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Vinieron del espacio

Título original: It Came from Outer Space
  • 1953
  • Approved
  • 1h 21min
PUNTUACIÓN EN IMDb
6,5/10
12 mil
TU PUNTUACIÓN
Richard Carlson, Charles Drake, Kathleen Hughes, and Barbara Rush in Vinieron del espacio (1953)
Home Video Trailer from Universal Studios Home Entertainment
Reproducir trailer1:14
2 vídeos
99+ imágenes
Ciencia ficciónInvasión alienígenaTerror

Un ovni llega al desierto de Arizona y cuando los lugareños empiezan a actuar de forma extraña los únicos que sospechan influencia alienígena son un astrónomo aficionado y una profesora.Un ovni llega al desierto de Arizona y cuando los lugareños empiezan a actuar de forma extraña los únicos que sospechan influencia alienígena son un astrónomo aficionado y una profesora.Un ovni llega al desierto de Arizona y cuando los lugareños empiezan a actuar de forma extraña los únicos que sospechan influencia alienígena son un astrónomo aficionado y una profesora.

  • Dirección
    • Jack Arnold
  • Guión
    • Harry Essex
    • Ray Bradbury
  • Reparto principal
    • Richard Carlson
    • Barbara Rush
    • Charles Drake
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    12 mil
    TU PUNTUACIÓN
    • Dirección
      • Jack Arnold
    • Guión
      • Harry Essex
      • Ray Bradbury
    • Reparto principal
      • Richard Carlson
      • Barbara Rush
      • Charles Drake
    • 144Reseñas de usuarios
    • 79Reseñas de críticos
    • 68Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 4 nominaciones en total

    Vídeos2

    It Came from Outer Space
    Trailer 1:14
    It Came from Outer Space
    Cowboys! Detectives! Giant Bugs! B-Movie History!
    Clip 5:23
    Cowboys! Detectives! Giant Bugs! B-Movie History!
    Cowboys! Detectives! Giant Bugs! B-Movie History!
    Clip 5:23
    Cowboys! Detectives! Giant Bugs! B-Movie History!

    Imágenes103

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    Reparto principal22

    Editar
    Richard Carlson
    Richard Carlson
    • John Putnam
    Barbara Rush
    Barbara Rush
    • Ellen Fields
    Charles Drake
    Charles Drake
    • Sheriff Matt Warren
    Joe Sawyer
    Joe Sawyer
    • Frank Daylon
    Russell Johnson
    Russell Johnson
    • George
    Kathleen Hughes
    Kathleen Hughes
    • Jane
    Ralph Brooks
    Ralph Brooks
    • Posseman
    • (sin acreditar)
    Robert Carson
    Robert Carson
    • Dugan
    • (sin acreditar)
    Ned Davenport
    • Man
    • (sin acreditar)
    Edgar Dearing
    Edgar Dearing
    • Sam
    • (sin acreditar)
    Alan Dexter
    Alan Dexter
    • Dave Loring
    • (sin acreditar)
    George Eldredge
    George Eldredge
    • Dr. Snell
    • (sin acreditar)
    Whitey Haupt
    • Perry
    • (sin acreditar)
    Robert 'Buzz' Henry
    Robert 'Buzz' Henry
    • Posseman
    • (sin acreditar)
    Bradford Jackson
    Bradford Jackson
    • Bob - Dr. Snell's Assistant
    • (sin acreditar)
    Casey MacGregor
    • Toby
    • (sin acreditar)
    Kermit Maynard
    Kermit Maynard
    • Posseman
    • (sin acreditar)
    Virginia Mullen
    Virginia Mullen
    • Mrs. Daylon
    • (sin acreditar)
    • Dirección
      • Jack Arnold
    • Guión
      • Harry Essex
      • Ray Bradbury
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios144

    6,512.2K
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    Reseñas destacadas

    8twanurit

    Clothes Encounters

    This is director Jack Arnold's first science-fiction effort and one of the earliest to use a desert setting. Richard Carlson is very believable as an astronomer who, along with his fiancée (Barbara Rush), witnesses a meteor crash-landing that turns out to be a spacecraft. No one in the small town believes him until disappearances occur. At one point, Carlson discovers his closet has been ransacked and wardrobe stolen!

