Rifle solitario

Formulaic oater with George Montgomery in the straight shootin', straight talkin' , singular expression role of new town marshall, doing his best to clean up the lawlessness factor, best represented by a trio of reprobate brothers led by that eternal 50's B western expert scoundrel actor, Neville Brand. Every thing is quite predictable, but I like the way director Ray Nazzaro keeps propelling the story forward with an absolute minimum of padding , whilst maximising the action and proving once again, that the bad guys can never shoot straight. (LOL! Even one of the brothers notes this of one of his compadres, after a pathetically ordinary, failed dry gulch attempt.)

For extra amusement listen for Montgomery's mispronunciation of what I gather was meant to be "shady", as in "shady tree" in the third act, as a turncoat felon is handcuffed to a tree. To my finely tuned ears , it sounds like a very commonly used, coarse, 6 letter epithet, that just may have slipped past both the sound editors and the censors at the time. Another reason to see a movie, the likes of which they don't seem too inclined to make anymore.

Better than average b-western from 1954 which sees surly loner George Montgomery hired as the sheriff of a town as he is the only man prepared to stand up to a trio of bad-guy brothers led by a chunky Neville Brand. A brisk pace and competent performances. Frank Faylen stands out as an amiable gambler who befriends Montgomery, and Dorothy Malone provides the obligatory love interest.

The lines which open the movie are overkill blah-blah-blah : the story which is about to be told has been treated countless times,before and afterward.

But this is an action-packed entertaining western ,very short (about 70 min) ,which makes the best of a low budget .Frank Faylen steals the show from cardboard Montgomery and reveals himself a smart gambler as well as a fine cook and eventually an efficient deputy ; the card games provide the movie with its best scenes :the poker game with Malone's naive brother and the wrong man reading the cards in his cell ; Malone (whose best parts are Sirk's "Written on the wind" -AA- and "tarnished angels" )is a nice cow-girl but her part is insignificant and conventional.

Watch it for Faylen.

One of the other reviews here summed this up very well: "routine but entertaining B-western with few surprises". It's not going to linger in the mind very long after it's over, but it's pleasant enough to watch while it lasts. It's got a clearly delineated hero and villain and entertaining supporting characters, with the expected brawls and gunfire and impressive rural scenery to take in.

The very stolid George Montgomery plays Cruze, our good guy, who makes the acquaintance of outgoing gambler Fairweather (Frank Faylen, who delivers a nuanced performance, easily the movies' best) while travelling. They arrive in the small town of Marlpine where the mayor (Fay Roope) makes note of Cruzes' fighting abilities and hires Cruze as the towns' marshal. Cruze soon has his hands full dealing with the thuggish Moran gang, a bunch of cattle rustlers led by beefy Tray Moran (Neville Brand, a good antagonist). Cruze falls for local cattle rancher Charlotte Downing (pretty Dorothy Malone) while the amiable Fairweather ends up accused of murder.

As directed by Ray Nazarro, a Western veteran whose career dated back to the silent era, "The Lone Gun" is really no great shakes but its story is easy enough to follow and reasonably enjoyable. Watching some of the actors at work is really the main attraction; also appearing are Skip Homeier as Cass, Charlottes' morally compromised but not really bad brother, Douglas Kennedy and Robert J. Wilke as members of the Moran gang, and Douglas Fowley as the sleazy bartender.

One good thing about these older movies is their often brief running times; for example, this only runs 75 minutes. They very much get to the point and don't waste time. The wrap up is quick and satisfying.

Overall, a fine diversion.

Six out of 10.

Ray Nazzaro directs THE LONE GUN. Not too memorably, though I can sympathize with the fact that his budget cannot have allowed him room for more inventiveness and better production values.

The really interesting and eye-catching detail here is the appearance of a very young Dorothy Malone who would soon rise to stardom with the film WRITTEN IN THE WIND. Here, however, she plays a minor part, though the absence of female competition signals from the outset that she will ride off into the sunset with George Montgomery in the end.

There is an evil brotherly trio headed by the nefarious looking Neville Brand, and that trio is running the town ragged with its crimes, especially cattle rustling and, of course, some homicide for credible measure.

A couple of noteworthy details: 1. A fight on horseback among rocks, in which neither Montgomery nor the dastardly bros seem to care if they get into the line of fire; 2. Homeier as a kind of humorous Doc Holliday to sheriff Montgomery.

Forgettable cinematography and turgid dialogue. 6/10.