El hombre tranquilo

One of the best directed by John Ford. An emotional, humorous look at an American, played by John Wayne, going back to his native Ireland and trying to fit in with the present culture. Sensational scenery and the grand music by Victor Young support this classic among classics. Breezy and rowdy. Too beautiful to turn your back on. A great illustration of romance. The interaction between Wayne and Maureen O'Hara is magical and hard to beat.

Other classic performances are turned in by Victor McLaglen, Ward Bond and Barry Fitzgerald.

What's not to like about this picture? A classic directed by the legendary John Ford. John Wayne and Maureen O'Hara light up the screen. Wayne's performance is brilliant, but what really stands out is that he is playing a regular guy with real feelings and emotions--no army uniforms, no indians to fight, no cavalry coming to the rescue--just a great performance. The supporting cast is unmatched--including great performances by Victor McLaglen, Barry Fitzgerald and Ward Bond. Look closely for Ken Curtis (Festus, from Gunsmoke) in an uncredited role. The scenery is absolutly breathtaking--it makes me want to go home to Ireland--and I'm not even Irish. To top it off The Quiet Man has the greatest fist fight ever captured on film. This is one of my two favorite John Wayne movies. The Duke should have gotten an Oscar for this one. Movie viewers won't be disapointed by this one.

I like The Quiet Man so much that it features in my top three favourite films. This incidentally is alongside quite disparate films as Blade Runner and The Shawshank Redemption.

This is nothing to do with direction, acting or even location but simply because it feels so good!

Yes it is a simple story but it's amusing, very easy to watch and leaves you with a warm glow and a smile. Also the building of the "diddly diddly music" approaching the fight sequence is a delight.

That's all I need from a film that does not pretend to be anything more than a story.

The lush and beautiful countryside of Ireland provides the setting for this engaging tale of an Irishman, raised in America, going back home to escape a past he'd just as soon forget. In `The Quiet Man,' director John Ford returns to his own roots, going on location to tell the story of Sean Thornton (John Wayne), a man troubled by an incident that changed his life, and now doing what he can to forget about it and just move on. And toward that end, Sean travels to the place he knows so well from the stories told him by his mother, to Innisfree, intending to buy the cottage in which he was born, White O'Morn, where he can make a fresh start and build a new life for himself. There's a problem, however; the land and the cottage is owned by the widow Sarah Tillane (Mildred Natwick), and borders the estate of one Red Will Danaher (Victor McLaglen), who not only fancies the widow herself, but wants to buy her land. Squire Danaher (as he's known) is not the only one Sean must deal with, though, as other matters arise upon his arrival in the small hamlet of his birth. And her name is Mary Kate (Maureen O'Hara)-- who just happens to be Squire Danaher's sister. But Danaher or no, it makes no difference to Sean, who as soon as he lays eyes on Mary Kate determines to make her his wife.

Sean soon learns that in Ireland, however, such things are pursued quite differently than in America. To win the hand of Mary Kate he must employ the services of Michaleen Flynn (Barry Fitzgerald) a kind of matchmaker/chaperone/marriage broker, who will help him secure the consent of Squire Danaher, without which the marriage cannot and will not take place. So Sean has no choice but to acquiesce to the local traditions and customs, and Michaleen forthwith commences the appropriate overtures. In the meantime, he awaits the decision of the widow Tillane as to the purchase of White O'Morn, which he is determined to have at any cost.

