Miss Robin Hood

Miss Robin Hood is directed by John Guillermin and co-written by Val Valentine, Patrick Campbell, and Geoffrey Orme; from the story written by Reed De Rouen. It stars Margaret Rutherford and Richard Hearne. Music is orchestrated by Temple Abady (John Hollingsworth directing) and photography is by Arthur Grant. Plot finds Hearne as amiable newspaper columnist Henry Wrigley, who gets roped in to robbery by eccentric old dear Miss Honey (Rutherford). All for a good cause you understand.......

Out of Group 3 productions, Miss Robin Hood sadly doesn't play out as worthy of the cast assembled for it. I would go so far as to say it's easily the weakest of the films that were found and received a DVD release under the Hollywood Classics Ltd banner of Long Lost Comedy Classics. Story is sweet enough, cast are fine, particularly Rutherford (more energy than actresses' half her age back then), Sid James, James Robertson Justice and Dora Bryan, but the film seems caught between trying to be screwball, farce or a cunningly crafted fantasy. The odd moment of hilarity does surface (car chase, a drunk Hearne), but these quickly get lost in the mix as director Guillermin (The Blue Max/Death on the Nile) fires a blunderbuss and hopes all the pellets land in the same place to form a cohesive circle. They don't.

Still, it's not a total wash out, the cast ensure it's at least watchable, and it's always fun to play spot the future star of British TV and cinema in these 50s Brit Coms. Look out for the likes of Reg Varney and Kenneth Connor here. While the music score is very pleasant and chipper, and Grant's photography is lean and at times purposely off kilter. Core essence of plot, too, is worthy of a hearty bravo shouted from the back of the theatre, but execution behind the camera and translation from the written page leaves it too messy for its own good. 5/10

An entertaining film, with some splendid moments, but it would be very interesting to see who it was aimed at. Ealing's 'Hue and Cry' is perhaps the greatest film in this post-war nostalgic genre of kids-film-for-adults; this is a long way short of that, although using the same conceit of a timid writer of a kids' thriller story having to turn detective himself. Unlike 'Hue and Cry' the crime isn't really a crime, and the danger is more perceived than real. And again unlike 'Hue and Cry', this film isn't quite sure whether it is appealing to children or to adults. Margaret Rutherford is strangely creepy as Miss Honey, and the fantasy elements of the story misfire. The best sequences are the realistic adult world, of Henry Wrigley's family and his relationship with his wife, two daughters and Michael Medwin as a wet boyfriend of the elder daughter (improving himself through learning the encyclopedia), his work-life with his two assistants, or his lunchtime conversations with Dora Bryan as a friendly barmaid. The Oz-like message, that the lives we have are better than our fantasies or dreams, is certainly reinforced by the comparative failure to motivate Miss Honey's subversive, childlike view. Still, good fun, with several good comic moments.

Charming it is but the comedy's scarce. Just about all of this film leaves you wondering what went on. The plot is patchy to say the least, and the film doesn't seem to have the cohesion of other early British comedies you find these stars in. It came across as a complete mish-mash of experimentalism and surrealism, leaving you thinking everyone involved in it was on an illegal substance. Looking at what the director went on to do in his career, this film can be forgiven for being an example of early directorial teeth-cutting.

Margaret Rutherford was well cast, but it felt the director somewhat smothered her talents and over did the 'dotty' approach (and where did all the kids come from giving you that 'St.Trinians' feel in the last 5 minutes?). Richard Hearne left me wishing they had cast someone, not only with a personality, but with a skill for improving a lacklustre dialogue - Alastair Sim could have really done something to improve this film. And Sid James waddling along always moaning about his 'KNITTING'? - I ask you!. As for the Police? They would have been better cast in The Wizard of Oz as the Wicked Witch's bodyguard.

For individual talent, this film was interesting for observing what the cast can do on screen as an alternative to how you have normally seen them. As a film on the whole, it's pretty bad. I would say it's a cross between anything made by Fritz Lang and whoever came up with On The Buses. It just leaves you feeling slightly uncomfortable.

Get it just for the library, and leave it there.

Whilst not a bad film I wouldn't watch it twice, The comedy seemed direction less, And Margaret Rutherfords character who has preformed well in a lot of films, was just annoying ! There were a lot of great comedy actors in the film, unfoughtunatly due to the script under used! And the business of sid James continually going on about his knitting. ????? I got the impression of a product very rushed out, like I said not a bad film but could should been much better!!

Curiously Richard Hearndall's wife gets no credit, but the lady looks extremely similar to Thora Hird. Most odd...Apparently an actress called Fanny Rowe. Were they related?