Marineros mareados

Plot is not really a crucial element of this type of picture ,and it comes as no suprise to learn it is pretty skimpy.A radio crooner (Dick Powell )is tired of the pressure of fame and enlist incognito in the US navy .A zealous reporter (Claire Dodd )sets out to expose the truth ,even resorting to stowing away on board ship to break the story. It is really the excuse for a variety of set pieces -musical from the Andrews Sisters and comedic ,from Abbot and Costello ,following up their earlier forces comedy "Buck Privates"(acknowledged in a brief gag over the opening credits) These are varied in the amusement value--I loved the scene where Bud demonstrates that 13 multiplied by 7 equals 28 ,and the "bunco game "scene with lemons is a minor classic but much of it is unsubtle clowning.

As a memento of the more innocent age of cinema it is endearing and will still generate a few laughs along the way.

Bud Abbott and Lou Costello work up to a goofy stride in "In the Navy," their second feature film and also the second in which they're in the service. Having left the Army for the Navy, their misadventures continue with Abbott still the money-hunting con artist and Costello his sidekick and, usually, patsy.

An A & C skit is the highlight of every film they made and here Abbott's blatant cheating at Three-Card Monte, played with produce, is very funny.

The score is so-so. Jerome Kern composed the music for "Buck Privates." The composers here weren't in Kern's league.

Supported by the ever fine Andrews Sisters and Dick Powell as a famous crooner running away from fame to seek anonymity by serving his country, "In the Navy" has a stronger national defense message than its G.I. predecessor. We were getting closer to war. "Keep your ship afloat," intones an officer at a recruit graduation ceremony. Sadly, the magnificent but obsolescent battleships shown at the beginning and end of the film and in quick shots within the story are the very vessels that suffered the Japanese attack on Pearl Harbor.

The movie is dedicated to the navy personnel at the San Diego and San Pedro bases from which the Pacific Fleet deployed to Pearl Harbor in 1941 at President Roosevelt's express orders.

7/10

Lou: "I'll fight these men in a field of honor"

Bud: "But they have no honor"

Lou: "That's okay, I ain't got no field!"

One of the earliest Abbott & Costello films, "In the Navy" has a better balance of humor and music than, say, the Marx Brothers outings of the same period. The songs, although dated, are still quite catchy, and there is also a spectacular tap-dancing number by the Condos Brothers (OK, the Hawaiian song is perfectly awful, but at least nobody plays a harp for 10 minutes here). The comedy is visual, verbal, and at times even surreal (Costello draws a line with a piece of chalk on a blackboard - and then hangs his cap on it!). This film is not great cinematic art, but it does offer some great laughs. (**1/2)

In The Navy does at times feel rushed, you sense that it was what is commonly known today as a cash cow !, it was rushed thru to capitalise on the success of Buck Privates the previous outing from the duo. Abbott & Costello are widely regarded and lauded for saving Universal Studios bacon, so with that in mind I feel that it would be churlish of me to downgrade the film for its forced feel, but sadly it is evident regardless.

Yet for me to even suggest that the film is less than entertaining would be doing a big disservice to all involved, all the expected formula's are in here, the gags from the boys hit the mark, with the "find the submarine sequence" particularly mirth inducing, and of course the musical warbling of The Andrews Sisters offers foot tapping relief. The film does exactly what it says on the tin, open it up expecting fun and light relief, and you will get it in spades, a safe 6/10.

Thus continued a standard (and at the time of its release, winning) formula for Abbott & Costello's earliest films which you need to take with a grain or two of salt in order to appreciate them. With IN THE NAVY, Universal wanted to capitalize on the monstrous success of the earlier BUCK PRIVATES, so now we've got another "service comedy" from the team, with some tried and true funny segments that work, scattered along with the now customary dashes of song, dance, and sub-plotting.

In the area of humorous routines, Bud and Lou are a hit with the "Lemon Shell Game," the "Sons of Neptune" initiation prank, Lou trying to get some sleep in a cockeyed hammock, and then Costello later trying to prove to Abbott that "7x13 = 28". We've even got Shemp Howard of the Three Stooges on hand to help out with some of these gags. This is all fine and dandy.

But then again, every once in awhile it's obligatory that the three Andrews Sisters have to pop in with another song and dance number. While I actually didn't mind the ladies in BUCK PRIVATES, I didn't care for any of their songs in this film. Even worse, some time is wasted on a silly romance between lead singer Patty Andrews and chubby little Lou. This doesn't go anywhere and is more of a liability than a help.

Dick Powell gets big billing along with Abbott and Costello, and a good portion of the story deals with his being a successful singer, idolized by hordes of adoring women, who'd like nothing more than to sneak into the navy just to get away from all the fanfare. Unluckily for him, there's a female photographer who's hot on his trail and is determined to spring up with her ever-intrusive camera to snap all the pictures she can of him. This also becomes rather tiring. Yet thankfully, A&C are constantly in their hilarious prime to keep bringing us back to the laughs, which is always the chief reason we keep wanting to watch. **1/2 out of ****