    Arnold uses Theremin music to great effect, the photography is eerie, dialog (by Ray Bradbury) poetic, and the alien is a large crawling mass with one bulging eye that leaves a snail-like trail in its path. Incognito as humans so as not to terrify earthlings with their unique physicality, the aliens are NOT bent on destruction - an interesting precursor to Steven Spielberg's expensive "Close Encounters of the Third Kind" (1977) - even its main titles are also at the end.

    In an unconscious insight into social behavior, a scene has Carlson speaking to the sheriff (Charles Drake) while watching a spider on the desert ground ("...Why are you afraid of it? Because it has 8 legs, its mouth moves from side to side, instead of up and down? What would you do if it came towards you?"). The sheriff squashes it. This holds true for animals, as well as people (who have different coloring, etc.), avoiding, ridiculing, harming or destroying, sadly. The classic Twilight Zone episode "Eye of the Beholder" (1960) is a fine example: most of the "monsters" in these science-fiction/horror films just look different than humans, we might be "monsters" to them. This is low-key, intelligent, satisfying drama. Russell Johnson, Joe Sawyer, and Kathleen Hughes co-star.
    sowr

    Atmospheric and creepy

    First of all let's get rid of that absurd notion that science fiction films of the fifties were merely a sub-conscious attempt to personify the threat from communism - this is a hackneyed idea, and far from the truth.

    This is a thoughtfully crafted film, which like other good science fiction films of this era starts out portraying the aliens as monsters, only to reveal that they are benevolent and superior (how does this fit into the "Red Menace" theory?).

    The screenplay was penned by Ray Bradbury and is full of very good dialog and ideas, especially the notion that we are not ready to meet such advanced civilizations. The scenes in the high desert are very atmospheric and creepy, and although the renderings of alien technology at first seem somewhat adolescent, there is a genuine sense of wonder when the internals of the alien ship are revealed. Something missing from today's, blase, computer generated, over the top, excesses.

    The 3D is a useless appendage, and not worthy of discussion.

    If you like science fiction pre-scifi channel and post-golden age, rent this movie and enjoy the atmosphere.
    8krydor2002

    Great then and still great

    I just saw "It Came from Outer Space" on DVD today. The last time I saw it was in 1954 in a small town theaters on the Saskatchewan prairies. I was ten years old at the time and my world did not extend a hundred mile radius. I still remember that film until today. Beautiful Barbara Rush, calm, cool,intelligent Richard Carlson. Joe Sawyer could have been one of my neighbors. Full of suspense, intrigue, and mild fear, this movie was indeed a classic. Not knowing what the "It" looked like added to the mystery and wonder. Surprisingly no one was ever seriously hurt. Wearing those 3_D glasses and watching those rocks coming at you was pretty cool in those days. I was glad to see it again and relive those 50 years that have gone by.
    7Hey_Sweden

    Universal ruled the 1950s science fiction boom.

    Universal Studios could always be counted upon to devise some interesting stories in the sci- fi genre at a time when the genre simply exploded. Also among their undeniable classics during this period are gems like Creature from the Black Lagoon, Tarantula, and The Incredible Shrinking Man. This particular tale (although the final screenplay is credited to Harry Essex, the original treatment by Ray Bradbury was left largely intact) explores that theme of mankind seemingly always fearing and distrusting anything it doesn't understand, and reacting to it with aggression.

    Likable, earnest Richard Carlson stars as John Putnam, an amateur astronomer in the small town of Sand Rock, Arizona. One night he (and others) witness a "meteor" violently crashing to Earth (in one of the most startling introductions to a film of this kind). The aliens on board stealthily go about abducting local citizens and altering their appearance to look like these people. All they really want is to be able to work on their ship in peace, and leave before too long, but naturally there are humans who don't want to get with the program, like hot tempered sheriff Matt Warren (Charles Drake).

    Lovely Barbara Rush is Carlsons' appealing leading lady in this extremely well directed, succinct film with as much moody black & white atmosphere as one could ask from this kind of entertainment. One will notice that all we get at the beginning is the title; the cast and crew credits are all saved for the final few minutes - an interesting (but not THAT uncommon) innovation for an older film. There's fine use of stock music from such composers as Henry Mancini, and the cinematography by Clifford Stine is excellent. The aliens are effectively hideous looking in their natural guise, but they begin to be revealed perhaps a bit too soon into the story. The alien P.o.V. shots are pretty cool.

