Añade un argumento en tu idiomaThe boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with ... Leer todoThe boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with these two, nothing is simple. Bluto tries washing him like a shirt on a washboard; Popeye ... Leer todoThe boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with these two, nothing is simple. Bluto tries washing him like a shirt on a washboard; Popeye fights him, and Swee'Pea sneaks off and starts playing with a pen. Popeye cleans him up ag... Leer todo
- Dirección
- Guión
- Reparto principal
- Bluto
- (voz)
- (sin acreditar)
- Olive Oyl
- (voz)
- (sin acreditar)
- …
- Popeye
- (voz)
- (sin acreditar)
Reseñas destacadas
*** (out of 4)
Bluto and Popeye show up at Olive's house to take her out on a date but she's got a baby there. The men agree to watch him but things don't go as planned.
NURSE-MATES is another very good entry in the early Popeye series and once again it benefits from plenty of fast action as well as the high quality animation that people had come to expect from it. There are many fast-paced action scenes here but the highlight is when the boys are battling each over about the proper way to wash a baby. There's plenty of laughs dealing with the kid being in danger but it's all done in such a way that you can't take it too serious.
'Nurse Mates' may not one of the best Popeye cartoons overall though or one of the best of the 1940 output. Considering that Fleischer Studios' pre-40s output was mostly decent to brilliant, it is a little disappointing. At the same time though, despite a couple of major problems there are a lot of well done things. 'Nurse Mates' actually compares favourably amongst the 40s Fleischer Studios output in general, when the studio was undergoing bar none its worst ever period (with 1940 being its worst year perhaps).
Yes it is nothing new in terms of story and material, which does take away from any freshness or surprises somewhat. There has been a little more energy in other Popeye cartoons before and even since, coming from someone who consider the earlier Popeye cartoons generally better than the later ones.
And sorry to say it again, but despite Jack Mercer as always being brilliant as Popeye (the only Popeye voice actor for me), Margie Hines and Pinto Colvig never really gelled as Olive, who has little to do here again, and Bluto. Of Bluto's voice actors especially, Colvig is easily the least sinister, robust or formidable and he didn't seem to have as much fun as the others, also couldn't get Goofy (Colvig being Goofy's original voice actor and he was still voicing him when also voicing Bluto) out of my head somehow.
However, the animation is neatly and expressively drawn (especially with Popeye) and still very much like the work that goes into the backgrounds. The music, appropriately like its own character, is as beautifully orchestrated and characterful as ever.
The gags are also a lot of fun despite the lack of originality, the fighting over the baby washing was very funny to watch and didn't get old. The story is not much new but still a lot of energy, with a wonderfully wild final third that is the case for most Popeye cartoons. All three major characters are handled very well (Olive is too underused to be in the same class), especially Popeye, Bluto is also a suitably formidable adversary and Swee'Pea is very cute.
In conclusion, good but falls short of being great. 7/10
It's a very nice set-up of gags as the two men compete over who gets to do what with the infink -- sorry, infant -- while trying to sock each other. I have some issues with Swe'pea's character design. It seems to be modeled more on Eugene the Jeep than the child in other Popeye cartoons. There's also one very creepy gag, where Swe'pea has ink on his face and Popeye uses spot remover to get it off, taking away the baby's eyes, nose and mouth with it.
This is the classic trio with Swee'Pea. I like this combination and it also suggests that Olive Oyl is a single mother. The audience of that era probably didn't connect those dots in a cartoon. I would like Swee'Pea to cause more havoc. He eventually gets there. Finally, I would like to show the passing time. Olive Oyl didn't go to the beauty parlor for five minutes.
¿Sabías que...?
- CuriosidadesOne of the few cartoon shorts in which Popeye does not eat spinach.
- ConexionesFeatured in The Popeye Show: Strong to the Finich/Nurse Mates/Quiet! Pleeze (2002)
- Banda sonoraBrotherly Love
(uncredited)
Music by Sammy Timberg
Lyrics by Bob Rothberg
[Heard in background during first scene]
Selecciones populares
Detalles
- Duración7 minutos
- Color
- Relación de aspecto
- 1.37 : 1