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El cuarto poder

Título original: Deadline - U.S.A.
  • 1952
  • Approved
  • 1h 27min
PUNTUACIÓN EN IMDb
7,2/10
4,6 mil
TU PUNTUACIÓN
Humphrey Bogart in El cuarto poder (1952)
With his newspaper about to be sold, crusading editor Ed Hutcheson tries to complete an exposé on gangster Rienzi.
Reproducir trailer2:46
1 vídeo
99+ imágenes
¿CrimenCine negroDrama

Con su periódico a punto de venderse, el editor Ed Hutcheson inicia una desesperada cruzada para denunciar al gángster Rienzi.Con su periódico a punto de venderse, el editor Ed Hutcheson inicia una desesperada cruzada para denunciar al gángster Rienzi.Con su periódico a punto de venderse, el editor Ed Hutcheson inicia una desesperada cruzada para denunciar al gángster Rienzi.

  • Dirección
    • Richard Brooks
  • Guión
    • Richard Brooks
  • Reparto principal
    • Humphrey Bogart
    • Ethel Barrymore
    • Kim Hunter
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    4,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Richard Brooks
    • Guión
      • Richard Brooks
    • Reparto principal
      • Humphrey Bogart
      • Ethel Barrymore
      • Kim Hunter
    • 48Reseñas de usuarios
    • 40Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 premios en total

    Vídeos1

    Trailer
    Trailer 2:46
    Trailer

    Imágenes859

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    + 853
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    Reparto principal99+

    Editar
    Humphrey Bogart
    Humphrey Bogart
    • Ed Hutcheson
    Ethel Barrymore
    Ethel Barrymore
    • Margaret Garrison
    Kim Hunter
    Kim Hunter
    • Nora Hutcheson
    Ed Begley
    Ed Begley
    • Frank Allen
    Warren Stevens
    Warren Stevens
    • George Burrows
    Paul Stewart
    Paul Stewart
    • Harry Thompson
    Martin Gabel
    Martin Gabel
    • Tomas Rienzi
    Joe De Santis
    Joe De Santis
    • Herman Schmidt
    • (as Joseph De Santis)
    Joyce Mackenzie
    Joyce Mackenzie
    • Katherine Garrison Geary
    Audrey Christie
    Audrey Christie
    • Mrs. Willebrandt
    Fay Baker
    Fay Baker
    • Alice Garrison Courtney
    Jim Backus
    Jim Backus
    • Jim Cleary
    Parley Baer
    Parley Baer
    • Headwaiter
    • (sin acreditar)
    Bill Baldwin
    Bill Baldwin
    • Man Asking for Ed Hutcheson
    • (sin acreditar)
    Willis Bouchey
    Willis Bouchey
    • Henry
    • (sin acreditar)
    Lovyss Bradley
    Lovyss Bradley
    • Woman
    • (sin acreditar)
    John Brooks
    • Reporter
    • (sin acreditar)
    Ralph Brooks
    Ralph Brooks
    • Newspaperman
    • (sin acreditar)
    • Dirección
      • Richard Brooks
    • Guión
      • Richard Brooks
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios48

    7,24.6K
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    Reseñas destacadas

    bat-12

    One of Bogart's two most underrated films.

    This film was released (as I remember) the same year as The African Queen. I have always liked it more than the latter film. Richard Brooks's prior experience working on a newspaper gives it a genuine idea of what that kind of work is like. The performances of Bogart and Barrymore are very good. I think it's one of her very best. This movie deserves to be seen and appreciated more.
    7view_and_review

    Ideologue Movie

    The 40's and 50's had quite a few movies in which newspapers and newspapermen were the central focus. There was "Scandal Sheet," "Ace in the Hole," "It Happened Tomorrow," "Foreign Correspondent," "His Girl Friday," this movie, and others. I suppose it makes sense considering print media was the largest and most influential form of media with television a decade or so away from becoming the ubiquitous medium it is now.

    Ed Hutcheson (Humphrey Bogart) was the editor of The Day, a thriving New York newspaper. The owner and founder had just died and The Day was being sold by the wife and the two daughters. Ed was giving it his all trying to do what he could to prevent the sale as well as continue to print relevant news. He dedicated all of his staff and resources to looking into a local mobster named Tomas Rienzi (Martin Gabel) when one of his reporters was hospitalized for digging up too much information on the same gangster. He thought maybe, just maybe, this story would both: expose a criminal and save the paper.

    This was an ideologue movie. There were two stories running parallel to each other. One was the story of the gangster and his outsized influence, the other was the newspaper being sold to a competitor who was going to shutter it. The gangster story was a thrilling one, but the paper being sold was a principled one.