    As was said, Rush is very appealing, but it's unfortunate that her role keeps requiring her to scream at things: a Joshua tree, a kid in a costume, an undisguised alien (well, at least that one is understandable). The supporting cast is impressive, right down the line: Drake, Russell Johnson, Joe Sawyer, George Eldredge, Bradford Jackson, Dave Willock.

    Although originally filmed in 3-D, "It Came from Outer Space" works just as fine without it.

    Seven out of 10.
    StuOz

    Don't See This In A Theatre With Aussies!

    Aliens in a small town.

    Between about 1975 and 1986, three 1950s sci-fi films were held in very high regard by me - It Came From Outer Space, Forbidden Planet and The Incredible Shrinking Man. All three were liked so much I constantly listened to them on audio tape. They were regarded as solid sci-fi movies to be taken very seriously. Then in the late 1980s I made the mistake of seeing these films in Sydney theatres with people who were not really in tune with 1950s movies. These films became comedy to them.

    ICFOS begins with the male and female lead getting all romantic with each other. This cinema crowd almost laughed this scene off the screen. Too corny for them. Later, one character describes Richard Carlson as "a man who thinks for himself", the laughing was louder this time. And again, Carlson looks into space and starts talking to himself, out loud, about aliens. The laughing was getting stronger. And so it went on. What was once great mystery and suspense, such as Russell Johnson looking into the sun, was now comedy. They had good reason to laugh as it was funny. But this crowd destroyed a childhood favourite of mine. I did'nt like this film being laughed at. I did'nt want to know the funny side. Other cinema screenings of Forbidden Planet and The Incredible Shrinking Man were given the same reaction. For a while I wondered if all of my 1950s/1960s sci-fi favourites were just ... bad in the eyes of the public. Or was it just the Australian sense of humour?

    I will rate this film by my 1970s reactions. It is a classic. The music score is dated but everything else is fine. The desert creates such mystery. Great sci-fi.

    Más del estilo

    La Tierra contra los platillos volantes
    6,3
    La Tierra contra los platillos volantes
    El enigma de otro mundo
    7,0
    El enigma de otro mundo
    Surgió del fondo del mar
    5,9
    Surgió del fondo del mar
    Regreso a la Tierra
    5,9
    Regreso a la Tierra
    Cuando los mundos chocan
    6,6
    Cuando los mundos chocan
    Tarántula
    6,4
    Tarántula
    La humanidad en peligro
    7,2
    La humanidad en peligro
    La guerra de los mundos
    7,0
    La guerra de los mundos
    Invasores de Marte
    6,3
    Invasores de Marte
    El terror del más allá
    6,0
    El terror del más allá
    El monstruo de tiempos remotos
    6,6
    El monstruo de tiempos remotos
    La mujer y el monstruo
    6,9
    La mujer y el monstruo

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Although credited to Harry Essex, most of the script, including dialogue, is copied almost verbatim from Ray Bradbury's initial film treatment.
    • Pifias
      When the alien first goes walking about in the desert, the camera cuts to a startled owl, which tries to fly away only to be jerked back by the visible string tied to its leg.
    • Citas

      Sheriff Matt Warren: Did you know, Putnam, more murders are committed at ninety-two degrees Fahrenheit than any other temperature? I read an article once - lower temperatures, people are easy-going. Over ninety two, it's too hot to move. But just ninety-two, people get irritable.

    • Créditos adicionales
      The credits are at the end rather than at the beginning. They include shots of the characters with the cast names, and the pictures would mean nothing if seen before the film.
    • Versiones alternativas
      There is an Italian edition of this film on DVD, distributed by DNA Srl: "IT CAME FROM OUTER SPACE 3-D (1953) + L'UOMO DAL PIANETA X (1951)" (2 Films on a single DVD, with "Destinazione Terra!" in double version 2D and 3D), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • Conexiones
      Edited into Monstruos de piedra (1957)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de junio de 1953 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • It came from outer space (Llegó del más allá)
    • Localizaciones del rodaje
      • Mojave Desert, California, Estados Unidos
    • Empresa productora
      • Universal International Pictures (UI)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 800.000 US$ (estimación)
    • Recaudación en todo el mundo
      • 270 US$
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    Especificaciones técnicas

    Editar
    • Duración
      1 hora 21 minutos
    • Color
      • Black and White

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