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IMDbPro

Red Planet Mars

  • 1952
  • Approved
  • 1h 27min
PUNTUACIÓN EN IMDb
4,9/10
1,6 mil
TU PUNTUACIÓN
Herbert Berghof, Peter Graves, and Andrea King in Red Planet Mars (1952)
DramaSci-Fi

Una pareja de científicos americanos, Chris y Linda Cronyn, consiguen establecer contacto con Marte gracias a una válvula de hidrógeno inventada por Franz Calder, un científico nazi que trab... Leer todoUna pareja de científicos americanos, Chris y Linda Cronyn, consiguen establecer contacto con Marte gracias a una válvula de hidrógeno inventada por Franz Calder, un científico nazi que trabaja para los rusos.Una pareja de científicos americanos, Chris y Linda Cronyn, consiguen establecer contacto con Marte gracias a una válvula de hidrógeno inventada por Franz Calder, un científico nazi que trabaja para los rusos.

  • Dirección
    • Harry Horner
  • Guión
    • John L. Balderston
    • Anthony Veiller
    • John Hoare
  • Reparto principal
    • Peter Graves
    • Andrea King
    • Herbert Berghof
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,9/10
    1,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Harry Horner
    • Guión
      • John L. Balderston
      • Anthony Veiller
      • John Hoare
    • Reparto principal
      • Peter Graves
      • Andrea King
      • Herbert Berghof
    • 64Reseñas de usuarios
    • 30Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes54

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    + 47
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    Reparto principal49

    Editar
    Peter Graves
    Peter Graves
    • Chris Cronyn
    Andrea King
    Andrea King
    • Linda Cronyn
    Herbert Berghof
    Herbert Berghof
    • Franz Calder
    Walter Sande
    Walter Sande
    • Admiral Bill Carey
    Marvin Miller
    Marvin Miller
    • Arjenian
    Willis Bouchey
    Willis Bouchey
    • President
    Morris Ankrum
    Morris Ankrum
    • Secretary of Defense Sparks
    Orley Lindgren
    Orley Lindgren
    • Stewart Cronyn
    Bayard Veiller
    • Roger Cronyn
    Ben Astar
    Ben Astar
    • Russian Commissar
    • (sin acreditar)
    Vince Barnett
    Vince Barnett
    • Seedy Man Listening to Radio
    • (sin acreditar)
    George Barrows
    George Barrows
    • Steel Worker
    • (sin acreditar)
    George Blagoi
    George Blagoi
    • Russian Official
    • (sin acreditar)
    Eumenio Blanco
    Eumenio Blanco
    • Official
    • (sin acreditar)
    George Bruggeman
    George Bruggeman
    • Steel Worker
    • (sin acreditar)
    Robert Carson
    Robert Carson
    • President's Aide
    • (sin acreditar)
    James Conaty
    • Secretary of the Navy
    • (sin acreditar)
    Paul Cristo
    • Worshipper
    • (sin acreditar)
    • Dirección
      • Harry Horner
    • Guión
      • John L. Balderston
      • Anthony Veiller
      • John Hoare
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios64

    4,91.5K
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    Reseñas destacadas

    kirchan57

    Spiritual revival on celluloid.

    An old-fashioned revival of faith sparked by a message from Mars touches an Earth under threat of nuclear war. This probably seems like a silly plot idea to a lot of modern sophisticated people. Except, this is almost what happened in Eastern Europe in our lifetime. Pushed beyond its military-industrial ability by the defense initiatives of Ronald Reagan(also a man of faith), the Soviet Bloc was pushed over the edge as people of faith in Poland, the Baltic republics, East Germany, Czechoslovakia, Hungary, Romania, and even Mother Russia herself protested and pushed toward democracy and freedom. The combination of political, economic, and spiritual forces have reshaped a continent and changed our world. The candles and prayers didn't hurt. "Well done, Simplicity!"
    5moonspinner55

    Jaw-dropping think-piece...

    Peter Graves plays a scientist in San Diego, California who receives messages from Mars on his radio transmitter (sneakily intercepted by the Russians); initially, the decoded Martian messages about prolonged life and their unnecessary need for industrial mechanics throw America's population into a tailspin. However, it turns out Mars is a Christian planet, and their next communication with us, a regular "sermon on the mount", begins to ease tensions and starts a religious revival worldwide. Talky think-piece, adapted from a play, amusingly full of clean-cut, incredibly polite Americans and savage-acting Russkies. Not likely to please science-fiction fans who are used to propulsive action, though the b&w cinematography by Joseph Biroc is excellent and there are some interesting ideas and a last-act plot-twist. Released at a time when communist hysteria was running rampant in the U.S., the movie is brave enough to attempt a humanitarian tact--and naive enough to believe in what it preaches. A livelier cast might have made it more memorable, but check out Peter's big-screen TV! ** from ****
    7bux

