El rey del hampa

Humphrey Bogart stars in the Warner Bros. Crime melodrama from 1939. A husband & wife doctor team barely make do due the hubby's gambling habits. One night he's approached by one of Bogart's minions to patch up one of his wounded which he does gaining Bogart's favor which helps to elevate the doctors' status as they open up a private office & start living the good life. When the wife, played by Kay Francis, realizes where their good fortune is coming from, she admonishes her hubby, played by John Eldredge, only for him to go off to cater to another of Bogart's fallen which prompts Francis to follow him only to be corralled by a police sting where her hubby buys it. Francis is charged but is given a couple of weeks to prove her innocence (what?) so she follows Bogart's crew out to the sticks hoping the moment will come when he'll need her talents. Meanwhile Bogart meets up w/a out of work Brit novelist , played by James Stephenson, who he takes a fancy to (they share a love of Napoleon) so much so he contracts him to write his biography but when he gets hurt (Bogart's crew robs a bank & the author is shot innocently in the background), Francis volunteers her services to patch him up (the town mistake him as being a member of Bogart's crew) & even extends a hand by giving him some work at the home she shares w/her aunt. When Bogart himself gets nicked in the arm by a gunshot, Francis is only too happy to help out since she's going to use her new friendship w/him to turn him & his gang over to the authorities. Pretty standard fare to be sure but then the ending where Francis convinces Bogart his gunshot wound has infected his eyes (prompting her to bring a solution to indeed blind him temporarily under the guise of some administered medicine) which becomes a nail biting exercise as she gives the tainted eyedrop doses to Bogart & his bunch, even Stephenson (to facilitate an escape), blinding them all while the approaching police hope to catch them. Feeling like a leftover gag from an Our Gang serial, helps put this potboiler over the top by sheer chutzpah if not pragmatic sense.

Once again, through no fault of her own, Kay Francis is in trouble and must get out of it through brains and determination. This time it's Bogey, doing a minor variation on Duke Mantee from PETRIFIED FOREST. As in most of Kay's vehicles from this period -- Warner's was pushing Bette Davis as their leading female star at this point -- everyone works hard and gives a performance that makes this hokey weeper watchable.

Quickly Made Gangster Movie with Kay Francis vs Humphrey Bogart Central to the Thin Plot. Bogey is a Stereotypical Bully with a Moronic Sense of Humor and an Ego to Match His Hero "Napoleon". Kay Francis, on the other hand is Anything but Stereotypical for the Era.

She Plays a Strong Female Doctor having to use Her Wits and Wiles to Save Her Career and Her Determination and Intelligence is a Refreshing Role for Her Gender in the 1930's.

She is Totally Believable in the Part and Matching Her is Bogey's Goofy Gangster and somehow the Bogart Character comes across as a Likable, Brainless Thug like something in a Cartoon.

Overall, some Side Characters like Kay's Mother tend to Grate the Nerves and a couple of Bogart's Gang are very Dated Stock Gangsters. The Film is Entertaining and Enjoyable while Not in the same League as the Best WB Crime Films of the Thirties.

It's a Short, Fast Paced and Compact Movie with enough Playful Panache to Pass as a Lighter than Usual Look at some of the Clichés of the Genre.

The central role in this low-budget crime melodrama really belongs to KAY FRANCIS, and she makes her lady doctor pretty believable. But it's HUMPHREY BOGART who walks off with the show, which is no more than a programmer made on the cheap, by playing up the comic elements of his character.

Bogart is an illiterate man who wants his "genius" to be known. He kidnaps a man (James Stephenson) with a reputation as a writer in order to tell him his life story and make him the "king of the underworld." But Kay Francis spoils all his plans when she has to prove herself innocent of criminal charges pending against her due to a prior event. She fools the hoods into believing they will go blind if they don't let her help them.

The story has several implausible script problems and never really comes off as credible. Interesting only to see that Bogart was far more worthy of his early material than the studio realized. And Kay Francis has one of her more believable roles in this crime melodrama.

Decent remake of Dr. Socrates changes a few things, including the gender of the doctor. In the original it was the great Paul Muni. Here, it's Kay Francis. The real star of this film, however, is Humphrey Bogart. This was made during the period when Warner Bros. still had Bogie playing villainous gangster characters. This is one of the better movies that are considered "lesser" Bogart pictures. He's great fun in the role and steals every scene he's in. The plot is about a falsely-maligned female doctor (Francis) who sets out to prove her innocence by infiltrating Bogart's gang. There's a few holes in the plot but it's a short, smoothly-paced WB gangster flick so you don't really care that much. Just sit back and enjoy some good old fashioned popcorn entertainment.