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IMDbPro

La guerra de los mundos

Título original: The War of the Worlds
  • 1953
  • A
  • 1h 27min
PUNTUACIÓN EN IMDb
7,0/10
40 mil
TU PUNTUACIÓN
La guerra de los mundos (1953)
Theatrical Trailer from Paramount
Reproducir trailer2:19
1 vídeo
99+ imágenes
AcciónCiencia ficciónÉpica de ciencia ficciónInvasión alienígenaThriller

Un pequeño pueblo de California es atacado por marcianos, lo que da comienzo a una invasión mundial.Un pequeño pueblo de California es atacado por marcianos, lo que da comienzo a una invasión mundial.Un pequeño pueblo de California es atacado por marcianos, lo que da comienzo a una invasión mundial.

  • Dirección
    • Byron Haskin
  • Guión
    • H.G. Wells
    • Barré Lyndon
  • Reparto principal
    • Gene Barry
    • Ann Robinson
    • Les Tremayne
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,0/10
    40 mil
    TU PUNTUACIÓN
    • Dirección
      • Byron Haskin
    • Guión
      • H.G. Wells
      • Barré Lyndon
    • Reparto principal
      • Gene Barry
      • Ann Robinson
      • Les Tremayne
    • 308Reseñas de usuarios
    • 83Reseñas de críticos
    • 78Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 1 premio Óscar
      • 5 premios y 2 nominaciones en total

    Vídeos1

    The War of the Worlds
    Trailer 2:19
    The War of the Worlds

    Imágenes149

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    + 143
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    Reparto principal99+

    Editar
    Gene Barry
    Gene Barry
    • Dr. Clayton Forrester
    Ann Robinson
    Ann Robinson
    • Sylvia Van Buren
    Les Tremayne
    Les Tremayne
    • Maj. Gen. Mann
    Robert Cornthwaite
    Robert Cornthwaite
    • Dr. Pryor
    • (as Bob Cornthwaite)
    Sandro Giglio
    Sandro Giglio
    • Dr. Bilderbeck
    Lewis Martin
    Lewis Martin
    • Pastor Dr. Matthew Collins
    Houseley Stevenson Jr.
    • Gen. Mann's Aide
    • (as Housely Stevenson Jr.)
    Paul Frees
    Paul Frees
    • Second Radio Reporter…
    William Phipps
    William Phipps
    • Wash Perry
    • (as Bill Phipps)
    Vernon Rich
    Vernon Rich
    • Col. Ralph Heffner
    Henry Brandon
    Henry Brandon
    • Cop at Crash Site
    Jack Kruschen
    Jack Kruschen
    • Salvatore
    Cedric Hardwicke
    Cedric Hardwicke
    • Commentary
    • (voz)
    • (as Sir Cedric Hardwicke)
    Peter Adams
    Peter Adams
    • Pine Summit Fire Watcher
    • (sin acreditar)
    Eric Alden
    Eric Alden
    • Man
    • (sin acreditar)
    Hugh Allen
    • Brigadier General
    • (sin acreditar)
    Ruth Barnell
    • Mother
    • (sin acreditar)
    Edgar Barrier
    Edgar Barrier
    • Prof. McPherson
    • (sin acreditar)
    • Dirección
      • Byron Haskin
    • Guión
      • H.G. Wells
      • Barré Lyndon
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios308

    7,040.3K
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    Reseñas destacadas

    Sargebri

    Good Adaptation

    Even though this is not a literal translation of the H.G. Welles classic, this is still a good film. I especially loved how it was updated to the 20th century and that all our modern weapons, including the atom bomb, couldn't destroy the Martians. George Pal is definitely one of the most underrated directors of science fiction and this film along his When Worlds Collide and The Time Machine stand out among the great science fiction films of all time.
    dvanwormer23

    Freaked Me Out

    Cheesy, Yes! But...

    Probably the creepiest and most horrifying scenes in Filmdom was when the Martian crept up behind our heroine and clamped its tarsier-like fingers on her shoulder.

    She freaked, but not immediately. She paused. Reacted to that touch. Slowly turned her head around and LOOKED at the offending appendages.

    This entire moment of horror and violation took about four to six seconds.

    Her mind - finally - comprehended it. IT had touched her.

    Then she lost it.

    One of the best screams in film history. Great acting and just overwhelming.

    For that one scene, I love this movie. Creepy as hell!
    8gavin6942

    Impressive Effects For the 1950s

    The film adaptation of the H.G. Wells story told on radio of the invasion of Earth by Martians.

    So, you know, most of the backgrounds look like matte paintings, creating a set that is only about ten or twenty feet in depth. But that is unimportant. The colors, the impressive meteor and alien technology... few films -- maybe none -- were able to look so incredible in that era.

    The story has been told multiple times, and most people are probably aware of the basics. But this version may be the best, far better than the Tom Cruise version fifty years later, and maybe even better than the original radio drama.
    DrLenera

    Flawed adaptation and a bit dated, but a definite highlight of 50s sci-fi

    H.G.Wells' The War Of The Worlds remains a terrifying novel, and two adaptations of it have justifiably passed into popular culture, the Orson Welles radio production in 1938 which convinced many Americans that creatures from Mars actually WERE invading Earth, and Jeff Wayne's 1978 musical album, which still holds up today. The film Independence Day was basically a semi-remake, and of course we are all probably looking forward to the Steven Spielberg version. Somewhat forgotten amongst all those is this 1953 film version, which is a shame. It has considerable flaws, and deviates form the book considerably. However, it's still very enjoyable.

