Mundo desconocido

A group of scientists tunnel to the center of the Earth to find a refuge from the dangers of the atomic world. As the team of the scientific people : Bruce Kellogg, Otto Waldis, Jim Bannon... , among them one woman : Marilyn Walsh , use a gigantic drilling for a risked expidition. The scientific compatriots descend into deep caverns filled with stalactites and stalagmites and looking for a tunnel system leading to the center . All of them drilling into the forbidden depths of the Earth resulting in surprising as well as fateful consequences. A thousand miles down...Ten-thousand Thrills Deep! A Journey to the Center of the Earth . Shocking drama of a woman who's lost life's most precious gifts! . Daring scenes of the forbidden depths at the heart of the world! Adventure into the unknown! Drilling into the forbidding depths of the earth!

A shocking and fantastic drama with daring scenes of the forbidden depth at the heart of the world. It blends usual issue in the Fifties about the risks of the nuclear war along the classic story of Jules Verne's Voyage to the Center of the Earth. The highlights of the movie are the numerous risks and dangers they have to deal with . Big start winds down fast and being nicely shot by Terry Morse, sometimes credited Terrell O. Morse. Stars a lot of B and mostly unknown actors giving passable interpretations, such as : Bruce Kellogg, Jim Bannon, Otto Waldis, Marilyn Walsh, uncredited Victor Killan, among others.

Produced by expert producer Robert Lippert who financed various fantasy movies and two FX expert professionals : Irving Block and Jack Rabin, both of provide tradicional and primitive especial effects, but really effective, adding abundant matte-painting . It contains a thrilling and evocative musical score by Ernest Gold to be continued a successful career with excellent soundtracks as a great composer. The motion picture was regular y professionally directed by Terry O Morse. He was a good craftsman and an expert editor. He shot various films about all kinds of genres with penchant for fantasy and Sci-Fi. As Terry directed films as Godzilla, Taffy, Fog Island, Godzilla King of the Monsters, Tear Gas Squad, Waterfront, On the Trail, Don Ricardo returns, Dillinger, Danny Boy, British Inteligence, among others. Rating : 5.5/10. In spite of not being a notable, neither extraordinary film, it results an acceptable and decent entry in the Fiffties, a period in which the Science Fiction genre got great splendor and success.

Well, to be fair, in 1951, there was still a great deal of conjecture about the Earth's inner structure; not only was the theory of "plate tectonics" completely unknown (it's no longer considered a theory), that the core was a viscous super-heated liquid with a solid center (outer core and inner core) was merely a conjecture (today it too is considered fact). This picture strikes me as a sort of "Journey to the Center of the Earth" (1959) meets "The Core" (2003), with perhaps a little more emphasis on the latter.

What was surprising was to see that the credit for music went to Ernest Gold (who appears to have scored a number of forgettable pictures earlier in his career). Gold would go on to score "The Young Philadelphians " (1959), "On the Beach" (1959), "Inherit the Wind" (1960), "Exodus" (1960) and "It's a Mad, Mad, Mad, Mad World" (1963); he won an Oscar for the score to "Exodus." Words were added in 1961 by Pat Boone(!) as "This Land Is Mine." Various versions charted in 1961, including by the piano duo Ferrante & Teicher and Montavani. It still can be heard today on radio stations that program older popular music.

A group of scientists drive an enclosed vehicle into an extinct volcano and then bore more than a thousand miles into the earth. They're searching for underground sanctuaries in case the surface of the earth becomes uninhabitable due to nuclear warfare. This is one of those low-budget, black-and-white films from the 50's that you want to laugh at it, and while it does have its share of bad dialog and cheesy special effects, there's an earnest, committed quality here which eventually overcomes most of the obvious faults. Viewers looking for cheap thrills will be disappointed.

Cheapjack Lippert Pictures had an unexpected success with Rocketship XM (1950). I expect this little slice of sci-fi was intended as a follow-up (check out the similar opening scenes). However, instead of burrowing into outer space in a rocketship, these adventurers burrow into inner earth in what looks like a fat submarine with a drill for a nose.

They're playing mole because staying on top like everyone else looks like sure death thanks to nuclear weapons. So six hardy Adams and one Eve set out in their big drill to found a new world and refuge for humanity. Naturally, things don't go entirely as expected, otherwise there'd be no movie. And, of course, not all seven survive.

Actually, the special effects aren't bad considering the challenges of a fantastic inner earth. Then too, I'm surprised Lippert popped for location shooting all the way to New Mexico's Carlsbad Caverns. However, it's also a no-name cast that unfortunately performs like one, except for Killian and Nash who manage a few sparks of life. All in all, it's an interestingly offbeat slice of 50's sci-fi despite the big cheese factor.

(In passing—thanks IMDb for the info on Killian's billing or I should say lack of billing. Killian was one of those distinctive supporting players who could make any movie better.)

This is not as bad a picture as some of the other reviews suggest.

I'm not saying it's a great movie, but it IS surprisingly well done for being made with no money.

It's an odd movie in that it's not really the kind of sci fi you'd expect. There are no monsters or other creatures.

It a straightforward story about finding a alternative place to live in case of nuclear war.

It does drag a bit, but it's worth a watch.

The plot.

Dr. Jerimiah Morley becomes convinced that the world is headed to an inevitable worldwide nuclear war.

He organizes an expedition made up of a team of expert scientists and an atomic-powered rock-boring vehicle called a "cyclotram" to find a subterranean environment where holocaust survivors could live indefinitely.

When funding falls through, independently rich adventurer Wright Thompson underwrites the project under the condition that he be allowed to go.

As the group goes deeper beneath the Earth's crust, personalities clash, tempers flare, and the dangerous journey claims the lives of several expedition members.

When they come upon an enormous underground expanse with its own ocean and phosphorescent light, it appears that their goal has been achieved.