The Life and Legend of Wyatt Earp

This tremendously popular and long-running half-hour series featured changes of locale, added characters and deaths, and in several cases changes of the actors plying parts. Central to the proceedings from first to last from 1955--1961 was lean and athletic Hugh O/Brian as a plausible young Wyatt Earp. Into this the life of this fictionalized American icon, other characters real and imagined were introduced. The series was first located in Kansas cattle towns such as Wichita and Dodge City; then O'Brian moved to Tombstone, Arizona. He became and remained a town marshal during this time. Other regulars of note in this very intelligently-made, innovative and realistic series--one whose 'history' was decidedly not of a documentary variety--included Lloyd Corrigan as Ned Buntline, Alan Dinehart as Bat Masterson, several Doc Hollidays, Gloria Talbott, Don Haggerty, Denver Pyle, Damian O'Flynn, Carol Stone as Kate Holliday, Selmer Jackson, Randy Stuart, Wlliam Tannen, Paul Brinegar as Mayor "Dog" Kelly, Trevor Bardette as Old Man Clanton, Steve Brodie as Sheriff Johnnie Behan, Ross Elliott and others as Wyatt Earp's brothers, etc. The peculiar and memorable structure of the show allowed "changes" in character, relationships, locations, etc. when many series did not permit such alterations. In addition, the show's producers used some actors in guest roles many times, including Sam Flint, Steve Pendleton, Rico Alaniz and more. Guest stars of note included Anna May Wong, Arthur Space, Ann Robinson, Howard Petrie, George Wallace, Richard Travis, Robert Lowery, James Coburn, Peggy Knudsen, Fay Baker, Carolyn Craig, Jim Bannon, Nancy Hadley, Whitner Bissell, Angie Dickinson, Francis de Sales, Peter Mamakos, Ed Nelson, Richard Devon, Lane Bradford, Dorothy Green and John Vivyan, plus many more. Directors of record included Paul Landres and Frank McDonald. The staff of writers included Frederick Hazlitt Brennan, John Dunkel and Dan Ullman. These professionals kept up the show's very consistent quality throughout, I suggest. During its run, this series was shot by six cinematographers but only two art directors, by Ralph Berger and Albert M. Pyke, created its authentic western 'look'. Set decorations were done by Jack Mills and Kenneth W. Swartz. Bruce Bilson was second-unit director, with Hollywood veteran Roy Rowland as executive producer. The producers employed a gun expert, several production specialists and very good but less-expensive talents in order to keep up their high-standard of quality. The series ended with a memorable five-part but not-very-accurate gunfight at the OK Corral. This by my lights was a first-rate narrative TV series, I assert, one which was much imitated for decades afterward. Also of note was the show's theme song, whose picture of Earp set the tone for Eliot Ness, The Lawman, and Kojack among many other TV lawmen to come.

For my wife when she was a girl, Hugh O'Brien was Wyatt Earp. A cleaner better hero would be hard to find. When he finally killed someone, Wyatt was devastated and the star portrayed it beautifully. Oddly, there is some evidence this was historically accurate. No semi-professional gambling, no failed businesses, no "wives" and yet the staging of the famous Tombstone street fight was, garb apart, among the least inaccurate. Based on Stewart Lake's imaginative biography this series did for the 1950s what Lake's book did for the 1930s: cemented the Legend of Wyatt Berry Stapp Earp for as long as anyone remembers the Old West. Recently (2009) I watched the episodes contained in a boxed set of DVDs and was frankly astonished at Hugh O'Brien's portrayal of Wyatt Earp. There was an edge, a darkness to his Earp that I missed when I was young. O'Brien certainly captures the nobility that Lake's book placed to the fore but the actor also captured very subtly the coldness, the reserve, the calculating quality of the real Earp. I now, half a century after first watching "The Life and Legend of Wyatt Earp", have belatedly realized what a fine actor Hugh O'Brien was. Thank you, Mr O'Brien!