    A thought provoking story, relying more on plot than FX

    I recall seeing this as a youngster and being really disappointed! No Flash Gordon, no rockets, space guns, not even any Martians. After viewing it again recently, I realize, there was a REAL story here. More fantasy then sci-fi, views more like "The Next Voice You Hear", another movie that dealt in the spirtuality of modern times. A great cast performs admirably and the unexpected conclusion make this one well worth a second look.
    7LeonLouisRicci

    ABSOLUTELY BIZARRE AMALGAMATION OF THE RED-SCARE, RELIGION, AND SCI-FI

    Completely Corny, Heavy Handed Attempt to Meld the Topical Communist Red Scare with Sci-Fi and an Over-the-Top Christian Religiosity.

    Sombre, and seemingly Unaware of the Self-Conscious Sermon Like Dialog and Christian Witnessing that Permeates the Proceedings, Especially in the Second-Half.

    It Starts with a Science-Fiction Template of a Communications Scientist Trying to Send and Receive Signals to and From the Red Planet.

    The Interjection of a Russian Scientist Attempting the Same and the First-Half is Played rather Straight with the East-West Cold War.

    Somewhere around the Middle the Movie Ratchets Up the Paranoia.

    It goes way Out-There once Signals seem to be Received Regarding an Advance Knowledge of Futuristic Natural Resource Economy and the Ability to gain Abundance from very Little.

    In the Third Act All Hell Breaks Loose Literally as Things become Ultra-Religious with Orthodox Imagery, Bible Verse, and a Satan Worshiper.

    It's one of those that is Difficult to Describe and has to be Seen to be Believed.

    Worth a Watch for just that Reason.

    It is one that is so Out of Orbit from the Usual Stuff that it will Not be Forgotten.
    dougdoepke

    God Awful

    Apparently, 1952 was the year the Big Guy finally got broadcasting rights in the US. Because movies like The Next Voice You Hear (1952) and this one managed to put God in direct communication with us mere mortals courtesy the Hollywood hotline. Of course, it really helped when the Big Guy enlisted on our side against the godless commies, while His Presence also helped clean up Hollywood's image as a commie harboring red nest. You might even call His intervention a godsend for the film industry.

    Actually, this 90-minutes is to effective propaganda what the sledgehammer is to the fly swatter. At least, its companion movie (The Next…) had the good sense to avoid the obvious, like crude stereotypes. On the other hand, this concoction has no such inhibitions. Commies are uniformly beasts, Russian peasants are uniformly downtrodden, and Americans are uniformly thoughtful. I don't know what Soviet propaganda was like at the time, but it couldn't have been much cruder than this.

    I will say the movie is well mounted visually. In fact, the skillful complexity of some of the visuals clashes with the simple-mindedness of the script. On the whole, I wish I could say this propaganda piece is nothing more than a clumsy Cold War artifact. But it's not. Unfortunately, it feeds into that current sense of smug self-congratulation that goes by the popular meme of American exceptionalism.

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    Argumento

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    • Curiosidades
      At the end of the film, the President, speaking of the sacrifice by Chris and Linda Cronyn, says "the whole earth is their sepulcher". That phrase appears in the Garden of the Missing at the American Cemetery at Colleville-sur-mer above Omaha Beach in Normandy. In the cemetery the full phrase is "Here are recorded the names of Americans who gave their lives in the service of their country and who sleep in unknown graves. This is their memorial. The whole earth is their sepulcher, comrades in arms whose resting place is known only to God."
    • Pifias
      Linda Cronyn (a scientist) states 'Albert Einstein split the atom'. Albert Einstein had no part in the splitting of the atom. His work predicted what would happen if it was split.
    • Citas

      Dr. Boulting - Mitchell's Assistant: Doyou seriously believe that you've established contact with Mars?

      Chris Cronyn: [Somewhat annoyed] Well, you take pictures of it. Why shouldn't I talk to it?

    • Créditos adicionales
      At the end of the movie, "The Beginning" appears on the screen.
    • Conexiones
      Featured in Weirdo with Wadman: Red Planet Mars (1963)

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    Preguntas frecuentes13

    • How long is Red Planet Mars?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de mayo de 1952 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Ruso
    • Títulos en diferentes países
      • Mart, el planeta vermell
    • Localizaciones del rodaje
      • Motion Picture Center Studios, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Empresa productora
      • Melaby Pictures Corp.
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 27 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Herbert Berghof, Peter Graves, and Andrea King in Red Planet Mars (1952)
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