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My Man and I

  • 1952
  • Approved
  • 1h 39min
PUNTUACIÓN EN IMDb
6,4/10
498
TU PUNTUACIÓN
Ricardo Montalban and Shelley Winters in My Man and I (1952)
Drama legalDrama

Añade un argumento en tu idiomaIn California, a Mexican-American is falsely accused of shooting the farmer he was working for, after the racist farmer stiffed his immigrant employee with a bad check.In California, a Mexican-American is falsely accused of shooting the farmer he was working for, after the racist farmer stiffed his immigrant employee with a bad check.In California, a Mexican-American is falsely accused of shooting the farmer he was working for, after the racist farmer stiffed his immigrant employee with a bad check.

  • Dirección
    • William A. Wellman
  • Guión
    • John Fante
    • Jack Leonard
    • Marguerite Roberts
  • Reparto principal
    • Shelley Winters
    • Ricardo Montalban
    • Wendell Corey
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,4/10
    498
    TU PUNTUACIÓN
    • Dirección
      • William A. Wellman
    • Guión
      • John Fante
      • Jack Leonard
      • Marguerite Roberts
    • Reparto principal
      • Shelley Winters
      • Ricardo Montalban
      • Wendell Corey
    • 16Reseñas de usuarios
    • 5Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes11

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    Reparto principal40

    Editar
    Shelley Winters
    Shelley Winters
    • Nancy
    Ricardo Montalban
    Ricardo Montalban
    • Chu Chu Ramirez
    Wendell Corey
    Wendell Corey
    • Ansel Ames
    Claire Trevor
    Claire Trevor
    • Mrs. Ansel Ames
    Robert Burton
    Robert Burton
    • Sheriff
    José Torvay
    José Torvay
    • Manuel Ramirez
    • (as Jose Torvay)
    Jack Elam
    Jack Elam
    • Celestino Garcia
    Pascual García Peña
    Pascual García Peña
    • Willie Chung
    • (as Pascual Garcia Pena)
    George Chandler
    George Chandler
    • Frankie
    Juan Torena
    Juan Torena
    • Vincente Aguilar
    Carlos Conde
    • Joe Mendacio
    Jay Adler
    Jay Adler
    • Bartender
    • (sin acreditar)
    Billie Bird
    Billie Bird
    • Waitress
    • (sin acreditar)
    Ralph Brooks
    Ralph Brooks
    • Detective
    • (sin acreditar)
    Cliff Clark
    • Bit Role
    • (sin acreditar)
    Fred Coby
    Fred Coby
    • Detective
    • (sin acreditar)
    Tristram Coffin
    Tristram Coffin
    • Fingerprint Expert in Courtroom
    • (sin acreditar)
    Jack Daly
    • Bank Teller
    • (sin acreditar)
    • Dirección
      • William A. Wellman
    • Guión
      • John Fante
      • Jack Leonard
      • Marguerite Roberts
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios16

    6,4498
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    Reseñas destacadas

    7planktonrules

    Chu Chu Ramirez is perhaps TOO nice a guy.

    "My Man and I" is a film which features a lovely performance by Ricardo Montalban as a Mexican-American named Chu Chu who has recently become a US citizen. He believes in the American Dream...and believes hard work and honesty will ultimately pay off. Unfortunately, he meets several people who test this to the limits...including a drunk lady (Shelley Winters) as well as a bully who cheats him out of a months' wages. What's next for the poor guy? See the film and find out for yourself.

    I really appreciated Montalban's acting here and liked the character. My only complaint about him is that perhaps his character is too nice...too perfect. Still, it's a dandy film that explores the darker side of American life for some...even if the ending seems a bit hard to belive!
    8mls4182

    Great Little Movie

    Ricardo Montalban as an upstanding, proud new immigrant to America, Wendel Corey as a cheating slimeball with a bitter, unsatisfied wife and Shelley Winters as an alcoholic floozie. Perfectly casting. You'll be impressed for its positive portrayal of immigrants and Montalban's narrow waist in ratio to his broad shoulders.
    ulicknormanowen

    The story of a good man.

    In the unforgettable "wild boys of the roads " (1933),Eddie who stands accused tells the judge about his plight ;the young actor was so convincing that he could effortlessly drive you to tears. Chu Chu did the same when he reads his letter to the president (of the US). Both believe in justice, both got a raw deal; people unfairly treated was a grave concern for the great William Welman : "the ox- bow incident"is certainly one of the most revolting films that has ever been filmed.

