Down Among the Z Men

I was never a great fan of any of the "Goons" so approached this with quite a bit of trepidation. Sadly, it is all rather silly and presented in such a stilted fashion as to appear to have been rehearsed to within an inch of it's life - totally devoid of anything that looked convincingly genuine or spontaneous. There is a storyline involving a rather flaky professor who leaves a top secret formula in a grocer's shop. When he attempts to return it, he is mistaken for one of the "Z" (British army reservists) men, dragooned into the army and soon exposed to criminals who are also after this scientific boon. Curiously enough, there are one or two quite redeeming musical performances dotted throughout this featuring Carole Carr and Harry Secombe; but the performances of his fellow goons - Messrs. Bentine, Sellars and Milligan - really have suffered badly from the ravages of time, so much as to make this pretty unwatchable to all but real "Goonies".

E J Fancey productions occupied a space on a quality scale somewhere between educational films and home-movies. While US budget movie-makers had a knack of doing a lot with just a little. E J Fancey had a knack of making very little look even less.

So its a shame that this group of entertainers who were already popular on radio as The Goons, and later went on to better things should have this as part of their legacy.

Who were the Z Men? I'd never known but saw that they feature in another disappointing '50s army comedy "You Lucky People" - starring Tom Trinder in his last film. I see from Wikipedia that they were British army soldiers and officers who'd served in WW2 and became a reserve to be recalled if needed.

The dancing girls are the only polished act in this whole movie. Even the goons themselves were embarrassed about the final film (it was filmed at breakneck speed due to an extremely short filming schedule forcing them to improvise).

The only reason to watch this film is out of historical interest. It's amazing to see a then 27 year old Peter Sellers showing early signs of his incredible character range, something which would stand him in good stead in the years to come. Spike Milligan (who I once met) looks so young in this but is his usual zany self. Harry Secombe often seems a bit lost in this film, not having a proper script to follow and not knowing how to react to the improvisations going on around him. In some ways he was the most professional of the Goons.

And finally we see Michael Bentine, a man I associate with zany children's comedy from the 1970s. A unique looking individual who's appearance changed quite dramatically once he cut his hair and lost the beard ,Bentine left the goons soon after this movie was made so this film is a unique insight into the group before they became a trio.

It's a shame this film is almost unwatchable and not representative of the fledgling talent within. It tries to play out like a Marx brothers comedy, but contains none of the polish or acerbic wit of those films. However as a snapshot of what was to come it's an interesting curiosity.

I once had the pleasure of meeting Michael Bentine and we discussed this film. Michael told me that the director would only allow one take of each scene unless an absolute disaster occurred. There is one scene near the end that is quite funny. Two or three other members of the cast disguise themselves as Michael Bentine and many confusions occur, probably inspired by the mirror scene in the Marx Brothers film Duck Soup.

As a fan of the Goons ever since I was a kid (I used to listen to them late at night on the local college radio station) I was surprised and delighted to find this DVD at the checkout counter of a local drug store (for only a dollar!). I suppose I have to be honest and say I was disappointed by the movie, but not by the opportunity to see it. Harry Secombe is the star and seems to be trying to imitate Curly from the Three Stooges (right down to a direct steal when he tries to read the label of a record while it's still playing). Secombe never came off well in his few starring vehicles (although he seemed to shine in Dickens --- he was great in OLIVER and made an excellent Pickwick in a musical TV adaptation of THE PICKWICK PAPERS). Michael Bentine also gets a lot of screen time as the batty professor, but struck me as more bizarre than funny. Spike Milligan and Peter Sellers were totally wasted. Sellers of course went on to great things, but Milligan, surely one of the funniest men who ever lived (and the single greatest creative force behind the Goons) fared no better in films than Secombe. The mistaken identity chase scene at the end provides a few laughs, but that's about the high point. All in all if you're a Goon fan you have to watch this, you really have no choice, but don't expect to like it.