Añade un argumento en tu idiomaLaying on the Missouri-Arkansas border, the neutral Border City, its female mayor and city council take no side in the ongoing Civil War and they're prepared to hang any troublemaker, Yankee... Leer todoLaying on the Missouri-Arkansas border, the neutral Border City, its female mayor and city council take no side in the ongoing Civil War and they're prepared to hang any troublemaker, Yankee or Confederate, who stirs the townsfolk up.Laying on the Missouri-Arkansas border, the neutral Border City, its female mayor and city council take no side in the ongoing Civil War and they're prepared to hang any troublemaker, Yankee or Confederate, who stirs the townsfolk up.
- Dirección
- Guión
- Reparto principal
- Army Captain
- (as Richard Simmons)
- Townsman
- (sin acreditar)
Reseñas destacadas
And they're not the only strong women in the cast. The mayor of the town is a big woman named Delilah Courtney (stage singer Nina Varela), who owns the local lead mines and rules over things with an iron hand, resorting to hangings when anyone breaks the rules of neutrality. Then there are the saloon girls at the Lead Dollar Saloon, who worked for Leslie's brother (Reed Hadley) and then for Leslie's character, Sally Maris, and give her all sorts of advice and assistance throughout the film. One of them is none other than Ann Savage, most famous as Vera, the hard-bitten femme fatale from Edgar G. Ulmer's B-noir classic, DETOUR (1945). Fans of that film will be pleasantly surprised at how charming and attractive Savage could be in other roles. Also on hand is Virginia Christine, a veteran character actress who usually played housewives and suburban moms, but handles herself quite adequately in her saloon role.
The setting of the film is quite unusual. The time is 1863, at the height of the Civil War, and the locale is a little town in the Ozarks that straddles the border between Missouri and Arkansas, one Union state and one Confederate state. Mayor Courtney declares strict neutrality and orders the Union and Confederate troops to stay at least five miles away from town. One of her lead mines supplies the North and the other supplies the South. John Lund, top billed, plays a Confederate officer working undercover as a mine foreman. Brian Donlevy plays Colonel Quantrill, who leads a renegade force of rebel fighters working chiefly on their own and violates the neutrality rules when he brings his men into town. These men include Frank James (James Brown), Jesse James (Ben Cooper) and Cole Younger (Jim Davis). The town is full of men from both sides of the war and the slightest provocation could trigger a violent confrontation on the spot. In fact, the catfight between Kate and Sally begins because Sally is adamant about preventing Kate from singing "Dixie" in the saloon.
Also in the large and colorful cast are Minerva Urecal and Ellen Corby as outspoken town ladies; Richard Simmons ("Sergeant Preston of the Yukon") as a Union army captain whom Kate tries to charm; Gordon Jones (Mike the cop from "The Abbott and Costello Show") as a Union army sergeant; Richard Crane ("Rocky Jones, Space Ranger") as a Union Army lieutenant; and Reed Hadley ("Racket Squad") as Sally's brother, who still suffers heartache from losing Kate to Colonel Quantrill two years earlier. Donlevy had played Quantrill quite memorably three years earlier in KANSAS RAIDERS for Universal. Jim Davis went on to star in the Republic-produced TV series, "Stories of the Century," in which his character, railroad investigator Matt Clark, went after famous outlaws like the ones depicted here, in episodes that used stock footage from Republic westerns like this one. In fact, the opening montage of this film, showing Quantrill's murderous raid on Lawrence, Kansas, relies on footage taken from an earlier Republic western, DARK COMMAND (1940), in which Walter Pidgeon played a character based on Quantrill.
The direction is by Allan Dwan, who'd been directing by this point in his career for 42 years. The screenplay is by Steve Fisher, a specialist at different kinds of pulp genre films (LADY OF THE LAKE, DEAD RECKONING, THE MAN FROM THE ALAMO) and he juggles the different characters and plot elements so well that no one gets lost or cut from the action. Every major character, and I count at least a dozen of them, gets their share of great scenes. Only one is written out early on to pave the way for the bold actions required by another.
Republic brought over auteur favorite Nicholas Ray to direct JOHNNY GUITAR the following year, in lurid Trucolor, with Joan Crawford and Mercedes McCambridge as dueling female antagonists and that film has always gotten extraordinary attention from western scholars and feminist film critics seeking to focus academic respectability on a film rich with Freudian themes and flamboyant theatricality. My sixth sense tells me that ordinary western fans would prefer WOMAN THEY ALMOST LYNCHED. I wish this film were better known and better appreciated.
I am a big fan of westerns and chanced upon this movie. And I found it a very well made and fun movie. The cast on a whole from saloon gals, to mayor and city committee, to bar employee, to confederate and union soldiers including Quantrell raiders, and city folk really seemed to enjoy their roles. My guess this film was a gas to make. The writing was good with appearances of Jesse James and Cole Younger. And directed well by somebody who had many years of experience.
Overall I gave this movie an 8. High rating for a entertaining movie!
¿Sabías que...?
- CuriosidadesThe film was originally planned to be shot in Trucolor.
- PifiasThe film has John Lund's Confederate officer give himself up and declare the Civil War over, because Richmond, Virginia had just surrendered (in early April 1865). However, in actual fact the Confederate Army of Trans-Mississippi, of which he was part, fought on and did not surrender for another month-and-a-half.
- Citas
Sally Maris: What do you wish for?
Jesse James: Wishing's cheap.
Sally Maris: Your nicest, shiniest wish... what is it?
Jesse James: Just something silly.
Sally Maris: Tell me, please.
Jesse James: You'd laugh.
Sally Maris: I won't laugh... and i won't Tell anyone else.
Jesse James: A place all my own. A ranch... with all kinds of animals on it.
Sally Maris: Is that all?
Jesse James: A girl... with red hair maybe. One of us, all clean, brand new.
Sally Maris: You think she'd want to be married to an outlaw?
Jesse James: But i won't be an outlaw!
Sally Maris: If you keep on like this, you'll be an outlaw till you're dead.
Jesse James: That's what they say.
Sally Maris: There won't be any ranch. No brand new girl with red hair. There won't be anything.
Jesse James: I can hear right.
Sally Maris: You think about it.
Jesse James: I will think about it.
- ConexionesReferenced in Nausicaä del Valle del Viento (1984)
Selecciones populares
- How long is Woman They Almost Lynched?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- The Woman They Almost Lynched
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 30 minutos
- Color
- Relación de aspecto
- 1.37 : 1