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IMDbPro

Nurse-Mates

  • 1940
  • Approved
  • 7min
PUNTUACIÓN EN IMDb
6,6/10
227
TU PUNTUACIÓN
Pinto Colvig, Margie Hines, and Jack Mercer in Nurse-Mates (1940)
AnimaciónComediaCortoFamilia

Añade un argumento en tu idiomaThe boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with ... Leer todoThe boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with these two, nothing is simple. Bluto tries washing him like a shirt on a washboard; Popeye ... Leer todoThe boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with these two, nothing is simple. Bluto tries washing him like a shirt on a washboard; Popeye fights him, and Swee'Pea sneaks off and starts playing with a pen. Popeye cleans him up ag... Leer todo

  • Dirección
    • Dave Fleischer
    • Orestes Calpini
  • Guión
    • George Manuell
  • Reparto principal
    • Pinto Colvig
    • Margie Hines
    • Jack Mercer
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,6/10
    227
    TU PUNTUACIÓN
    • Dirección
      • Dave Fleischer
      • Orestes Calpini
    • Guión
      • George Manuell
    • Reparto principal
      • Pinto Colvig
      • Margie Hines
      • Jack Mercer
    • 9Reseñas de usuarios
    • 2Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes1

    Ver cartel

    Reparto principal3

    Editar
    Pinto Colvig
    Pinto Colvig
    • Bluto
    • (voz)
    • (sin acreditar)
    Margie Hines
    • Olive Oyl
    • (voz)
    • (sin acreditar)
    • …
    Jack Mercer
    Jack Mercer
    • Popeye
    • (voz)
    • (sin acreditar)
    • Dirección
      • Dave Fleischer
      • Orestes Calpini
    • Guión
      • George Manuell
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios9

    6,6227
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    Reseñas destacadas

    Michael_Elliott

    Baby Watching

    Nurse-Mates (1940)

    *** (out of 4)

    Bluto and Popeye show up at Olive's house to take her out on a date but she's got a baby there. The men agree to watch him but things don't go as planned.

    NURSE-MATES is another very good entry in the early Popeye series and once again it benefits from plenty of fast action as well as the high quality animation that people had come to expect from it. There are many fast-paced action scenes here but the highlight is when the boys are battling each over about the proper way to wash a baby. There's plenty of laughs dealing with the kid being in danger but it's all done in such a way that you can't take it too serious.
    7TheLittleSongbird

    Babysitting baby

    Like to love a vast majority of the Fleischer Studios Popeye output, the late-30s cartoons being particularly good and where the high quality was the most consistent. 1940 saw Fleischer Studios starting to decline significantly, the cartoons were mostly well made and scored but they tended to not be very funny, too cute with un-compelling stories and characters. The Popeye cartoons though were among the better ones from this period, in its best theatrical series in the early 40s bar none.

    'Nurse Mates' may not one of the best Popeye cartoons overall though or one of the best of the 1940 output. Considering that Fleischer Studios' pre-40s output was mostly decent to brilliant, it is a little disappointing. At the same time though, despite a couple of major problems there are a lot of well done things. 'Nurse Mates' actually compares favourably amongst the 40s Fleischer Studios output in general, when the studio was undergoing bar none its worst ever period (with 1940 being its worst year perhaps).

    Yes it is nothing new in terms of story and material, which does take away from any freshness or surprises somewhat. There has been a little more energy in other Popeye cartoons before and even since, coming from someone who consider the earlier Popeye cartoons generally better than the later ones.

    And sorry to say it again, but despite Jack Mercer as always being brilliant as Popeye (the only Popeye voice actor for me), Margie Hines and Pinto Colvig never really gelled as Olive, who has little to do here again, and Bluto. Of Bluto's voice actors especially, Colvig is easily the least sinister, robust or formidable and he didn't seem to have as much fun as the others, also couldn't get Goofy (Colvig being Goofy's original voice actor and he was still voicing him when also voicing Bluto) out of my head somehow.

    However, the animation is neatly and expressively drawn (especially with Popeye) and still very much like the work that goes into the backgrounds. The music, appropriately like its own character, is as beautifully orchestrated and characterful as ever.

    The gags are also a lot of fun despite the lack of originality, the fighting over the baby washing was very funny to watch and didn't get old. The story is not much new but still a lot of energy, with a wonderfully wild final third that is the case for most Popeye cartoons. All three major characters are handled very well (Olive is too underused to be in the same class), especially Popeye, Bluto is also a suitably formidable adversary and Swee'Pea is very cute.

    In conclusion, good but falls short of being great. 7/10
    7llltdesq

    Decent, if terribly derivative-been there, done that.

    There's nothing awful about this one, just nothing really remarkable, save for Pinto Colvig (the voice of Goofy) as Bluto. I've seen it all in other (better) Popeye shorts. Fleischer almost always did visually fantastic cartoons and this one isn't bad. But I see signs of burnout here. They seem to have lost a bit of steam with this one. Oh, well, they can't all be great. Jack Mercer is fine as usual. Recommended for completeists.
    7boblipton

    Taking Care Of Baby Business

    Popeye and Bluto show up at Olive Oyl's cottage to take her to the movies. She, however, needs to get her hair done. So she leaves both of them there, with instructions on how to take care of Swee'pea.

    It's a very nice set-up of gags as the two men compete over who gets to do what with the infink -- sorry, infant -- while trying to sock each other. I have some issues with Swe'pea's character design. It seems to be modeled more on Eugene the Jeep than the child in other Popeye cartoons. There's also one very creepy gag, where Swe'pea has ink on his face and Popeye uses spot remover to get it off, taking away the baby's eyes, nose and mouth with it.
    7SnoopyStyle

    Popeye and Bluto battle over Swee'Pea

    Both Popeye and Bluto arrive at Olive Oyl's home at the same time. Neither is willing to give an inch. Both want to take her to the movies. She has to go to the beauty parlor and leaves the guys to take care of Swee'Pea. First, they fight over washing the baby and it goes downhill from there.

    This is the classic trio with Swee'Pea. I like this combination and it also suggests that Olive Oyl is a single mother. The audience of that era probably didn't connect those dots in a cartoon. I would like Swee'Pea to cause more havoc. He eventually gets there. Finally, I would like to show the passing time. Olive Oyl didn't go to the beauty parlor for five minutes.

    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      One of the few cartoon shorts in which Popeye does not eat spinach.
    • Citas

      Olive Oyl: The two of you will have to take care of Swee' Pea while I'm gone. Just follow this chart.

      Popeye: Where's the chart going?

    • Conexiones
      Featured in The Popeye Show: Strong to the Finich/Nurse Mates/Quiet! Pleeze (2002)
    • Banda sonora
      Brotherly Love
      (uncredited)

      Music by Sammy Timberg

      Lyrics by Bob Rothberg

      [Heard in background during first scene]

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de junio de 1940 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Empresas productoras
      • Paramount Pictures
      • Fleischer Studios
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      7 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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