Doctor Cíclope

Albert Dekker plays the quietly insane mad scientist who makes one of the greatest discoveries in the history of mankind- how to shrink people. Unfortunately, a group of busy bodies stumble across his secret and can only see the commercial value of his huge radium deposit. What's a mad scientist to do? Shrink them, of course. Dekker is great as the amoral technocrat who sees his tormenters as nothing more than throw away subjects for his research. Nice, quiet, solid film with an undercurrent of evil personified by the sadistic Cyclops.

This is a peculiar film to have come out of any studio in 1940, much less the stylish Paramount. Since the same year saw the equally bizarre Hal Roach production, One Million, B.C., it might not be unreasonable to assume that there was either something in the water that made them do it or else the studio chiefs were smoking weed that year. Produced and directed by the King Kong team of Merian Cooper and Ernest Schoedsack, Dr. Cyclops is a far cry from their earlier, vastly superior work, yet it's still worth seeing. The jungle, probably a backlot job, is marvelously rendered, and the Technicolor photography is as beautiful as any I've seen. There's a vividness to the color that makes it jump out at you that's almost psychedelic.

This is basically a mad scientist tale with a gimmick, which is the eponymous doctor's ability to shrink people to the size of elves. Much of the action revolves around the little people's attempts to elude the mad doctor and escape from his jungle laboratory. The movie feels more like a product of the fifties than the early forties, as this theme would be returned to again in later science fiction. It's also a tough movie to categorize, as it's not quite horror or pure sci-fi. Like Kong Kong, it's an action movie and technical tour de force that takes quite a few liberties with nature.

As an oddball experiment the movie works, up to a point, though it could have used more humor and irony; and the pace is less than thrilling. It's hard to pull this sort off of story on a good day, as the improbable material needs all the help it can get. Alas, aside from the stunning color and imaginative sets, it doesn't get much here. Most of the actors in the film are unknowns and would remain unknown, though prissy character actor Charles Halton has a decent role as one of the "shrunken", which he plays well. The most impressive performer is also the lead player, Albert Dekker, whose life and movie career were almost as strange as this film. He is both believable and intimidating as the mad doctor, and gives the movie a touch of class.

After killing his assistant Dr. Mendoza (Paul Fix), the insane Dr. Thorkel (Albert Dekker) summons the biologists Dr. Bulfinch (Charles Halton) and Dr. Mary Robinson (Janice Logan) to meet him in a remote area in the jungle of Peru. They travel with the mineralogist Bill Stockton (Thomas Coley) in mules owned by Steve Baker (Victor Kilian) that insists to go with them. After the long journey, Dr. Thorkel asks them to help him to identify a sample in a microscope and after receiving the answer, he thanks the support of his colleagues and say farewell to them. They decide to stay and find that there is a uranium mine in the spot. Further, they break in Thorkel´s laboratory to snoop into his research. Thorkel lures the group and locks them and his servant Pedro (Frank Yaconelli) in a room with an apparatus developed by him. He activates the device and shrinks the group that flees from him. Now Dr. Thorkel hunts them down.

"Dr. Cyclops" is a 1940 horror film with impressive special effects and sets. The story of a mad scientist that shrinks people when he feels threatened by them is funny. However the screenplay and edition have many flaws, such as the color of the miniature people clothes that change from white to different colors. The famous Dr. Bulfinch and Pedro are murdered by Dr. Thorkel but everybody seems to have forgotten in the end. My vote is seven.

Title (Brazil): "O Delírio de um Sábio" ("The Delirium of a Wise")

It never fails to amaze me when people make short, thoughtless comparisons between the films of yesterday and the films of today. Good films transcend time, regardless of what technical achievements have since been invented, and Dr. Cyclops is just that...a good film. Sure it has outmoded special effects, but those special effects were once highly praised for their uniqueness and creativity. Those special effects were a springboard to other achievements in that technical area. Let's give credit where credit is due and praise this film not for having outmoded effects BUT for having special effects which revolutionized film effects. Enough sermonizing...I know how little good it does. This film tells the story of a mad, a very mad scientist that has discovered the ability to miniaturize things, animals, and even people. Albert Dekker plays easily his finest role as the demented Dr. Cyclops with a real bad sight problem. Dekker's performance is not like your typical raving madman(aka a Lugosi or even early Karloff performance) but more of a subdued evil and obsessive nature. The other actors are adequate and the special effects are wonderful. The film has a good story and I loved the obvious allusion to the mythological Polyphemus, a giant with all the advantages taken "down" by a small, yet brilliant man. This is a thoughtful, interesting, and fun film. Definitely keep more than one eye open when viewing this film!

With the gradual loss of his sight, Dr Alexander Thorkel calls out to other scientist to come to his deep jungle retreat to assist him. When Drs Bulfinch and Robinson arrive (with Stockton and Baker with them) they are astonished to learn he literally wanted them to confirm a sample with his microscope. Bulfinch is so annoyed that he refuses to leave and the group remain while Thorkel locks himself away in his lab. When Stockton finds some small bones, Bulfinch is excited at the discovery of a new species. However the whole group is even more pleased at the discovery of large quantities of valuable ore and deicide to take it for themselves. Mad with isolation, Thorkel prevents them from leaving and uses his research on his guests.

I'm surprised that so few people appear to have seen this film (judging from the low number of votes for it on this site) because it is a cool piece of Technicolor adventure with some impressive (for the time) effects. The plot is a bit clunky early on as it stutters to the premise we all know is coming when the visitors get shrunk. At this stage it becomes a bit more enjoyable even if it isn't as exciting and spectacular as I wanted it to be. This is perhaps an unfair complaint because of the age of the film and it does provide a small scale (sorry) adventure where the novelty value of the special effects tends to dominate the development of the story.

It is a shame because Dekker gives an intense and interesting performance in the title role. He easily towers over his co-stars (sorry) who are mostly pretty wooden and unconvincing. Halton is OK but Logan makes for a very unconvincing scientist. Her chemistry with Coley is poor as indeed he is as well, although Kilian has a bit of a stiff sway about him. As said before, the effects are the majority of the show and they are impressive.

Overall this is a basic story that goes just where you expect it to but does have entertainment value. The effects are good for the time but, thanks to the heavy Technicolor, still retains a sort of retro cool for modern audiences. The cast aren't that good (although I did enjoy Dekker) because the material isn't there for them, but for what it is it is worth a look.