PUNTUACIÓN EN IMDb
6,1/10
1,2 mil
TU PUNTUACIÓN
Cuando los blancos persiguen el oro en las tierras de los indios ute, un joven se ve obligado a desempeñar un papel de pacificador.Cuando los blancos persiguen el oro en las tierras de los indios ute, un joven se ve obligado a desempeñar un papel de pacificador.Cuando los blancos persiguen el oro en las tierras de los indios ute, un joven se ve obligado a desempeñar un papel de pacificador.
- Dirección
- Guión
- Reparto principal
George D. Wallace
- Les Walker
- (as George Wallace)
Howard McNear
- Stilwell
- (as Howard Mc.Near)
George American Horse
- Indian
- (sin acreditar)
Carl Andre
- Deputy
- (sin acreditar)
Reseñas destacadas
Fun western that once again covers the old 'Native Americans have something we want so lets go get it' story arc. This time though it has a father son relationship that is explored as the baddies do their thing.
Walter is exceptional in this and Audie does what Audie does.
There is a small branch of the story that refers to Audie being a bigot but it is never really explored and seems to resolve itself too quickly to really have an influence on the story overall.
Good action, well told, enjoyable fare.
Good action, well told, enjoyable fare.
Drums Across the River concerns freighters Walter Brennan and his son Audie Murphy trying very hard to prevent a full scale Indian war which Lyle Bettger and sidekicks seem bound and determined to start.
There's some rich mineral deposits on Ute land which is separated by a river boundary. Lyle Bettger plays on the greed of the white folks to invade the Ute treaty land so the government will send in troops to move them.
Brennan sees the game for what it is, but it takes Murphy a while to come around. When he does he's the heroic Audie we know in most of his B westerns.
Lots of action and a really nice performance by Jay Silverheels as the young Ute chief. Silverheels was on hiatus from the Lone Ranger and he ought to be remembered for more than just playing Tonto.
There's also a nice performance by Mara Corday who is Bettger's squeeze and does quite a bit more for him than the usual moll.
Despite that the film probably suffered from some poor editing and a script in which the character's motivations in doing certain things are a bit vague.
Nevertheless Drums Across the River has enough action to satisfy any western lover.
There's some rich mineral deposits on Ute land which is separated by a river boundary. Lyle Bettger plays on the greed of the white folks to invade the Ute treaty land so the government will send in troops to move them.
Brennan sees the game for what it is, but it takes Murphy a while to come around. When he does he's the heroic Audie we know in most of his B westerns.
Lots of action and a really nice performance by Jay Silverheels as the young Ute chief. Silverheels was on hiatus from the Lone Ranger and he ought to be remembered for more than just playing Tonto.
There's also a nice performance by Mara Corday who is Bettger's squeeze and does quite a bit more for him than the usual moll.
Despite that the film probably suffered from some poor editing and a script in which the character's motivations in doing certain things are a bit vague.
Nevertheless Drums Across the River has enough action to satisfy any western lover.
A Colorful, Winner Western with Audie Murphy in His Element and a Solid Back-Up Cast including Walter Brennan in an atypical Super Serious Role as Murph's Dad.
Some Recognizable Bad-Guys including the always Grinning Lyle Bettger, Bob Steele, and Hugh O'Brian as a Psycho Gunslinger. Jay Silverheels and that always Recognizable Voice has a Small but Important Role as an Indian Chief.
It is quite Striking just how much Plot was Woven into these 80 Minute Westerns, it's just a Treat to Watch it Unfold at a Blistering Pace. The Action Never Lets Up and the Story Layers are Simple and Significant.
The Movie features that Glorious Technicolor that Drips from the Screen, a Look that has been Lost in Time. Overall, this Cowboys and Indians Movie is the Stuff that made Saturday Matinees the Favorite Spot for Kids of the Fifties.
Downtown at the Movie Palace there were Western and Sci-/Horror Entertainment along with Color Cartoons, and Short Subjects and the Kids were there because that was where it was at, through the 1950's.
Some Recognizable Bad-Guys including the always Grinning Lyle Bettger, Bob Steele, and Hugh O'Brian as a Psycho Gunslinger. Jay Silverheels and that always Recognizable Voice has a Small but Important Role as an Indian Chief.
It is quite Striking just how much Plot was Woven into these 80 Minute Westerns, it's just a Treat to Watch it Unfold at a Blistering Pace. The Action Never Lets Up and the Story Layers are Simple and Significant.
The Movie features that Glorious Technicolor that Drips from the Screen, a Look that has been Lost in Time. Overall, this Cowboys and Indians Movie is the Stuff that made Saturday Matinees the Favorite Spot for Kids of the Fifties.
Downtown at the Movie Palace there were Western and Sci-/Horror Entertainment along with Color Cartoons, and Short Subjects and the Kids were there because that was where it was at, through the 1950's.
