Mandy

I remember seeing this film, as a child, and have recently seen it again. Everything about it is memorable and it's an excellent example of British film making at its best. Given the sensitive subject matter, it could easily have turned out to be sentimental tosh. In reality, it is exactly the opposite, thanks in no short measure to a quality cast of first class actors. Jack Hawkins, Phyllis Calvert and Terence Morgan are first class, though the jewel in the film's crown is young Mandy Miller in the title role. Her portrayal is very moving and quite remarkable. Whilst so many of the scenes bring a lump to the throat, this superb film is an uplifting and positive experience. Not to be missed.

I'm really a movie fan. Watch as much movies as I can. Though I'm never really interested in movies from the 50's. But this movie turned that all around. "Mandy" is a great movie that is a must see! Mandy Miller has a stunning role and plays it really great! The whole story line in this movie is unique, still to this day. It's a movie like I've not seen before. Especially because the movie is from way back, it's great to see that there were already great minds behind this movie. And I can't say it enough, the role that Mandy Miller plays is stunning!

If you have the opportunity to watch this movie, watch it! I give it a big 10 out of 10.

This story is an excellent film from one of Britain's most talented directors - Alexander Mackendrick. When a family has to deal with the reality of a deaf child, it throws their lives into turmoil as they face their own misconceptions and try to work out what is best for the child. This movie documents the changes that could have occurred to any family in similar circumstances. The parents are not perfect but do their best to work things out and this is part of the reason I liked the movie. It is honest and the parents try to do what is right, albeit a big adjustment. The deaf child is Mandy, a bright and happy little girl who the parents realize hasn't started to speak a number of months on. This leads them to take her to a doctor who diagnoses the condition as congenital deafness. According to the doctor, nothing can be done. The parents, played by Phyllis Calvert and Terence Morgan, are shocked and are afraid for her future. They immediately take her to the grandparents' home where she can be kept alone and given private tutoring. Subsequently, they meet a specialist who suggests that the girl be placed in a school where she can learn more effectively under the guidance of a proper teacher in the company of other children. There is a rift between the parents who have different views about sending her away. There are other differences they encounter along the way. The father also suspects that an affair is going on between the specialist (Jack Hawkins) and the mother, Phyllis Calvert. The acting is superb all-round and the child, played by Mandy Miller, shows the strain that she too must face from her parents' disagreements and her own problems interacting with others. The movie is heart-wrenching but also offers hope. I thought this was an excellent film that treats the subject in a thoughtful and intelligent way.

The Mandy of the title truly is the star of the film, as almost all of the adults underplay their scenes with her to help her shine brighter.

When Mandy's parents find out she is deaf, they have differing ideas on what to do next. Mother, Christine, wants to send Mandy to a special school for deaf children so she can learn to read and write - and perhaps speak - and be as much like other children as possible. But her father, Harry, is somewhat ashamed of his daughter and would rather keep Mandy hidden away at his parents' house with only a governess to teach her the finger alphabet. After seeing how she reacts with other children, Christine realises that for Mandy's sake she must get her to the school, and leaves Harry. Watching Mandy's progress in the school provides some fascinating insight into ways of teaching and, contrary to Harry's thoughts, she does progress, with help from headmaster Searle. A second storyline is developed here as people increasingly believe that Christine is having an affair with Searle, when in fact they are both only interested in the good of the child.

A real "four tissue" movie, 10/10.

Remarkably this is only the eleventh review ever posted on the IMDb of this pioneering work on the subject of child psychology, representing both the apex of the Ealing drama and the directorial career of Alexander MacKendrick; which also continues writer Nigel Balchin's exploration of the role of the outsider aided by pellucid photography by Douglas Slocombe.

Once seen Mandy Miller (who you actually got to hear speak in 'The Man in the White Suit') is never forgotten; although the real tensions plainly reside in the tensions between the adults, which is probably in line with Ealing's equivocal view of the role of officialdom in general.