    Chu Chu is proud to become an American citizen. He believes in the dream , in democracy and Lincoln's country cannot be wrong ; in direct contrast with him ,Nancy ,an alcoholic loser , has lost all her illusions ; but neither she nor the vilain,Ames ,can destroy Chu Chu's faith ,joie de vivre and hope for a better future .

    The world can't be thoroughly black or white;even in his most desperate work, "ox -bow " ,seven people were the just against a maddening bunch ; Chu Chu is a good man who would not hurt a fly ,and the members of the jury (it's rare) do think it's a travesty of a trial ; and the way Chu Chu's friends torment Ames to awaken his conscience is pacifist, friendly persuasion, through and through ( going as far as to give a kitten to the wife)

    Montalban ,Winters,Corey and Trevor are all excellent.
    7markneff1960

    much better than i expected

    i was very surprised. the script was first rate. the story had a lot of twists and turns. seeing jack elam play a Mexican is reason enough to see this movie. was never much of a shelley winters fan but she was good. previously knew ricardo motalban as khan and the joker. he gives a very good performance but it is the script that is the key. some may call the story corny or idealistic but it still holds up today. the Mexican are portrayed very sympathetically probably much more so than the way they are perceived today. The movie is a commentary on the American dream circa 1952 but if you replace the mexicans with just about any non-elite group, including every day Americans it still is relevant
    dougdoepke

    Doesn't Gel

    The ambitious Chu Chu Ramirez comes to America as a proud new citizen, only to be gypped out of money owed him by farmer Ames. At the same time, he meets downtrodden bar girl Nancy, whom he becomes romantically involved with. But her troubles are deep and difficult. Plus, farmer Ames frames him for an accidental shooting. Will Chu Chu somehow get the breaks he needs and deserves.

    I'm not sure what the writers were trying to say here. It looks like something noble since Chu Chu (Montalban) is admirable in so many ways. Plus, he delivers nice little speeches about the virtues of America, suitable for the Cold War, McCarthyite year of 1952. But much of this, however well intentioned, is undone by a turgid script and an absolutely awful performance by Shelley Winters (Nancy). Her constant whining and sour expression (not a single smile) for 90-some minutes almost had me reaching for the "off" button. I realize she's a hard-luck gal, barely surviving at society's lower reaches, but did she have to spread it on so relentlessly and so thick. It made me think the sensible Chu Chu must be some kind of masochist to put up with it. Hers has got to be one of the dreariest turns in Hollywood annals.

    At least there's the well-cast iceberg Wendell Corey as the heartless farmer Ames, and a de-glamorized Claire Trevor as his faithless wife. I was expecting their dark pairing to explode at any moment. At the same time, holding the film together is a handsome Montalban, quite winning as the ambitious immigrant. Looks to me like this was a B-production from Dore Schary's brief tenure as MGM head, when he tried to steer the studio away from Louis B. Mayer's relentlessly sunny film fare. Certainly, the settings and photography here are about as bleakly gray as possible. Maybe with a better, more focused script and a less dreary Nancy, the movie might have succeeded in its good intentions. But as things stand, the overall result lacks impact of any discernible kind.

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    Intereses relacionados

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    Drama legal
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    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The film was a $563,000 money loser for MGM, according to studio records, which would equate to about $6.64 million in 2024. It did not even make back the film's negative expenditures, let alone duplication, distribution and advertising costs.
    • Pifias
      In the bar as Nancy is drunkenly explaining her mess of a life and swipes her glass off the table that crashes to the floor, no one in the bar turns their head to acknowledge the noise. Surely, someone would have noticed. Not a Continuity Goof and probably not even a Goof - in some bars, breaking glassware is very common, and though people notice, they don't turn and gawk, because they feel everyone should mind their own business.
    • Citas

      Nancy: [after Chu Chu tells her about his letter from the President about getting his citizenship] Ramirez, today you drive a tractor, tomorrow you'll sweat your ears off in some stinking fish cannery. Next week you'll be breaking your back in asparagus, spinach and grapes. And you think you're a citizen First Class? Citizen of what? What you are is a sap, and all you've got is the papers to prove it.

    • Banda sonora
      Stormy Weather
      Written by Harold Arlen and Ted Koehler

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de abril de 1953 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • Títulos en diferentes países
      • Letter from the President
    • Localizaciones del rodaje
      • Calabasas, California, Estados Unidos(location shooting)
    • Empresa productora
      • Loew's
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 946.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 39min(99 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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