An Audie Murphy western from 1954. A father/son transpo enterprise are hired to bring a shipment of gold to an embattled location where the Ute Indians hold a tenuous truce w/the passersby. Murphy & Western vet Walter Brennan play the business owners & what they don't know is there are outside forces at play hoping that a war will ignite between the white man & the native peoples so that the Ute's land can be properly exploited. Brennan is hurt in an early skirmish so its up to Murphy to smoke the peace pipe, as it were, w/the Indian elder but he carries a deep seated grudge against them since the chief's son caused the death of his mother. Being a film on the cusp of being truly great & memorable, it's a shame some of the individual elements are glossed over (something a more insightful director may've focused on) so that finish line could be crossed at the 90 minute mark. Look for Jay Silverheels (TV's Tonto from the Lone Ranger series of the 50's) in a pivotal role as the chief's son.
Drums Across the River is directed by Nathan Juran and written by John K. Butler and Lawrence Roman. It stars Audie Murphy, Walter Brennan, Lyle Bettger, Lisa Gaye, Hugh O'Brian, Mara Corday and Jay Silverheels. Music is by Joseph Gershenson and Technicolor cinematography by Harold Lipstein.
"This is Crown City, born and build on gold mining, but by 1880 about the only gold left was across a near by river in the San Juan Mountains, Ute Indian land. People get desperate when their means of livelihood's cut off, and I was no exception. I'm Gary Brannon, my Dad and me ran a freight outfit."
There's a reoccurring saying that often crops up when viewing most of Audie Murphy's Westerns, that of them being unassuming afternoon entertainment. Pour yourself a jug of beer or a glass of wine and enjoy the handsome Murphy going about his Oater business with energy and a straight forward willingness to entertain.
Drums Across the River is a goodie in that context, it also boasts some lovely photography by Lipstein out of California locations that include Barton Flats (San Bernardino Mountains), Burro Flats and Red Rock Canyon. The Technicolor is gorgeous (TV print I saw was very good), with the blues and greens very striking, and the story is interesting as Murphy plays a bigoted young man who finds himself trying to avert a war with the Ute's whilst being framed for robbery himself. Bettger (Union Station) is a more than capable villain, as is the black clad O'Brian (The Lawless Breed), Corday and Gaye are underwritten but a treat for the eyes, and Brennan is the class act that he mostly always is.
Juran (Gunsmoke) directs without fuss or filler, proving to have a keen eye for action construction as the film is flecked with a number of hand to hand fights, shoot-outs and horse play, and prolific Western scorer Gershenson offers up another in a long line of undervalued genre compliant flavours. The stunt work is also of a high standard, with one particular leap of death truly worthy of high praise, and the story rounds out to put a smile on your face as the last sip of beverage trickles down the throat. Few surprises narratively speaking, and the odd B Western budget error shows its face, but this is a colourful Audie Oater and it's all about enjoying without having to think too hard about it. 7/10
"This is Crown City, born and build on gold mining, but by 1880 about the only gold left was across a near by river in the San Juan Mountains, Ute Indian land. People get desperate when their means of livelihood's cut off, and I was no exception. I'm Gary Brannon, my Dad and me ran a freight outfit."
There's a reoccurring saying that often crops up when viewing most of Audie Murphy's Westerns, that of them being unassuming afternoon entertainment. Pour yourself a jug of beer or a glass of wine and enjoy the handsome Murphy going about his Oater business with energy and a straight forward willingness to entertain.
Drums Across the River is a goodie in that context, it also boasts some lovely photography by Lipstein out of California locations that include Barton Flats (San Bernardino Mountains), Burro Flats and Red Rock Canyon. The Technicolor is gorgeous (TV print I saw was very good), with the blues and greens very striking, and the story is interesting as Murphy plays a bigoted young man who finds himself trying to avert a war with the Ute's whilst being framed for robbery himself. Bettger (Union Station) is a more than capable villain, as is the black clad O'Brian (The Lawless Breed), Corday and Gaye are underwritten but a treat for the eyes, and Brennan is the class act that he mostly always is.
Juran (Gunsmoke) directs without fuss or filler, proving to have a keen eye for action construction as the film is flecked with a number of hand to hand fights, shoot-outs and horse play, and prolific Western scorer Gershenson offers up another in a long line of undervalued genre compliant flavours. The stunt work is also of a high standard, with one particular leap of death truly worthy of high praise, and the story rounds out to put a smile on your face as the last sip of beverage trickles down the throat. Few surprises narratively speaking, and the odd B Western budget error shows its face, but this is a colourful Audie Oater and it's all about enjoying without having to think too hard about it. 7/10
¿Sabías que...?
- CuriosidadesTambores fraternos (1954) was shot mostly on the Universal back-lot, with location filming at Barton Flats, Red Rock Canyon State Park, San Bernardino National Forest, Burro Flats Simi Hills, Mojave desert, Kernville and Angeles National Forest, all in California. The Ute territory in Colorado, which had recently been damaged in a forest fire, was recreated for the film.
- PifiasStirrups are visible beneath the blankets on the Indians' horses.
- Citas
Sam Brannon: Now look - you don't have to see a skunk to know he's around.
- ConexionesFeatured in Grandes biografías: Audie Murphy: Great American Hero (1996)
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- How long is Drums Across the River?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Drums Across the River
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 18 minutos
- Relación de aspecto
- 2.00 : 1
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By what name was Tambores fraternos (1954) officially released in India in English?
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