    If The Day was sold to a competitor and then closed down, that would be one less voice for the people. It would be one less viewpoint, one less source of news, and one less competitor for the other papers. Such a thing couldn't be good for the reader and the average citizen. Market competition has always benefited the consumer (even though it's not benefiting us much nowadays with gas prices) while monopolies have always harmed the consumer.

    This was a pivotal issue with The Day being sold, but it also directly confronted a person's or business's capitalistic right to sell their property. Should the courts prevent this sale based upon it taking away a source of news from your average citizen, what other sales would the courts be allowed to, or have to prevent? It was a novel argument that played out on screen and gave the viewer food for thought.

    Free on YouTube.
    7Xstal

    The Bottom Line...

    Being the editor of a newspaper is intense, when the world outside your window don't make sense, where gangsters rule the roost, the owners easily seduced, an ex-wife who will not give you recompense. So we follow you around and watch you play, it's fair to say, that these are not ordinary days, always going toe to toe, they could be friends, they could be foes, but you ensure everyone, hears what you say. The performances are fine and competent, the emotion and the passion sufficient, not really sure the story's deep, there's not a lot of underneath, but it's 90 minutes that can be well spent.
    7utgard14

    "A journalist makes himself the hero of the story. A reporter is only the witness."

    "It's not our job to prove he's guilty. We're not detectives and we're not in the crusading business." That line from Humphrey Bogart early in the film lets you know you're watching a movie about a bygone era in journalism. Or maybe that's just an idealized fantasy and reporters were never like that, because later in the film Bogart contradicts himself by instructing his reporters to "go below the belt" and "we're gonna convict him of every crime on the books." Feelings on journalistic philosophy aside, this is an exceptional crime drama about the goings-on at a newspaper that's going out of business. Before the doors are closed, editor Bogart and his reporters try to uncover the truth about a racketeer's criminal activities.

    Bogart turns in one of his finest acting turns, with terrific support from Ethel Barrymore, Martin Gabel, Ed Begley, Kim Hunter, Warren Stevens, Jim Backus, and many more. The story moves along at a smooth pace and keeps your interest throughout. There's quite a bit of monologuing but the script is packed with punch and grit. It's one of the better films in writer & director Richard Brook's career. It's worth a look on its merits as a dramatic film, as well as the added historic value it has for those looking to examine the differences and similarities between how journalism was viewed yesterday versus today.
    7smatysia

    Better than average newspaper drama

    Better than average newspaper drama from the Fifties. Seems to be a more or less forgotten Humphrey Bogart film, which is too bad. I couldn't find it on DVD anywhere, and watched it on a tape I made from cable ten or more years ago. The film has three intertwining plot arcs done very skillfully by screenwriter (and director) Richard Brooks. Martin Gabel plays the bad guy, a mobster who is suitably menacing, without overdoing it. Icon Ethel Barrymore puts in a fine turn as the newspaper heiress, and the lovely Kim Hunter shines as Bogey's ex-wife. Bogart is outstanding as the crusading newspaper editor, doing everything possible to save his paper, and bringing low the criminal element. Definitely worth seeing, if you can find it.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Originally titled 'The Newspaper Story', location shooting took place both in the newsroom and the printing plant of The New York Daily News, with real pressmen playing themselves. This was augmented by an 'almost letter-perfect' reproduction of a newsroom on a Hollywood soundstage.
    • Pifias
      As Rienzi's car drives off after picking up Hutcheson, a large studio light is reflected against the side window of the car.
    • Citas

      [last lines]

      Ed Hutcheson: That's the press, baby. The press! And there's nothing you can do about it. Nothing!

    • Conexiones
      Featured in El único juego en la ciudad (1970)
    • Banda sonora
      John Brown's Body
      (uncredited)

      Traditional tune, lyrics attributed to various writers

      Sung, with modified lyrics, by the staff in the bar and heard as a theme at other times.

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    Preguntas frecuentes

    • How long is Deadline - U.S.A.?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de mayo de 1952 (Canadá)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Streaming on " DIGISIM Abandon Time Capsule Theater" YouTube Channel
      • Streaming on "Chris T" YouTube Channel
    • Idiomas
      • Inglés
      • Latín
    • Títulos en diferentes países
      • La hora de la venganza
    • Localizaciones del rodaje
      • New York Daily News Building - 42nd Street, Manhattan, Nueva York, Nueva York, Estados Unidos
    • Empresa productora
      • Twentieth Century Fox
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 5228 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 27 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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