Columna al sur

The Civil War is about to break out, and there's trouble afoot with the Navajos on their reservation. Let. Audie Murphy has a good relationship with the Indian Chief Dennis Weaver, but his C.O,, Captain Robert Sterling doesn't trust them and is a Southern sympathizer. So when General Ray Collins, who is in on the plans to form the Confederacy wants the Navajos to revolt, he has Sterling plant guns, then issues orders that if they are found among the Indians, to move them to an inhospitable bit of territory.

It's a pretty good Audie Murphy vehicle directed by Grederick de Cordova, who would spend decades producing THE TONIGHT SHOW. Joan Evans is Sterlings Unionist wife, and there a nice small role for Bob Steele, Look quick for Denver Pyle as a Confederate spy for that double BONANZA feeling.

This is a passable western but no extraordinary, a routine cavalry versus Indians yarn with thrills, attacks, treason and fort assaults. A standard Western in which Audie and the US cavalry face off and defeat the enemy. Set 1961, New Mexico, earlier the American civil war with Lt. Jed, Audie Murphy, who really efforts to conciliate his troops and the local war-crazed Navajo tribe commanded by Menquito : miscast Dennis Weaver. But his attempts are undermined by the superior officer, Captain Lee : Robert Sterling and a racist commandant : Ray Collins. Along the way Murphy is sent to command a detachment forming a long column across Indian territory while are assaulted by Indians .There are some Confederate sympathizers who undertake dark machinations to Indians follow a warpath. At the end occurs the last flamingo stand at Fort Union . Against treason and Navajo fury, the US cavalry rides!

This is an acceptable, but nothing special Western in which Indians are coerced to go on war by scheming US commanders who try to gain control Southern territories when next to take place the imminent American Civil War : 1861 to 1865. The picture with various pacing threads was well starred by Audie Murphy, playing in his usual style as an officer who fights to prevent war tensions and quell the impeding battles while has a peculiar love/hate with the heroine . Audie was the most decorated soldier in WWII and performing his self-bigraphy : To hell and back. And he starred a lot of Westerns as Texas Kid, Legend of Sam Guard, Cimarron Kid, Sierra, Legend of Billy Kid, Apache rifles, Night passage, Posse from hell, Arizona raiders, The unforgiven, Red badge of courage, 40 guns to Apache Pass, Guns of Fort Petticoat, among others. Remaining cast formed by nice actors as a tough officer interpreted by Robert Sterling, his beautiful sister played by Joan Evans who falls for Murphy and Ray Collins as cunning commanding who attempts to trigger war between Navajo Indians and cavalry to his command as for the Confederates can gain control of the South territory. And support cast with plenty of familiar faces as Dennis Weaver, Russell Simpson, James Best, Gregg Palmer, Johnny Downs, Ralph Moody, Richard Garland , Bob Steele, Denver Pyle, among others.

It contains a colorful cinematography in Technicolor by Charles P. Boyle, but an allright remastering being extremely necessary. As well as thrilling and atmospheric musical score by uncredited Henry Mancini and Herman Stein. Well produced by Ted Richmond who subsequently to have an important career financing blockbusters as Salomon and queen of Sabah, Villa rides, Red sun, Return of Magnificent Seven and Papillon. The motion picture was professionally directed by Frederick De Cordoba, though with no originality. Cordoba was a craftsman who made all kinds of genres with penchant for comedy, musican and adventure, in films as Buccaner's girl, For the love of Mary, Bedtime for Bonzo, Frankie and Johnny, I'll take Sweden, He come the Nelsons. Rating 5.5/10. Passable and acceptable.

I do not know much about Director Frederick de Cordova but his oversight of COLUMN SOUTH failed to impress me: pedestrian cinematography, plot with a McGuffin (a letter from the fort commander apparently meant to remove the US forces from the fort and allow Navajo Indians to take over... uh?!) and a cast of then unknowns like Dennis Weaver as Menguito, the Navajo leader, and a rather plain-faced Joan Evans.

Thankfully, Audie Murphy saves the film with yet another spirited performance: while kissing Evans, he hears a snake (sounded like a rattlesnake but turned out to be some black reptile that looked suspiciously rubbery), kills it with with a handbag (!), out of which drops the McGuffin letter given by the fort commander. Murphy then has an inkling that that letter might carry dangerous tidings but he does not hesitate to risk court martial by opening and reading it, thereby confirming his worst suspicions.

At that point Murphy's resourcefulness emerges as he goes into the fort's arms depot tunnel, attaches fuses to dynamite and proceeds to blow the occupying Indians to bits - he really puts his shoulder to the wheel and thinks faster than anyone else!

Once the dust settled on the happy ending, I wondered whether I'll remember this film for any length of time (doubt it). 6/10.

Westerns that feature a cavalry theme don't hold much attraction for me but this one managed to hold my attention. It has an above average story by William Sackheim that helps - an above average and hard working cast, with above average photography by D.O.P. the Award nominated Charles P. Boyle (Anchors Aweigh '45)

The DVD copy I was given by a friend is from the Umbrella series: Six Shooter Classics (they really must do something about that silly marketing title). Universal originally used the magnificent IB Technicolor process for this film but this disc is well below average (compared with Umbrella's earlier 'Tumble Weed' that looked perfect). Sound transfer is also below standard. Robert Sterling ('Roughshod' '49) is good as the Fort Commander, with good support from Ray Collins, Greg Palmer (Lee) and Joan Evans. Dennis Weaver does very well as the Indian chief with his motley Hollywood tribe. Music is mostly from the Universal stock library and offers little help. Audie Murphy is reliable as always in his way. Veteran director Frederick De Cordova keeps things moving and probably helped with the good dialogue (as he was known to do). Have certainly seen far worse.

Taking place just prior to the start of the civil war, Audie Murphy plays a junior army officer who is sympathetic to the plight of the local Navajo Indians and is a good friend of Navajo chief Menquito. A new commanding officer who is from the south is appointed to the post who convinced by Confederate agitators to stir up trouble with the Navajo Indians and send Audie and large column troops out on wild goose chase so the Confederates can gain control of the western territories. Of course Audie gets wind of nefarious plot and prevents further bloodshed.

This film would be an otherwise routine "Indians unjustly forced to go on the warpath by scheming white men" story, had it not been for the Confederate conspiracy angle. Audie Murphy is well... Audie Murphy. If you like Audie Murphy (I do) you will like him here. If you don"t there is no reason why you should like him here. Robert Stirling and Joan Evans are unconvincing as Southerners. Their Southern accents vary through out the film. Film buffs will enjoy seeing many familiar faces in the cast (Bob Steele, Greg Palmer, Russell Johnson, Dennis Weaver and Ray Collins.)