La venganza del hombre monstruo

The Creature from the Black Lagoon is back! This time he's captured by scientists and transported to an aquarium in south Florida...

Jack Arnold returns as director, and he has brought Ricou Browning back as the creature. 1950s science fiction lead John Agar is also here, making this a pretty solid sequel. (And who can be opposed to a film with Clint Eastwood in it?)

I guess a lot of people harp on this film. Mike Mayo calls it "insipid" and "a joke." Howard Maxford calls it "run-down". Well, I like it better than the original. I really, truly do. I feel more happens and the plot is more developed. I would have to watch both again to make a definitive statement, but I watched them both back to back and was bored by the first compared to the second.

Director Jack Arnold and company took great care in this one to make the 3-D effects look more natural. While there are no chairs or spears thrown at the camera, there are still plenty of thrilling moments when the creature advances into view and even a couple of false frights, as when a threatening shadow turns out to be no more dangerous than Lori Nelson's hand.

Admittedly the screenplay has its weak links. Depending largely on unlikely co-incidences, the storyline pays scant regard to consistency or logic, while the dialogue is not only trite and banal but seems to go out of its way to provide a persistent assault on the viewer's intelligence by explaining what we can actually see for ourselves. No-one can walk to the bathroom in this film without someone providing a running commentary. Worse, the characters prove little more than pasteboard figures which indifferent actors like Agar and Nelson struggle to bring to life. Miss Nelson is further handicapped by the large amount of make-up she was forced to wear for the 3-D cameras. True, the effect seemed not only attractive but perfectly natural when the original film was projected through a 3-D filter and then viewed through polaroid glasses. She still looks great when framed through a Marineland window, but in bright sunlight the effect now looks ridiculous.

Of course, the Creature himself seems far less menacing (and far more obviously a stuntman in an ill-fitting rubber suit) when exposed to the glare of flat, over-bright 2-D scrutiny.

Nonetheless, the skill of Jack Arnold's direction, particularly in his efforts to disguise obvious 3-D tricks and use depth to produce shock in a seemingly more realistic way, gives the movie sufficient interest and vigor to overcome all script and histrionic short-comings.

Production values benefit from location filming and it's good to see Scotty Welbourne handling all the photographic chores on this one, both underwater and main unit. Of course, in 2-D the picture looks over-lit as it was lensed with 3-D's 20% light reduction firmly in mind.

Okay, this sequel is miles away from having the taut tension, creepy atmosphere, wonderful character acting, and decent script the original The Creature From the Black Lagoon had. No argument here. But, this film does have its moments, and at the very least is an adequate sequel. It has little of the suspense of the first film, especially in the first 45 minutes where very little of note occurs. Two fellows and the wonderful Nestor Paivia are back on the Rita in search of the missing link creature. They capture him, and the creature is transported to a Sea World type of place for housing, experimentation, and to be gawked at. The creature shows the scientists there, the male lead is John Agar with his hokey yet enjoyable acting style and the female is Lori Nelson who can at the very least fill out a swimsuit very nicely, that he can think and is very closely related to man. Eventually he escapes and falls in love with the beautiful Nelson and abducts her and moves along the waterways....leaving her on the land while he gets back in the water. It's a romance that will bring tears to your eyes. The script is probably the weakest link in the film as we are asked to believe that the creature knows where and when Nelson will be when he crashes a party at a bar and steals her away...literally! The acting is pretty standard here. No one in particular stands out except good old Nestor. Clint Eastwood has a brief and silly cameo in the beginning of the film. What about the creature? He is impressive. The underwater shots are handled nicely by director Jack Arnold. The film also says something about man's nature to toy with nature for his own pleasure...whether that pleasure takes the form of clinical scientific research or in just spending a day at an aquarium staring at some kind of natural freak.

Yep, the gill-man from "Creature from the Black Lagoon" is back! This time, they capture him and put him in a Florida aquarium. But sure enough, the poor sucker has the hots for a beautiful young woman.

"Revenge of the Creature" is simply a fun movie to watch. Admittedly, a lot of it is VERY dated, but we can understand that. To be certain, a specific shot of Lori Nelson must have given millions of boys their first carnal experience. Of course, one of the most significant things about this movie is the appearance of Clint Eastwood in his debut: he plays the lab technician who can't find his mouse. Dirty Harry isn't feeling so lucky in that scene after all! Anyway, it's the sort of movie that you just watch to enjoy. They must have had fun making it. Also starring John Agar (Shirley Temple's first husband).

Like I said: millions of boys must have LOVED that one shot of Lori Nelson!

No doubt designed to make a fast buck in the 50s, you still get the Gill Man, one of the coolest of all monster designs ever, and a woman to throw cars for and swim thousands of miles for in beautiful Lori Nelson.

Even in a production without much life, the Gill Man still seems

powerful and mysterious, and his biological drive to mate with Ms. Nelson is interesting considering the long lineage of sympathetic monsters in love with knock-out blondes and brunettes. Sadly, the idea of the monster, the tragic beast longing for what is impossible to him (Wolf Man, King Kong, the Mummy) is a distant memory in filmdom. There was the recent DARK MAN, and Nicholson's WOLF, but these are obvious throw-backs to a time when monsters were more than scurrying guerrillas attacking from the shadows or machine-like mass murderers who cannot be killed. I won't count fluffy-haired vampires, whose allure as suave parasites is not "monstrous". A monster, in classic terms, in love with a beautiful woman, is denied her by the facts of their existence. Either because of grotesqueness or species-differences,

the monster endures pain, capture, and often death in his attempt to carry a Lori Nelson in his arms through a moonlit swamp.

In REVENGE the Gill Man is probed, prodded, and stared at by tourists, definitely the worst fate, though this allows the Creature to establish a magnetic attraction to Lori Nelson. You get a great escape, more Lori Nelson in bathing suits, a big bohunk who has an unhealthy fetish with wrestling the Gill Man hand-to-hand, and lots more Lori Nelson in a bathing suit. What you don't do is watch this movie for any reason but to see the Gill Man thrash in the water and smack

bohunks...and if you're a fan of the Creature and classic monsters, you'll understand the tragic consequences when you're a walking fish-man who's half-man enough to love a human woman, and whose tears probably would never show, in the depths of the deepest lagoons.