Los tres mos... quiteros

The renowned late British film historian Leslie Halliwell includes this film in his book " Halliwells hundred" as one of the funniest and under-appreciated musical spoofs in his long film going experience...this prompted me to take a look at it , and indeed it IS funny and it makes one wonder why the Ritz brothers are now all but forgotten by the general public(well, that shouldn't surprise anyone, as the "general" public has the memory of a fruit-fly when it comes to classic cinema...) and their contemporaries the 3 stooges are still so over-appreciated and all over the place....cults are strange things and often owe more to snobbish "in-the-know"-isms than real talent.... Nevertheless....the other review of this movie on this site seems to be a little besides the point....this is a bit of fluff, but it's Great fluff, made with style and often more straightforward and to the point than other more pompous versions of this old yarn...relax and enjoy it : its entertainment...as light and pleasant as a summers breeze, as funny as your self-important uncle falling face down in a cream pie! And oh yes, I DO know Friml's score for " the 3 musketeers"...it COULD have been used yes, but boy would it have been BORING!

Silent film veteran Alan Dwan had helmed several of Douglas Fairbanks' best movies, and here turned out another swashbuckler, but with a difference: those zany Ritzes are on hand as a decidedly non-traditional trio of musketeers. Unlike the Marx Bros., whose movies were A-picture events, the now mostly forgotten Ritz Bros.' antics played in second features that failed to properly showcase their unique brand of knockabout comedy. Here they finally got a chance to perform in a good picture with a strong story and a good lead actor (Don Ameche as D'Artagnan) anchoring the proceedings, rather than just running about and being silly to no obvious purpose. The anarchic Ritzes here unleash their trademark catastrophic comedy to frustrate the machinations of Cardinal Richelieu and Lady deWinter. The Ritzes, of course, are not actual cavaliers, but rather a trio of dolts forced to masquerade as such to protect the Queen's honor. Much hectic action abounds, plus a few comedy songs, great silly costumes and a few of the Ritzes stage numbers such as a beautifully choreographed dance with cymbals on their bodies that must have taken years to perfect. The complex story is efficiently handled - the fat original novel plays out in a mere 72 minutes - and the straight action, heroically played by Ameche, and elaborately staged silliness of the Ritzes mixes well. An action comedy- musical would seem a difficult thing to blend correctly, but everything here is deftly handled and the cheapish production elements (leftover sets and contract players in supporting roles) do not hinder the overall effect. Worth going out of one's way to catch.

(1939) The Three Musketeers MUSICAL COMEDY ADVENTURE

Somewhat of a faithful adaption of Alexadre Dumas famous "Three Musketeers" except that in the film the real three musketeers are replaced by the comedy duo team of "The Ritz Brothers". Upon the real musketeers becoming drunk and being carried to their beds, the Ritz Brothers wore their costumes to pose as them so that they can try to get some of the perks at the expense of becoming a musketeer, and it was during that time they meet the fourth musketeer D' Artagnan played by Don Ameche who coincide with them to retrieve a very expensive broche. The story has somehow been adapted to "The Ritz Brothers" comedy routines, which some of the comedy scenes may have worked during the time of it's release in 1939 but very tame in today's standards. The comedy routines are identical to what one can find in "The Marx Brothers" or "The Three Stooges" except that they're well known as opposed to "The Ritz Brothers". The musical numbers was originally annoying but after "one" of the songs has been re-sung 3 times throughout the film, the impact of the song wasn't effective until the final end, and it was during that time when the song became catchy. Because it was supposed to be a comedy, I'm going to give it a respectable thumbs down.

A musical comedy version of the swashbuckling classic starring Don Ameche and the Ritz Bros? It sounds like a Catskill burlesque sketch, but turns out to be a straight, if bare-bones, version of Dumas, with mistaken identity (times 3) swapping Al, Jim & Harry in for Athos, Aramis & Porthos. Vet megger Alan Dwan was an old hand at this type of material (his THE IRON MASK/'29 -- in the restored KINO edition, please -- is one of the great Dumas adaptations) and the production has a giddying pace and a surprisingly sumptuous look to it. But the songs are unmemorable (to put it nicely) and leave an already short film with hardly enough time to fit in a measly Cliff Notes edition of the narrative.

After viewing this film I wound up scratching my head with so many questions of how this thing ever got made in the first place.

Firstly three years before there was a straight dramatic version of The Three Musketeers that starred Walter Abel as D'Artagnan by RKO. That film was well received although it didn't transform Abel into a leading man. Why Darryl Zanuck made another version so soon is beyond me.

Secondly Rudolph Friml wrote a fine operetta of The Three Musketeers in the 20s. The score here by Walter Bulloch and Samuel Pokrass is singularly unmemorable. Who knows why Friml's music wasn't used, but it should have been.

Zanuck had the ideal D'Artagnan on his lot in Tyrone Power. But since Power didn't sing and Don Ameche always got sloppy seconds in roles at Fox, he got the part. Poor Ameche, he tried his best and he even gets into the comic elements of the film, but it's no good.

At year 2004 very few people know of the Ritz Brothers. They were good burlesque comedians who Zanuck signed up. Their humor was of The Three Stooges variety, but each stooge had an individual personality. You can't tell one Ritz from the other. In the film they take the place of the real Athos, Porthos, and Aramis and they and Ameche bungle their way into one situation after another.

Of the women in the cast I have to say that Binnie Barnes as Milady DeWinter gets into the spirit of the slapstick with the Ritzes.

It's a mess this film, but more so when you think that a straight musical with the Friml score could have been done and now probably never will and a version with Ty Power as D'Artagnan would have been a classic.