Vacaciones en Roma

A plot as slender as Audrey Hepburn but oh what magic! If you've never seen this jewel, you're to have one of the best evenings of your week, your month.

Perhaps the key to this movie's success is restraint - in the dialogue, in the music, in the cynicism of Peck and cronies at the movie's beginning. No one gushes - all is understated - but how one feels its power.

I hope everyone has experienced a day such as they - with someone they come to care for - as much as they. It's my wish for the world.

I recently caught this little gem of a film on a retro program and it was a trip well worth it. William Wyler was a genius directing throughout his film career. Here he's in top form.

The only way this film could have been conceived was with the charming presence of Audrey Hepburn in her first appearance on a Hollywood film. She is without a doubt, an angel who was sent to this earth to delight the movie audiences in whatever movie she happened to dignify with her appearance in.

Some people have compared Audrey Tatou with the incomparable Audrey Hepburn. Seeing Ms Hepburn in Roman Holiday will certainly change the minds of those comparing fans. Audrey Hepburn was a star's star! She exudes charm, intelligence, elegance, and beauty. Just one look from her could disarm Gregory Peck forever.

The only wrong note of this production was the way the writer, Dalton Trumbo, was treated since he had been blacklisted by the anti-communist faction lead by Sen. McCarthy and company. In the end, Mr. Trumbo was vindicated in having his name recognized as the writer of Roman Holiday.

This film is a feast to the eyes in that glorious cinematography and Rome as a background. This was Hollywood at its best. Gregory Peck and Audrey Hepburn will be forever young any time we take a look at this classic that I'm sure will live and charm its viewers whenever they take a chance to see it for the first time, or like some of us, for another loving look.

With a very nice blend of fantasy and reality, and two very likable stars, "Roman Holiday" is both entertaining and thoughtful. Sometimes it is very funny, and at other times it makes you feel a great sympathy and warmth towards the characters. Audrey Hepburn and Gregory Peck are ideal in the leading roles, and the story is very clever in getting a lot of mileage out of a simple idea without pushing things too far, which makes it quite effective.

The idea of Princess Ann (Audrey) slipping away unnoticed and unrecognized for a day of fun and freedom from responsibility is of course fanciful, but it works for a lot of reasons, not the least of which is Peck's role as a pragmatic newsman. He is a good balance for Hepburn's charm and energy, remaining calm and logical without ever becoming cold or distant. You feel as if you could spend a lot more than a couple of hours in their company. And how could you improve on Eddie Albert's performance as Peck's photographer friend? The movie also adds in the atmosphere of Rome itself, with some creative scenes that make good use of the setting.

There are many fine moments in a story that at times seems almost like a daydream, and then it brings the characters back to reality in a moving way. It's not an easy combination to pull off, but here it all fits together very well, to make the kind of classic worth remembering, and one which you can watch and enjoy more than once.

This charming comedy is justly famous as the film that made the whole world fall in love with Audrey Hepburn and half the world want to run out and buy a Vespa scooter. Hepburn was always beguiling, but in some of her later roles she tended to overplay the winsomeness. Here every note she hits is just about perfect.

And speaking of notes, pay special attention to the score by the great Georges Auric. If the film had been produced in the manner of modern romantic comedies, the sound track would have been larded with pop hits by Perry Como, Dinah Shore, and Frankie Laine, which would have done an awful lot to destroy the magic. Instead Auric's complex, vibrant, evocative music complements the story's inherent lyricism without upstaging it. In an era of bombastic film scoring, this seems a miracle.

Someone once said that Audrey Hepburn's was the beauty of possibility and transformation -- she was always in motion, always becoming something else. "Roman Holiday" is very much of a piece with that notion. On the surface, the film is about a princess who disguises herself as a "commoner". But in truth she's actually pretending to be a princess, at least at first. She finally becomes authentic -- is transformed and prepared to deal with her destiny -- only through the ennobling power of love and sacrifice. That's one heck of a mythic subtext and does a lot to explain "Roman Holiday's" enduring power.

Audrey Hepburn burst onto the movie scene with this film, her first role. She plays an English Princess traveling in Rome who is bored with her official duties and the tight schedule she's on. One night after getting a tranquilizer to calm her from the stress of it all, she sneaks away into the streets of Rome. She's found by a newspaperman played by Gregory Peck, who takes her to his place to sleep it off. When he finds out who she really is, he realizes he's on top of a gold mine of a story, and enlists his photographer friend (Eddie Albert) to get candid shots of the two while they sightsee.

Hepburn and Peck are such an attractive couple, and director William Wyler gets lots of beautiful shots of Rome, including the Trevi Fountain, Spanish Steps, Castel Sant'Angelo, and of course the classic scene they have at the Bocca della Verità. It all makes for a very romantic film. Hepburn played her part perfectly, expressing frustration and joy with such economy, as well as the restraint that comes from being a royal. Among several others, the scene with her getting her hair cut short is captivating, and it's no wonder that she won an Oscar for her performance. Peck's performance is also excellent, and Eddie Albert pulls off the part of a young rogue quite well despite being 47 at the time. I won't spoil the ending, except to say it's touching and poignant, and so perfectly shot in the Palazzo Colonna. At the end of the day this is 'just a romantic comedy', with its share of silliness, but it's so mature and magical, and with these stars in this setting, it stands head and shoulders above so many others.