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Mad Youth

  • 1939
  • Approved
  • 1h 16min
PUNTUACIÓN EN IMDb
4,9/10
316
TU PUNTUACIÓN
Mad Youth (1939)
Ver Official Trailer
Reproducir trailer1:03
1 vídeo
15 imágenes
Drama

Añade un argumento en tu idiomaA rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prost... Leer todoA rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.A rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.

  • Dirección
    • Melville Shyer
  • Guión
    • Willis Kent
  • Reparto principal
    • Mary Ainslee
    • Betty Compson
    • Willy Castello
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,9/10
    316
    TU PUNTUACIÓN
    • Dirección
      • Melville Shyer
    • Guión
      • Willis Kent
    • Reparto principal
      • Mary Ainslee
      • Betty Compson
      • Willy Castello
    • 19Reseñas de usuarios
    • 2Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 1:03
    Official Trailer

    Imágenes14

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    Reparto principal26

    Editar
    Mary Ainslee
    Mary Ainslee
    • Marian Morgan
    Betty Compson
    Betty Compson
    • Lucy Morgan
    Willy Castello
    Willy Castello
    • Count DeHoven
    Betty Atkinson
    • Helen Johnson
    Tommy Wonder
    Tommy Wonder
    • Harry
    Lorelei Readoux
    • Beth
    Margaret Fealy
    Margaret Fealy
    • Helen's Grandmother
    Donald Kerr
    • Taxi Driver
    Ray Hirsch
    • Jitter Bug
    Patti Lacey
    • Jitter Bug
    Eugene Taylor
    • Jitter Bug
    Caren Marsh
    • Jitter Bug
    • (as Aileen Morris)
    Maxine Taylor
    • Jitter Bug
    Pearl Tolson
    • Jitter Bug
    Monte Collins
    • Stewart - Singing Bridge Player
    • (as Monty Collins)
    Brooks Benedict
    Brooks Benedict
    • Party Guest
    • (sin acreditar)
    Steve Clemente
    Steve Clemente
    • Knife-Thrower in Club Act
    • (sin acreditar)
    Glen Dennison
    • Jitter Bug
    • (sin acreditar)
    • Dirección
      • Melville Shyer
    • Guión
      • Willis Kent
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios19

    4,9316
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    10

    Reseñas destacadas

    6jdfoster-1

    pretty good

    I enjoyed this movie it was nice look at the teens of the late 30's and early 40's. It had great dance scenes and good music to go with it. with had a very realistic and intense fight scene for it's time. some scenes were a little long and drawn out.it is a good midnight movie it's a drive in style movie fine for the whole family. If you can find a copy you should see it there is not much more to say about it is just OK. it's not memorable but it's good, I mean don,t go out of your way to fine it but if you come across it pick it up for me. If you like black and white movie on a Saturday night you will like this.

    love, Steve
    7AAdaSC

    Mad, just so mad

    Nothing really mad going on here at all, of course, apart from the heavy-handed moralizing as delivered by gigolo Count Willy Castello which will have you laughing out loud. And that is the point of these type of films - they are unintentionally hilarious in parts. It's what makes them good entertainment.

    The story starts with Betty Compson (Lucy) phoning up for an escort as usual. On this evening she gets Willy Castello and she is not shy in coming forward! She takes him home where they meet up with her daughter Mary Ainslee (Marian). Big mistake. Castello takes a shine to the daughter and they start dating behind the mum's back. Ha ha. This must have happened so many times in real life. Well, the youth party and dance away but there is a new storyline introduced when Ainslee's best friend Betty Atkinson (Helen) absconds from home in response to an advert. The reality is that she has become a prossie and Ainslee unknowingly gets caught up in her plight when she pays her a visit. We need a hero to come and save them.

    Meanwhile, Compson ends the film as she started it - by calling up an escort/gigolo to spend her evening with. She really has got life sussed. A good role model.
    5SnoopyStyle

    not good enough

    Lucy lives with her rich divorcee mother Marian Morgan. Marian hires male escort Count DeHoven, but he has a fling with Lucy instead. Lucy's friend Helen got kicked out of her home and intends to marry. Marian is tired of her daughter's partying and jealous of her youth. Marian sends her to live with her father. She heads off to stay with Helen instead.

