Añade un argumento en tu idiomaDonald runs a shooting gallery. His nephews come by and he offers them a free shot, but when the first one hits all the targets, the notoriously cheap Donald switches a cheap prize for the c... Leer todoDonald runs a shooting gallery. His nephews come by and he offers them a free shot, but when the first one hits all the targets, the notoriously cheap Donald switches a cheap prize for the correct one. He then gives the other two boys gimmicked guns; the last one is empty, but th... Leer todoDonald runs a shooting gallery. His nephews come by and he offers them a free shot, but when the first one hits all the targets, the notoriously cheap Donald switches a cheap prize for the correct one. He then gives the other two boys gimmicked guns; the last one is empty, but the targets break anyway because one boy is hitting them from behind. Donald chases them off... Leer todo
- Dirección
- Guión
- Reparto principal
Imágenes
- Donald Duck
- (voz)
- …
- Recording of Mummy Idol
- (sin acreditar)
Reseñas destacadas
Grade D
You can always be sure that Donald will come out on the short end in any of his cartoons and it will be his fault. And also, there will be some good gags along the way. It's a high standard to maintain, and Walt Disney's staff does so here.
Donald runs a crooked shooting gallery at the Carnival, until some real STRAIGHT SHOOTERS - his three Nephews - happen by.
This is another in a long series of cartoons in which The Donald gets punished for his bad behavior. The story is unremarkable, but the animation is well done. However, the Nephews disguising themselves as a curvaceous duck vamp in order to attract the romantic attentions of their somewhat lecherous Uncle has rather disturbing implications...
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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- Versiones alternativasThe DVD release ("The Chronological Donald, Volume Three") replaces the old Donald Duck theme music heard during the opening credits with the then-new Donald theme ("No One But Donald Duck"), which was actually introduced in El dilema de Donald (1947). The new, longer theme was edited to fit in the credit sequence used by the shorter Donald theme.
- ConexionesEdited into Disneylandia: Duck for Hire (1957)
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Detalles
- Duración
- 6min
- Relación de aspecto
- 1.37 : 1