John Ford directed more than 140 motion pictures, going back to the days of silent films, and his favorite star, with whom he worked in at least a dozen of his feature films, was John Wayne. And when you think of the John Ford/John Wayne collaborations, it's the Western that instantly comes to mind: `Stagecoach,' `She Wore A Yellow Ribbon,' `Fort Apache,' `Rio Grande' or `The Searchers,' (to name a few). Yet, `The Quiet Man' is perhaps their most memorable effort, and remains a favorite among fans to this day. Ford (who received an Oscar for Best Director for it) presents the story on a very personal level, and in Sean and Mary Kate gives the audience characters to whom they can relate; and it's that personal connection he affords the viewer that may suggest the main reason behind this particular film's popularity. That, plus the fact that at the core of this story there is an honesty and genuine sincerity that rings so true-to-life. Ford also successfully captures the essence of all that is good and positive about Ireland, from the richness of all of his characters to the lavish cinematography that brings the country so vividly to life. It's quite simply a wonderful, uplifting film, impeccably crafted and delivered by Ford and his superb cast.

Too often, John Wayne's work gets a bad rap; no matter what role he takes on, you're liable to hear `John Wayne is always John Wayne, the only difference is the character's name.' And, as he proves with his portrayal of Sean Thornton, it's not only a false statement, it's so unfair to an actor who brought so much to so many, in his craft as well as in his personal life. The Oscar he finally received for 1969's `True Grit' was way overdue, especially when you consider his performances in such films as `The Searchers,' `Red River' and, of course, this one. Is he the best actor of all time? Of course not; but he is good at what he does, much better than he is usually given credit for. And he (and his films) can always-- always-- be counted on to provide good, solid entertainment. Together, he and Ford have provided some of the most memorable moments in the history of the movies, and his pairing with Maureen O'Hara was a stroke of genius. There's real chemistry between them, which enables them to play so well off of one another. They made five films together between 1950 (`Rio Grande') and 1971 (`Big Jake'), and there is always that spark of magic between them, but never better than in this film.

A gifted actor, Maureen O'Hara is also, without question, one of the most beautiful women ever to grace the silver screen. It's easy to understand how Sean Thornton can fall instantly in love with her when he first sees her walking through the fields of Innisfree. It's entirely believable. And when you get to know the woman behind the beauty-- who Mary Kate is down deep-- it's even more understandable. Perfectly cast, O'Hara, like Ford, returned to her roots to make this film (she was born in Milltown, Ireland, near Dublin), and apparently it agreed with her, because her performance is nothing less than natural and inspired. Mary Kate Danaher, in fact, is arguably one of her-- if not `the'-- most memorable roles of her career.

The supporting cast, topped by Fitzgerald (who is absolutely unforgettable as Michaleen) also includes Ward Bond (Father Lonergan), Francis Ford (Dan Tobin), Arthur Shields (Reverend Playfair) and Jack MacGowran (Feeney). A delightful and endearing motion picture, `The Quiet Man' is, of all of John Ford's achievements, one of his best. And Sean, Mary Kate, Michaleen and all the people of Innisfree are ones you'll remember and want to visit again. It's the magic of the movies. I rate this one 10/10.

I'll spare you with the plot description (others on this page have done so), but there are reasons why I love this film.

First, the performances. Wayne as the re-patriated Irish-American, O'Hara as the fiesty Mary Kate, Fitzgerald as the sly little old man, Bond as the strong-willed priest, and McLaglen as the blustering blow-hard. Directed by John Ford, they were unconquerable.

Second, the cinematography. The landscapes are lush and rolling. The interior shots are filled with little details that add so much to the scene. You can almost imagine what the Cohen's pub must smell like ("Over here, we pronounce it, CO-han!"). And in almost every shot, there is the color green.

Third, the writing and the lines. My family quotes the film like gospel. I was helping to move a bed into a house, and as I entered through the front door, I somberly spoke "God bless all here." We all got the joke.

Fourth, the music. So perfectly chosen and composed. It adds to each and every scene.

Fifth, the fight scene. A classic Irish donnybrook!

So many things about this film I cherish. Also, it's one of the few films that John Wayne doesn't shoot a gun! A marvelous, marvelous film! In their book "The Big Damn Book of Sheer Manliness", the Von Hoffman brothers called this film one of the "top 25 greatest guy movies of all time". Who am I to argue?