and sometimes angry woman. Nobody could look as bad as Davis when she felt it was necessary for the role - she allowed four inches to be shaved from her hairline (Elizabeth had lost her hair due to fever) and wears what can only be called a fright wig. Hollywood stars back then would dress down, muss their hair, maybe cut back on the makeup, but Bette set the bar quite high for acting generations to come when it came to distorting her appearance. She is very effective in the role - as someone pointed out, she's a Yankee playing a British queen, and you never doubt that she is one. Richard Todd handles the language beautifully, but while he may have more depth than someone like Flynn, he doesn't exhibit the necessary charisma and charm. Joan Collins is young, beautiful, and does a good job as Elizabeth Throckmorton.

Worth seeing for the elegance of production and for that fabulous force of nature, Bette Davis.

I cannot help but be disappointed by the reviews this movie has thusfar received in IMDb, but not surprised.

With respect to Glenda Jackson and Cate Blanchett, neither of those ladies can hold a patch on the brilliant Bette Davis, perhaps the greatest actress ever, as the immortal Queen Elizabeth I, perhaps the greatest monarch that England ever knew.

Whether or not the movie is weak history, the movie shines as a vehicle for La Davis. Richard Todd gives a decent performance, although I submit he has neither the acting chops nor the charisma of Errol Flynn. But he serves well in the role.

The costumes, cinematography and screenplay are bright and arresting. And like it or not, Bette Davis' brilliant, mannered, and astoundingly powerful depiction of Queen Elizabeth I has informed every ensuing depiction of the Virgin Queen