This prime-time Emmy nominated series along with "Gunsmoke", and "Cheyenne" set the stage that launched a great era of television Westerns. "The Life and Legend of Wyatt Earp" was one of the tremendously popular half-hour shows that featured changes in locate while adding characters and changes of the actors playing the parts. Originally offer to George Montgomery, the title part went to lean and athletic actor Hugh O'Brien who remained with the series throughout it's entire six-year run who appeared in all 229 episodes. This was one of the great Desilu produced Westerns to come out of the mid-1950's with big name guest stars and superb writing and direction in all episodes. "The Life and Legend of Wyatt Earp" premiered on ABC's prime-time schedule on September 6, 1955 premiering exactly four days before "Gunsmoke"(which aired on a rival television network) and produced by Robert Sisk, Louis F. Edelman, and Roy Rowland(who served as the executive producers of this series). "Wyatt Earp" was placed on ABC's Tuesday night schedule in prime-time for the remainder of it's run which aired at 8:30pm eastern/7:30pm central. The series was produced by Desilu Productions(the production company founded by Desi Arnaz and Lucille Ball)and was filmed at the Desilu-Cahuenga Studios. The show's sponsors throughout it's run were The General Mills Corporation, Proctor & Gamble, and The Parker Pen Company. A total of 229 episodes were produced in black and white from September 6, 1955 until the final episode of the series on June 27,1961. Interesting note about this show. An off-camera barbershop quartet(The Ken Darby Singers)sang the theme song and hummed the background music during the first two seasons.

Hugh O'Brien was the perfect choice as Wyatt Earp,the fictional character whose reign of law and order in the Old West set the stage for what was to come. During the series six-year run, it started with Wyatt's experiences as the deputy town marshal for the first four episodes in Ellsworth, Kansas and then moving towards Wichita,Kansas. There the show shifted from his stint in Dodge City, Kansas to Tombstone,Arizona Territory(toward the show's final two seasons). This brilliantly produced and intelligent writing of this series brought on board great guest stars as well as keeping TV-Viewers tuned in for some great action sequences that made this show stand out from all the other Westerns that came during the mid-1950's. Some of the best writers lend themselves to some of the great episodes ranging from John Dunkel to Wells Root, Frederick Hazlitt-Brennan, Buck Houghton, Dan Ullman, to Michael Fessier, Thomas Reed, Richard Sanville, and Celeste Plank. Big name directors like Frank McDonald, Roy Rowland, Paul Landres, Sidney Salkow and Lewis R. Foster contribute to some of the episodes.

Several big name guest stars appeared on this series ranging from newcomers like Angie Dickinson, Ed Nelson, James Coburn, Stacy Harris, Mike Connors(the future "Mannix"), Ron Ely(the future "Tarzan"),and James Best, Robert Fuller(the future "Laramie"), along with Steve Brodie to seasoned actors like Morgan Woodward, Paul Brinegar, Ray Kellogg, Denver Pyle, Lash La Rue, to Glenn Strange, John Anderson, John Dehner, Gloria Talbott, Gregory Walcott, Jean Allison, Harold J. Stone, along with Barney Phillips, Adele Mara, Whit Bissell, Sheb Wooley, Eddy Waller, John Carradine, Patricia Donahue, Frank Ferguson, Ellen Corby, and Marie Windsor. After "The Life and Times of Wyatt Earp" was canceled on June 27, 1961 after six seasons and 229 episodes, the show that replaced it in the fall of 1961 was the short-lived situation comedy series "Calvin and the Colonel"

I was a big fan of this show back when it was popular; I thought Wyatt Earp was 'the thing'. There was always plenty of action from Wyatt and Doc, and when they weren't taking care of business, Shotgun Gibbs could be counted on for some good gunplay. Two of my favorite western actors were in this one which was another reason for my interest - Myron Healy and Morgan Woodward, 2 of tinseltown's primo bad guys [who did stoop to playing good guys every now and then]. To see these two actors now I must watch some old western that might pop up on tv from time to time. I'll wager the real Wyatt wasn't a handsome, flashy dresser like O'Brien: more like an unwashed thug. Ah, Hollywood.

The corruption of politics, woman's roles, the pain, pride and conflict following the civil war, a non-drinking Marshall who thinks before he shoots - this is a gem from the 50's.

I also enjoy so many of the faces that briefly appear that also came into their own fame in coming years.

Very impressed with the scriptwriters of the show.

This review is based on the first 13 shows of the first season.