La pelirroja de Wyoming

The Redhead From Wyoming casts Maureen O'Hara as a saloon mistress and cattle queen in the new state of Wyoming. Then as now Wyoming is a sparsely populated place and we've got ourselves a typical range war western in this flick.

There's a lot stray cattle in Wyoming and a guy can stake a claim, round up some mavericks and start a herd. Only the guy who got there ahead of everybody else is Alexander Scourby owner of the local Ponderosa. He's got an unofficial no trespass sign on unbranded cattle on his range.

Into this mix comes O'Hara and William Bishop. O'Hara comes to run the local saloon owned by Bishop. He also sets her up in the cattle business as well. But he's got an agenda all his own and I will say he dreams big.

Maureen O'Hara as The Quiet Man was opening to rave reviews was busy working on this film and she called it a 'stinkeroo' in her memoirs. But it's a matter of perspective, next to The Quiet Man it really is. But it's not a bad action western.

Possibly also she saw that William Bishop had the best role in the film by far. As I said he dreams real big, he's got the small ranchers on his side and he's not got their interest at heart. Bishop is slick and crafty with a good line of gab.

Nominal hero in the piece is Alex Nicol as the outsider sheriff caught in the middle. Nicol never really registers though as a strong hero, the part called for someone like Jimmy Stewart.

A couple of television western regulars had supporting roles here. Dennis Weaver plays one of the small ranchers and Jack Kelly plays Bishop's top gun hand. He has a nasty fight with Alex Nicol in the climax.

It's not a 'stinkeroo' as Maureen put it, but unless you're a fan of her's don't go out of your way to see it.

Let me admit off the bat that I know nothing about Director Lee Sholem and, on the strength of THE REDHEAD FROM WYOMING, I doubt I will get to know more. For a less than famous director, he wastes a good cast: O'Hara gets the star treatment, the two Alexes - Scourby and Nicol - go invisible for long stretches, and poor William Bishop is checkmated by a much two-faced character, a would-be gubernatorial candidate involved in cattle rustling, but using as a front O'Hara and the saloon he gives her.

For a wild west plot, there is very little shooting, contradictory behavior, a whole load of supporting faces whom you cannot tell whether they support Scourby or Bishop, with drifter sheriff Nicol taking beatings from both sides but somehow capturing O'Hara's heart (lucky lad!)

The film seems much longer than its 81 minutes, which ain't a good sign. 6/10.

During the 1930s, 40s and 50s (especially the 50s), Hollywood made a bazillion western films. Because they made so many, it's not surprising that there are several basic plots you'll find in about 95% of these movies. This one features two of these plots...plots that are really clichés because they occur so often. First, there is Jim Averell...a guy who wants to be more and more powerful. He's running for governor and has his eyes set on controlling the west. Second, he's making himself richer and richer by bringing in a gang of cutthroats and they spend their time rustling other folks' cattle. There is so much familiarity about these story elements...too much. Sure, Maureeen O'Hara is there and she looks nice in color but the film never seems more than just another mediocre western with little to distinguish it aside from having O'Hara involved in the big gunfight at the end. Ordinary...

A nice Western stars a valiant female who uses the power and raw courage to vanquish difficulties , she's , of course, Maureen O'Hara. Cattle baron Reece Duncan (Alexander Scourby) is opposed by ambitious gambler Jim Averell (William Bishop) , both of whom compete for public lands and unbranded stray cattle. That's why Averell imports his old flame , shapely saloon queen Kate Maxwell (Maureen O'Hara) , and sets her up as an alternate cattle buyer against cattle king Reece Duncan. As matters build toward violence, igniting a range war , while Kate finds she's being taken advantage of . But her only potential ally in staving off carnage is seemingly mild-mannered sheriff Stan Blaine (Alex Nicol) who distrusts her. As she , subsequently , changes sides and will fight against her promoter , as he helps mistreated settlers . Queen of An Outlaw's Lair!

This is a moving western dealing with the ordinary conflict between freedom and the need for order and cattle settlements . An Universal International Picture set in Wyoming Territory , where a range war is brewing between entrenched cattle barons and new settlers. The picture regards interesting issues such as the economical abuses by powerful owners including violence , and the sexual resources that the beautiful lady , gorgeous Maureen O'Hara , using to get her purports . Nice and feisty acting by the great Maureen O'Hara as the sympathetic as well as brave Kate Maxwell who finds himself in the middle of a range war between greedy cattle barons and newcomer settlers . Acceptable picture , the film has agreeable messages dealing with an obstinate woman who fights for the rights of the cattlemen and based on mutual respect for independence of the Woman rather than submission to Man , as well as demonstrations of bravura and decision . Main and support cast are frankly good . Along with the always stunning Maureen O'Hara , there are several known actors and Western ordinary , such as : Alex Nicol , William Bishop , Robert Strauss who won Oscar award in Stalag 17, Alexander Scourby , Gregg Palmer , Jack Kelly , Dennis Weaver of McCloud , Stacy Harris , Fred Aldrich ,among others .

It contains a colorful and brilliant cinematography in CinemaScope and Technicolor by Winton C. Hoch , John Ford's regular cameraman . The motion picture was professionally directed by Lee Sholem. In a 40-year career, he directed upwards of 1300 shows, both features and TV episodes, without once going over schedule--a feat probably unparalleled in Hollywood history. Sholem started out in the cutting room some time in the 1930s. A lengthy association with "Tarzan" producer Sol Lesser brought him in contact with the celebrated William Cameron Menzies, from whom Sholem learned the key to expedient production, and later led to his first directorial assignment (Lesser's Tarzan and the magic fountain 1949). This filmmaker was a good artisan who made a large number of films about various genres such as Adventures : Tarzan and Magic Fountain, Tarzan and the slave, Hell Ship Mutiny, Ma Pa Kettle Waikiki , Jungle Man-eaters , The Louisiana Hussy , Western : Redhead of Wyoming , Río Apache, Terror : Pharaoh's Curse , SciFi : Superman and the Mole Men , Doonsday Machine , Tobor the great . In addition , he made several episodes of known TV series in the 50s and 60s such as : Adventures of Long John Silver, The Sheriff of Cochise, 77 Sunset Strip, Men into Space, Sugarfoot, Bronco, Cheyenne , Miami Undercover, Death Valley Days, Maverick, among others . The film will appeal to vintage western movies enthusiasts .

This shaky A western stars Maureen O'Hara in a variety of fancy dresses. With a range war brewing, old flame William Bishop imports her and her wardrobe to serve as a beard for his operations when she isn't running her obligatory saloon. She's caught between Bishop and mild-mannered sheriff Alex Nicol.

Besides a very purple tuille number, Miss O'Hara wears a black lace dancing outfit for the final shootout, in which she handles a shotgun. I found it a striking and discordant image, typical of auteur Lee Sholem. A decent, if rote script, the usual cast that had been filling out B westerns for a quarter of a century, and some nice color photography by Winton Hoch complete the ensemble.