El vaquero y la dama

Leo McCarey was one of the co-writers of this romantic/screwball comedy which might account for the fact that it is several notches above the average, (though Dorothy Parker and Lillian Hellman and a whole host of others are also said to have contributed), and is both very funny and very likable. Like so many other comedies it's based on the premiss of mistaken identity, in this case when cowboy Gary Cooper assumes rich Merle Oberon is a lady's maid. Naturally they fall in love. H C Potter directed, very nicely indeed while the excellent screenplay is credited to S.N. Behrman and Sonya Levien. Both Cooper and Oberon are very good indeed though a decent supporting cast are given too little to do. It won an Oscar for Best Sound Recording and was also nominated for it's score and for Best Song.

The film opens with a dinner scene, where we learn that someone is running for office; cut to the two brothers Hannibal (Harry Davenport, always played the kindly uncle or judge) and Horace Smith (Henry Kolker), lamenting about the antics of Horace's daughter Mary ( Merle Oberon ). There's the setup of the movie, and being filmed in the prime of the Hayes Code, we know there will be comical, but innocent , simple, misunderstandings. Love the symbolism of Mary knocking over the "house of cards" she has built on the coffee table. Great scene where she talks about the rules of dating with the maids (the hilarious Patsy Kellly & Mabel Todd). Enter Gary Cooper as the polite cowboy "Stretch Willoughby". Say no more. Just watch for the ups and downs as sidekick Walter Brennan makes wisecracks to help the plot along, along with some slapstick physical comedy. Also check out the cast of thousands in the writer category, which includes greats Anita Loos, Dorothy Parker. Directed by Henry Potter, who would make THREE movies with Cary Grant! Fun, but probably would have been more hilarious if it had been filmed prior to the production code.

Definitely the most somber 30s rom com I can recall thanks to Greg Toland's camera which seems most at home in fog enshrouded Gulf steamers and shadowy, dark Palm Beaches of the mind. And since the film is not very funny, with endless variations on the tiresome Capra-esque trope of urban=bad while rural=good, you tend to remember the cinematography way too much. C plus.

Considering the film has Merle Oberon and Gary Cooper, it couldn't help but be watchable...and it certainly was. The problem for me, though, is that with these actors and a concept that was decent enough, the film's script sure didn't do much with this. Instead, it has some nice moments as well as some lulls.

Perhaps it was just too much pawning off the idea of Merle Oberon with her exotic ways and accent as a rich lady in love with Cooper. While the idea of a society lady falling for a cowboy, Oberon just seems too distant and cold to make it all seem possible. I really think someone a little more "human" could have made this odd pairing work well. Oberon was a fine actress but I just don't think she was right for this film.

Perhaps it was that once the two fell in love, the film just stagnated until near the end. They married and yet the film still had a long way to go and the middle just seemed like filler at times--particularly Cooper's pantomime sequence inside their new house.

Whatever the reason, the film just seemed like an agreeable time-passer and nothing more. Inoffensive and just a tad bland. For a SLIGHTLY better variation of this same plot, try seeing the John Wayne and Jean Arthur film LADY TAKES A CHANCE--it has better chemistry and is just a better film in most respects.

"The Cowboy and the Lady" starring Gary Cooper and Merle Oberon was written after Sam Goldwyn thought up the title - so it's the reverse of the usual process. It's a 1938 film about a wealthy, sheltered young woman (Oberon) whose father is about to announce his candidacy for President. One night, she slips out for a night of fun with her uncle (Harry Davenport). When her name is discovered on a list of people who were in attendance at a club during a raid, she is sent out of town so her father can say she wasn't in town at the time. Since her name is Mary Smith, it could easily be another person.

While on her vacation, Mary meets a tall, gorgeous hunk of man - a cowboy named Stretch Willoughby (Gary Cooper). As any red-blooded woman would do, she falls for him. It's young Gary Cooper. He's a hottie. To put them in the same class, she says she's a maid. Before she knows it, she's married to him.

The stars are very good in the film, as is Harry Davenport as the uncle with a twinkle in his eye. Cooper and Oberon are darling together - he's so tall and broad-shouldered and she's beautiful and petite, and they have a nice chemistry. When she first asks him about himself, Stretch answers with Cooper's famous "Yep" several times. Parts of the film are a little slow but it's a nice romance. I realize some people think it's a preposterous love story but I can see any woman, rich or poor, flipping out for Gary Cooper and any guy falling for Merle Oberon. They were, after all, two of Hollywood's great beauties.

Very enjoyable.