    One really needs to think how spectacular and darned frightening it must have seemed to 1953 audiences. Films about aliens visiting Earth had up to than been relatively low key, they would have aliens taking human form, or coming in peace, or just taking over a small town. Here, we had aliens intent on just one thing- the complete destruction and extermination of everything and everyone on Earth. Battles between the Martians and the army, Martian death rays frying huge numbers of people, the destruction of Los Angeles, there had been little like it before, and all this on a moderate budget, which is why the cast is strictly B Movie, although they are adequate to the film's needs.

    Of course to a modern audiences many aspects are dated and may even seem laughable. The sometimes visible wires of the Martian death machines -surely they could have been removed with computer technology for the DVD?. The oft repeated stock shots of the military. The religious element, which would have offended the atheist Welles and even suggests God got rid of the Martians. Some VERY corny dialog.

    Yet the film has some scenes which are still extremely effective. Most notable is a lengthy sequence in which the hero and heroine are trapped in a house by Martians, this remains genuinely scary. The designs of the briefly seen Martians, their death machines-wires notwithstanding- and their 'cameras' still look great. Of course one misses the huge tripods of the novel, and certain other aspects of the novel, such as the red weed. I'm sure Spielberg will deliver on much of this, even if he is adapting a story which will always be more effective when set in Victorian times. However, until than, this version is still worth seeing as one of the most memorable alien pictures of the 50s alongside The Day The Earth Still and Invasion Of The Body Snatchers.
    didi-5

    the little men in lime green machines

    HG Wells' futuristic novel responds well to the Technicolor splashed on it in this 50s B classic. Gene Barry over emotes in the lead now and then but the martian invasion is handled very well and the tension rises to the final scenes where the surviving populace huddle in the church as the buildings crash and burn around them.

    'War of the Worlds' deserves its place as both a highly regarded novel and a well-remembered movie. Byron Haskin and George Pal did a great job in visualising the apocalyptic bits of Wells' text, while still making the end result enjoyable and interesting for the viewer.

    Recommended for fans of intellectualised science fiction.

    Más del estilo

    Ultimátum a la Tierra
    7,7
    Ultimátum a la Tierra
    Planeta prohibido
    7,5
    Planeta prohibido
    Cuando los mundos chocan
    6,6
    Cuando los mundos chocan
    El tiempo en sus manos
    7,5
    El tiempo en sus manos
    La humanidad en peligro
    7,2
    La humanidad en peligro
    El enigma de otro mundo
    7,0
    El enigma de otro mundo
    La invasión de los ladrones de cuerpos
    7,7
    La invasión de los ladrones de cuerpos
    Vinieron del espacio
    6,5
    Vinieron del espacio
    La masa devoradora
    6,3
    La masa devoradora
    La guerra de los mundos
    6,6
    La guerra de los mundos
    La guerra de los mundos II: la nueva generación
    6,5
    La guerra de los mundos II: la nueva generación
    La mosca
    7,1
    La mosca

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells' properties. Pal chose El tiempo en sus manos (1960).
    • Pifias
      Modern viewers often complain that the wires used to suspend the Martian war machines are plainly visible throughout the film. The film was originally shot in three strip Technicolor, with prints made using a dye transfer process that resulted in very saturated colors, but with a slight reduction in overall resolution. This reduction in resolution "fuzzed out" the wires in original prints, making them effectively invisible. Later prints were made in Eastman Color, which uses a photographic process and yields sharper prints, but here had the side effect of making the support and electric wires plainly visible - the models had electrical wires as the side pods of the machines really lit up green and the "cobra heads" lit up as well. It is common practice in the film industry to take into account what details will be visible when a print is projected so as not to waste production time and money on details that will never actually be visible to a viewing audience, especially in the areas of effects and matte paintings. Thus, the filmmakers never thought the wires would be visible and in fact they weren't until the first Eastman Color prints of the film were struck in the late 1960s, and they had become even more visible on modern video releases as there is no dye sublimation resolution loss when making video masters from the original negatives. In the 2018 restoration this was resolved using digital technology.
    • Citas

      [last lines]

      Commentary: [voiceover] The Martians had no resistance to the bacteria in our atmosphere to which we have long since become immune. Once they had breathed our air, germs, which no longer affect us, began to kill them. The end came swiftly. All over the world, their machines began to stop and fall. After all that men could do had failed, the Martians were destroyed and humanity was saved by the littlest things, which God, in His wisdom, had put upon this Earth.

    • Versiones alternativas
      For the 2018 restoration Ben Burtt created a new 5.1 surround sound mix with replacements for many of the film's original sound effects, with the jarring result that the sound effects have fidelity far above that of surrounding dialogue in the film. The 2020 Criterion Collection release features this new sound mix as well as the original mono track.
    • Conexiones
      Edited from Cuando los mundos chocan (1951)
    • Banda sonora
      Paramount on Parade
      (uncredited)

      Written by Elsie Janis and Jack King

      Played over the opening logo

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    Preguntas frecuentes

    • How long is The War of the Worlds?Con tecnología de Alexa
    • Where (according to the movie) did the Martians first land?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de agosto de 1953 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
      • Alemán
      • Italiano
      • Hindi
    • Títulos en diferentes países
      • La guerra dels mons
    • Localizaciones del rodaje
      • Corona, California, Estados Unidos(Opening scenes)
    • Empresa productora
      • Paramount Pictures
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 2.000.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 27 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.37 : 1

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