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This movie is one of John Ford's best. I have seen this movie many times, and it only improves with age. A truly heart warming story of a man who came from Ireland and found a new home at West Point, home of our oldest Military Academy. If you like tradition and biographies, this movie is one that you can't help but to love. The only bad thing about the movie is that it is not shown enough and doesn't get the credit it deserves.

First of all, I must admit I am biased. My mom went to college with Marty Maher's niece, Maggie. However, as another reviewer pointed out, this is John Ford at his best, with Tyrone Power playing the part of John Wayne.

Although I do like Wayne, this part called for a better actor, and Ford cast Power brilliantly.

I also can usually smell bad Irish accents from miles off (don't get me started on all of those awful 'irish spring' commercials), but Power sounds like Frank McCourt was coaching him.

The main points of the story are fact based, but some of the events at the end were rearranged to flow better in the movie.

Overall, for John Ford fans, this one is a 'don't miss'!

Although the film has a running time of two hours+ ,for it tells the story of a man's entire life ,from his enlistment (and even before) to his old age,there is never a dull moment .

John Ford was one of the most wonderful storytellers that ever was.The first part of the film is made of trivia,but everything is endearing ,moving .Take the dad's and the brother's arrival:no syrupy violins and choirs needed: the Irish are doing Mary's cooking justice and they are not in a hurry to hug Marty.The same goes for Marty/Mary when they fall in love:what could be more down to earth than this kitchen ?And however something vibrates ,as the love they all feel for the country they left behind.

The second part deals with wars and if the tone has changed ,the spirit remains intact:what could be more prosaic than burning Mary's toilet to celebrate the end of WW?Although the hero experiments tragedy ,Ford always avoids pathos and melodrama: the child's death during the celebration is given a sober treatment.Mary's passing is perhaps the most beautiful scene in the whole movie,being Fordesque to the core (remember the death of the mother in "three godfathers") and her fleeting reappearance at the very end of the movie is not irrelevant.

A life is made of small joys and big griefs.

I've been humbled! I thought of myself as a movie buff. This one slipped past me. I'm a fan of Ford and everyone in this movie. I must admit I had never heard of this movie. Terrific story telling! The music brought back a lot of memories. The old saying "they don't make 'em like that anymore" certainly applies to this one. Telling a good story and characters you care about is more important than spending $100 million. Some of our current film makers could learn from this movie. You can entertain people sitting around a camp fire telling stories. Just tell a good one and make them care. I'll be adding this film to my library!

The mix of biography, comedy and drama interested me. There are many films where comedy and drama balance well together, but when biography is included in the mix too it is dependent on who is being depicted. Have said more than once about liking John Ford a lot, especially for 'The Quiet Man' and a lot of his Westerns. Tyrone Power is not one of my favourite actors, but he did show more than once that he could give good performances and the supporting cast that includes Maureen O'Hara and Donald Crisp promises a lot.

From personal view though, 'The Long Gray Line' was another case of promising more than delivering. Not in a very bad way, as it's not bad at all and has a fair share of good things. 'The Long Gray Line' more an uneven film, with it getting better as it went on after a deceptively not so good start. Well made and acted in particular but the script and story could have done with more work and been more consistent, it's not a misfire for Ford but it's not one of his must sees. Nor is it quite one of his worst, 'Tobacco Road' for example was worse and 'The Long Gray Line' felt more like it was directed by Ford.

A lot of great things can be seen here. The best asset to me was the acting. Power is excellent, while knowing that he could do comedy and quite well (and he shows that here) he really stretches his dramatic acting chops here as well and in an authoritative and moving way. O'Hara is alluring and looks as if she was having fun in her role, being at ease with her role. Crisp is in the type of role he played well and plays the role with ease. Ford's direction is much better here than in 'Tobacco Road', it's still not inspired as such but there is more of his recognisable style here and he seemed more involved and opened up. The film looks great, especially the photography which is at its best gorgeous. The costumes are handsome enough and the settings don't look phony. The music has jauntiness and elegance.

Moreover, Ford directs with an expert hand. He doesn't seem uncomfortable with the material, nor is he uninterested in it, even if it is not some of his most inspired. The script does have intelligent moments, when the film gets going a good deal of it is quite touching and even though there is a strong sentiment it is not too over-powering. And the characters at least feel like real people.

However, 'The Long Gray Line' doesn't start off all that promisingly. There is more of a comedic tone and the comedy is not particularly funny and can feel a bit corny and try hard. Some of the dialogue early on is banal and doesn't always flow.

Story-wise, it is a case of starting off dully and in a forced way but gets better if stuck with. It would have been even better if the storytelling wasn't as conventional and took more risks.

Concluding, worth seeing but not an essential. 7/10