Cuando los mundos chocan

"THERE ARE MORE STARS IN THE HEAVENS THAN PEOPLE ON EARTH!" a portentous voice-over intones amidst the background of a celestial choir. And with that very important fact established for those in the audience that might actually believe otherwise, we're off and running. Some movies are so loopy they're just plain fun to watch no matter how absurd they are. And with an opening like the one described you know this George Pal gem is going to be a hoot. "When Worlds Collide" was Pal's follow-up to his successful "Destination Moon" which along with "Rocketship-XM" launched the Golden Age of fifties sci-fi. It was a simpler time, an era in science-fiction films when all that was required for space travel was to "Strap yourselves in!" and "contract your muscles!" When astronauts wore leather flight jackets instead of space suits, and were always on the make for a beautiful pair of gams, (i.e. women) when all scientists smoked pipes and wore goatees, (that's how you knew they were intelligent) and were completely absorbed in their ivory tower research, oblivious to everything including at times the safety of the world. Worse whenever some dangerous creature was running amok their response to stopping it was invariably, "It shouldn't be destroyed, it should be studied!" or "It's so much wiser than us, we can learn so much!" It was an era when a woman wasn't considered complete without a man in her life, and even if she was a brilliant astrophysicist, all she really needed to know (as every man knew) was how to make a decent pot of coffee, when radiation was the answer to any problem, as in "Beast from 20,000 Fathoms" or was the reason for every problem like the giant ants in "Them!" Well, with the exception of extraterrestrials, radiation and giant insects, "When Worlds Collide" has all this and more!

This film is so ripe some enterprising filmmaker could do a parody of it, except it's hard to imagine how it could be done better. Eminent astronomer, Dr. Emery Bronson, (pipe smoking and goateed) has made a terrible discovery from his remote ivory tower observatory in South Africa. Two "heavenly bodies" are on a collision course with Earth. One, called Zyra will pass close enough to wreak havoc on land and sea, while the other, called Bellus will actually strike the planet and destroy it days later. "Money doesn't mean anything now. Time is all that matters!" So the pertinent, secret data must be taken at once to Professor Hendron in New York for corroboration on the Differential Analyzer, a fifties version of the computer. Enter Dave Randall, a leather flight jacket wearing pilot-soon-to-be-astronaut. Dave is always on the make for a beautiful pair of gams sort of guy, and blissfully unaware of the bad news he is carrying. At the airport Professor Hendron's daughter Joyce, played with wonderful vapidity by Barbara Rush awaits him. A newspaperman has offered Randall $5,000.00 for the secret of the little black box handcuffed to him. But Dave takes one look at Joyce and like a starving man eyeing a sirloin steak tells the reporter, "No thanks, I'm working on a better offer!" With the clock ticking on humanity they decide to take a taxi through the New York traffic to the breathlessly waiting professor. Along the way Randall manages to coax out of the trusting Joyce, who evidently never heard the expression, "loose lips sink ships" that the end of the world is upon them. Rush exclaims, "I'm frightened!" And then in one of the film's choice bits, slowly faces the camera and exclaims deadpan, "You see, I haven't the courage to face the end of the world!" The music swells, Randall squirms as if he just sat in something smelly left behind by a pet, slow fade out.

Most of the film deals with the construction of the rocket-ship, a latter day Noah's Ark, which will carry 44 individuals picked by lottery to make a new home on Zyra. It's their hope to build a bright shining new white world-literally for there is nary a single member of a minority group to be found among them. But money is needed for the project and since the Federal Government can't be bothered with saving humanity, wealthy industrialist Sidney Stanton, supplies that-provided he has a seat reserved aboard. "I think you're all crackpots!" he hisses. "Build it!" John Hoyt, deliciously nasty as the wheelchair bound Stanton steals the film. The cheesy but fun special effects kick into high gear with the approach of Zyra. Tidal waves strike New York, earthquakes rock the planet, and volcanoes erupt while the celestial choir swells yet again as a solemn voice-over intones, "Never has humanity felt so close to God!" Hendron reproaches Stanton with, "Not your sort of hypocritical prayer but the kind that come from deep inside a man!" after the latter has gunned down his wormy manservant Ferris who made the mistake of telling his employer he was an "Easy man to hate!" Things go from bad to worse when those who lost the lottery decide to riot. The good news is that Joyce realizes she loves Dave, and best of all he gets to go along and fly the craft to Zyra. Alone with Joyce days before take off and the end of the world, he remarks with all the gravity and emotion of a man suffering from acute gastric discomfort, "The last sunrise!" Joyce tries to get him to look on the bright side, "The same sun will rise again on the new world!" she says, not the least bit distressed that several billion people are about to have their lives snuffed out in a cataclysm of cosmic proportions. Oh well, guess she'll make a pot of coffee.

