Los implacables

and I liked this movie quite a bit. Jane Russel was great--she definitely was the reason I stayed on AMC while I was flipping through the channels on my TV set. This didn't strike me as the typical western--there were very few shoot outs and more character development and beautiful scenery than I had expected. The three major characters were well fleshed out and interesting, although the more minor ones were often one-dimensional and sometimes hackneyed. Jane Russel's character was a strong-spoken woman who at times is a bit putting off because of her appearance as a gold digger, but this simply adds to the multiple dimensions of her character. Although she may not be consistently likable, she is sympathetic nonetheless, and makes the movie worth watching. I do recommend this movie--perhaps not to fans of westerns, but to anyone who likes old fashioned love stories with interesting and believable characters.

...that's enough for me.That's what Jane Russel sings ,and this ditty comes back as a leitmotiv ,along with another one,a rather saucy song about her peaches ,and the tree the man who wants them has to climb up to.Russell has a big dream,and Gable a small one,there's the rub;wealthy Ryan can provide Russell with the luxury and easy life she longs for :in a long conversation with Gable,Russel tells him about her childhood,and her mother who died in the harness ,and however "daddy used to love her as much as it could be".The movie is nothing but an initiatory journey for Russel,who plays the only character whose psychology will mutate along the way.

This is a classic western,which recalls "red river" , a bit overlong because an action-packed story this is definitely not.The cinematography is splendid ,and enhances marvelous landscapes with a good use of scope ,but the movie lacks madness of earlier Walsh works such as "Colorado territory" or "pursued" or even later extravaganzas such as "band of angels".

The tall men in question are Clark Gable, Robert Ryan and Cameron Mitchell heading a cattle drive to Montana through some of the most spectacular scenery in any western and Jane Russell is the woman along for the ride in Raoul Walsh's handsome, large-scale and decidedly old-fashioned movie. There isn't a great deal of plot and the tensions between the central characters are never fully developed but it's well-played and director Walsh handles the action sequences with aplomb. Sad to think, though, that within five years Gable would be dead and a new breed of darker, more intense psychological westerns would have replaced Boys Own Adventure movies like this one. It was among the last of its kind.

Clark Gable is the trail boss who ramrods a cattle drive from Texas to Montana in this colorful, sprawling western that has plenty of action. Jane Russell supplies the romance, such as it is, between Gable and co-star Robert Ryan, who'll stop at nothing to owning all of Montana because he dreams big dreams. Naturally, Gable comes to the rescue of Russell a time or two during the film but her head is turned by Ryan's promise of a pot of gold at the end of the rainbow. Beautiful Mexican scenery is the backdrop for this story as the herd makes its way north to Indian country. A lengthy battle takes place between the cattlemen and the Indians that is expertly done but Gable's cunning saves the day, and the beef, for Mineral City. The cast, CinemaScope lensing and Victor Young's plaintive music score are all very good.

Salty, surly star-driven western about a cattle drive from Texas to Montana. Would-be rancher Clark Gable vies for the hand of wisecrackin' Jane Russell with banker Robert Ryan, but Jane's lookin' for a tall man and plenty of rainbows! Good-looking if rather unexceptional time-passer from director Raoul Walsh. Screenwriters Frank Nugent and Sidney Boehm, working from the novel by Heck Allen (using the pen-name Clay Fisher), smoothly intermingle Indian clashes and Mexican stand-offs with jovial exchanges between the characters (also Russell singin' in the washtub). Enjoyable of its type, with attractive cinematography by Leo Tover and another solid performance from Gable. **1/2 from ****