    The filmmaking is poor. The acting is mostly stiff and average at best. I'm not sure about the intention. It is a B-movie. One can argue that it's better than most B-movies. That's not a high bar to clear. I am engaged enough to stay with the story and there are some fun dance scenes. In the end, this is not good enough.
    4Leofwine_draca

    Sleazy morality story

    MAD YOUTH is another morality fable which looks at the plight of young girls caught up in vice and prostitution. As usual it tells the tale of an innocent young girl who, through no fault of her own, ends up being imprisoned inside a brothel. Who can save her and will they manage to do it in time?

    This film has a slightly different angle to the rest in that the focus of the drama is on the relationship between mother and daughter. In fact, it's the mother's actions - in particular her cavorting with male prostitutes (!) - that causes the daughter to flee from her familial situation and fall into something even worse. Thus the film's erstwhile moral question is whether parents are responsible for the behaviour of their offspring.

    There's some cheesy, heavy-handed moralising here, alongside the usual low-rent production values common in such sensationalist dramas. The acting is fairly average, although a little better than I've seen elsewhere. The film also picks up in the last twenty minutes, becoming something of a suspense thriller, and it even offers up some fun fight scenes; sadly it's not enough to make this a good film overall.
    3dwpollar

    Mediocre drama about a battling mother and daughter...

    1st watched 2/19/2007 - 3 out of 10(Dir-Melville Shyer): Mediocre drama about a battling mother and daughter over the affections of a gigolo named "Count." Advertised as an exploitation movie about the horrors of youth but instead it's just a run-of-the-mill romance where it just happens that the mother and daughter are the competitors. The mother is trying to live out her youth all over again by hiring young escorts to take her to wonderful places but one young suitor is more impressed with her daughter. After a spat, the daughter decides to move out and hooks up with an old friend of hers who happens to be trapped in a brothel. The "Count" then comes to the rescue and the rest is cinema history(kind of…)!! This is a very bland drama with professional dancing thrown in to keep us entertained around the silly story. The problem is that the dancing is better than the story, so I guess they should have made the movie around them instead of using them as window-dressing. Of course, that would have been a different movie but possibly a better one.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Orchestra and all acts by courtesy of La Golondrina Cafe, Los Angeles.
    • Citas

      Count DeHoven: You mean to tell me you let your daughter go and visit Helen without even knowing where she lives?

      Lucy Morgan: Well, yes. She said she'd write in a few days.

      Count DeHoven: But all we know about Helen is that she ran away to marry a man she had never seen. A man she met through a matrimonial agency advertisement.

      Lucy Morgan: Yes, I... I guess that is so.

      Count DeHoven: Don't you know that some of those agencies are the worst kind of traps? That many of the customers are criminals, morons, white slavers, or people who are mentally or physically diseased?

      Lucy Morgan: Oh, I've never given it a thought.

      Count DeHoven: Oh, you American mothers, with your Bridge parties, and beauty shops, and your silly flirtations. Wasting your lives and neglecting your duties. Letting your children run wild for lack of sensible parental supervision.

      Lucy Morgan: Oh, you don't know American children. They're spoiled and disobedient, and drunken.

      Count DeHoven: Drunken? Yes, drunk with the exuberance of youth and sheer joy of living. There's nothing really wrong with the children of today. Nothing that proper environment and congenial home life wouldn't correct.

      Lucy Morgan: What do you expect us modern mothers to do?

      Count DeHoven: Quit trying to be butterflies. Get back to the business of being mothers, like your mother, and your grandmother, and generations of mothers before them.

    • Conexiones
      Edited into Confessions of a Vice Baron (1943)
    • Banda sonora
      I'd Rather Be a Bum on Broadway Than an Angel in the Sky

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de mayo de 1940 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Girls of the Underworld
    • Empresa productora
      • Willis Kent Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 16 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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