Los cinco mil dedos del Dr. T

I haven't seen it since but here is what I remember. I knew all the Dr. Seuss books by heart (I could read). I was taking piano lessons from our Protestant minister's wife who resembled Hans Conreid. My mom and I went on the bus to a large, metropolitan movie palace and we were well dressed. We watched the entire movie and then went home on the bus. Hans Conreid was always one of my favorites and even more recognizable as a voice. Lassie was a fixture later on our home TV. I don't think the movie had any real effect on me except that the books and my dreams were a lot better. I listened to radio every night as a child. I sometimes dreamed in black and white like most of the movies I saw as a child. I remember many of the scenes described in the written reviews and trailers. I'll see it again sometime. I'll let you know.

This movie is one of the most bizarre and random films I have ever seen. It combines a mind-boggling storyline (a kid dreams he's trapped in a castle ruled by his satanic piano teacher who is setting up a piano camp for 500 players), intriguing characters (the heroic, down-to-earth plumber, the helpless, beautiful, damsel/mother in distress, the all-American kid on the block, and the disturbing, foppish, freak of a villain, Dr. Terwilliker) weird costumes and sets, and the most outrageous songs ever conceived. Among my favorites are the "Doe-me-doe" dress up song, "The Dungeon Song," and "We are Victorious!" Any orchestra geek will get a kick out of the dungeon ballet. This is a terrific film to scare your friends or corrupt your children. I highly recommend it to anyone with an unbalanced imagination.

Also recommended: The Brave Little Toaster, Time Bandits, Happily Ever After: a Snow White Tale, The Never Ending Story, Nightmare Before Christmas and Willy Wonka and the Chocolate Factory.

Well I never. I have just had the pleasure of watching this film on Channel 4 in the UK. Its a damp and dreary Friday afternoon and this wacky exercise in surrealism has just been broadcast and has certainly put a smile on my face. What a storyline. What a set. What acting. This is a gem of a film which I had never heard of till today. It is a real departure from your average 1950s family film. Through the whole duration the film swings between brilliance and total whack. The madness of Dr Seuss comes across so well, especially when you jack up the colour a few notches :-) I am led to believe that Dali had a hand in the design of the sets. That in itself is enough to get me watching. I was surprised at the amount of reference to this movie I have actually experienced without realising it. For example, the Uk is presently showing an add for "frank" which is a recreational drug use/misuse information service available to the public. It uses a character who is undoubtedly based on Bart to do so. As a fan of surrealism I totally enjoyed the spooky weirdness of this mindbending musical. Just sad I didn't record it as I see it isn't available in European pal DVD format. Doh.

Others have commented on this but I just have to add after seeing this again today that the prison for orchestra members number looked like Busby Berkely on acid.. not to be missed!! A great goofy fun movie that has Dr. Seuss written ALL over it...

The rich imagination of Dr. Seuss and the suburban daydreams of the early 1950s combine to make this one-of-a-kind musical fantasy more than just a perverse novelty item: rarely has a film captured so well the unique perspective and peculiar logic of childhood. Kids will no doubt identify with the young hero, an unhappy piano student who dreams of liberating, with the help of a handsome plumber, 500 boys held captive at the mile long keyboard of his maniacal music tutor, Dr. Terwillicker (played by Mr. Fractured Flickers, Hans Conreid). But only adults will appreciate the shear strangeness of it all: the surrealistic architecture; the outrageous and colorful costume designs; and the improbable song and dance numbers, with nonsensical lyrics only Dr. Seuss could have written. At times it almost resembles a nightmare vision of child anxiety, but the passing years improve the film by restoring to it the innocence of the age in which it was made.