Everything turns out "alright" in the end-all things considered. Cue celestial choir, fade out. "When Worlds Collide" is a fun, goofy, glorious science-fiction postcard from the early fifties.

...I remember rushing in from playing football in the street to watch the world ending on our little b&W TV. I remember thinking what I would do in that situation? I had nightmares for days after especially about the image of Bellus swallowing the world. Wasn't Bellus a star? Coz Zyra, the planet, sailed past days before causing earthquakes and loads of nasty stuff. It doesn't matter about effects (1951? This was top notch!) but what does matter is that you cared about the characters; the desolation when one engineer gives up his seat because his girl friend wasn't lucky enough to draw a place and was willing to meet his fate with his loved one by his side... THAT'S romance! And that ski-jump take off... and that rocket!!!! It's definitely one of the best of it's genre and everyone else is right.. the recent batch of similar films aren't a patch on this. Remember characterization, chaps! Enjoy...

This is an often overlooked sci-fi movie from the 50s--being not nearly as famous as the excellent Day the Earth Stood Still or Invasion of the Body Snatchers. Despite this, it is still one of the best ones of its era. The basic story is good, but not great. What sets it apart are the characters within it and the insight into human nature it gives you. This makes the film very allegorical and makes you think. Many of the characters, such as the leads, rise to the occasion and only think of saving others when it appears most life on Earth will be destroyed. Then, there are the jerks who also show their true colors--such as the crowd who try to storm the space ship bound for a safe new world, and especially the evil old financier who who wants to save his own skin and could care less about others. John Hoyt plays this role beautifully and it is very, very much like the character C. Montgomery Burns from the Simpsons!

Oh, and lest I forget, for 1951, the special effects are absolutely amazing. Aside from a pretty flat-looking matte painting used at the end, the space ship effects and flood effects were just terrific and earned this movie a well-deserved Oscar.

This is a great sci-fi film that all fans of the genre need to see.

When I was younger, this was one science fiction film that definitely made an impression on me. This was one of those where I actually was scared that one day my world would come to an end. However, as I got older I realized that this was just a movie, but still it is one of the best genre films of its era. Sure, it has its flaws (especially the painted background at the end), but still it is a film that was a product of its time and it will always be one of my favorites.

First, this is a nice-looking film with a good DVD transfer. Seeing an early '50s sci-fi film Technicolor is nice.

Also, having just watched - I'm not kidding - "Plan 9 From Outer Space" and "Invaders From Mars," this George Pal film looked like multi-million dollar Oscar winner in comparison. Except for the ending scene, the special-effects were passable, the acting was good and the dialog pretty realistic. The story plausible? Of course not, but what they did know of space travel in 1951? Hell, we didn't send a man on the moon until almost 20 years after this movie. No, this is not one of those popcorn flicks that "is so bad, it's good" or just plaint stink. No, this movie is just good......period....even today, almost 57 years later!.

This was a no-nonsense survival story without an overdone corny romance, no stupid or obnoxious kids nor goofy-looking adults. It had a solid reverence for God and to science at the same time, a realistic portrayal of people under stress and how they would react knowing their world was coming to end. For a mostly talky film, it moved fast with few, if any lulls.

John Hoyt, who plays the wheelchair-bound millionaire "Sydney Stanton," may not be a "name" actor but he's very good. Check his resume: it's awesome. The man was in about every good television show for decades. The man could act. So did the rest of this cast.

Overall, this "modern" Noah's Ark story was a good one, and far, far better than your normal sci-fi flicks from the time period. Well done!