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IMDbPro

La sentencia

Título original: Nora Prentiss
  • 1947
  • Approved
  • 1h 51min
PUNTUACIÓN EN IMDb
7,1/10
2,3 mil
TU PUNTUACIÓN
Ann Sheridan in La sentencia (1947)
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Reproducir trailer2:36
2 vídeos
68 imágenes
Cine negroDrama

Añade un argumento en tu idiomaA doctor spins an ever-growing web of lies after a taste of the excitement that he was missing in his conventional life, thanks to a chance meeting with a nightclub singer.A doctor spins an ever-growing web of lies after a taste of the excitement that he was missing in his conventional life, thanks to a chance meeting with a nightclub singer.A doctor spins an ever-growing web of lies after a taste of the excitement that he was missing in his conventional life, thanks to a chance meeting with a nightclub singer.

  • Dirección
    • Vincent Sherman
  • Guión
    • N. Richard Nash
    • Paul Webster
    • Jack Sobell
  • Reparto principal
    • Ann Sheridan
    • Kent Smith
    • Bruce Bennett
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,1/10
    2,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Vincent Sherman
    • Guión
      • N. Richard Nash
      • Paul Webster
      • Jack Sobell
    • Reparto principal
      • Ann Sheridan
      • Kent Smith
      • Bruce Bennett
    • 71Reseñas de usuarios
    • 16Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos2

    Trailer
    Trailer 2:36
    Trailer
    Trailer
    Trailer 2:36
    Trailer
    Trailer
    Trailer 2:36
    Trailer

    Imágenes68

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    + 62
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    Reparto principal67

    Editar
    Ann Sheridan
    Ann Sheridan
    • Nora Prentiss
    Kent Smith
    Kent Smith
    • Dr. Richard Talbot
    Bruce Bennett
    Bruce Bennett
    • Dr. Joel Merriam
    Robert Alda
    Robert Alda
    • Phil Dinardo
    Rosemary DeCamp
    Rosemary DeCamp
    • Lucy Talbot
    John Ridgely
    John Ridgely
    • Walter Bailey
    Robert Arthur
    Robert Arthur
    • Gregory Talbot
    Wanda Hendrix
    Wanda Hendrix
    • Bonita Talbot
    Helen Brown
    • Miss Judson
    Rory Mallinson
    Rory Mallinson
    • Fleming
    Harry Shannon
    Harry Shannon
    • Police Lieutenant
    James Flavin
    James Flavin
    • District Attorney
    Douglas Kennedy
    Douglas Kennedy
    • Doctor
    Don McGuire
    Don McGuire
    • Truck Driver
    Clifton Young
    Clifton Young
    • Policeman
    John Alvin
    John Alvin
    • San Francisco Bay Ferry Boat Dispatcher
    • (voz)
    • (sin acreditar)
    Jerry Baulch
    • Newspaper Man
    • (sin acreditar)
    Brooks Benedict
    Brooks Benedict
    • Patron at Dinardo's
    • (sin acreditar)
    • Dirección
      • Vincent Sherman
    • Guión
      • N. Richard Nash
      • Paul Webster
      • Jack Sobell
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios71

    7,12.3K
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    Reseñas destacadas

    haridam0

    The One and Only . . .

    . . . Ann Sheridan, that is. And they didn't call her the "Oomph Girl" for nothing.

    She's worldly (mostly underworld) straight- forward, knows the score, and completely direct. What's more, you believe and trust her . . . nothing underhanded here.

    At one point she, as Nora Prentis says, "I may not have been handled with care, but I'm not shop-worn." That about sums her up.

    There's no other quite like Sheridan, and she can make a wisecrack in a flash, partly for levity and partly to hold off wolves. Furthermore, it works pretty much all the time.

    In "Nora Prentis" Sheridan's perfectly cast as a nightclub singer who walks into an affair with a married man. Kent Smith is fine as her suitor. Vincent Sherman's the competent director, and James Wong Howe's the fine photographer.

    We're treated to Ann's beautiful contralto voice (in a lovely ballad, "Who Cares What People Say") and to the rest of Warner Bros. stock company, including Robert Alda.

    "Nora Prentis' " characters work because they're endowed with both strong and weak qualities. No one's clearly victim or villain here, just quite ordinary people who get trapped in tragic circumstances.
    9Emaisie39

    The "Oomph Girl" at her Warner Brothers Peak!

    The forgotten Warner Brothers melodrama "Nora Prentiss" was one of the biggest hits of Ann Sheridan's career. Finely directed by Vincent Sherman who guided Joan Crawford and Bette Davis in several hit films, this is a sad, haunting yet somehow realistic story about a married doctor (a great performance by Kent Smith) who fatefully bumps into a nightclub singer (Sheridan) and soon falls madly in love with her. His illicit love of Sheridan leads to his downfall. Some may find the plot a bit contrived but an excellent script and the superb heartfelt performances of Sheridan and Smith make it work beautifully. THe ending is quite a knockout.
    9Randy_D

    Would You Keep Your Mouth Shut...?

    Ann Sheridan gives an effective performance as the title character who has not had much luck when it comes to love. Unfortunately her luck only gets worse.

    Kent Smith's character Dr. Talbot completely turns his life inside out and upside down in order to be with Ann Sheridan. (If there is anyone worth turning your life inside out for, it's Ann Sheridan ;-).

    A worthy entry in the Film Noir canon, Nora Prentiss reveals two characters desperate to find happiness...but at what cost?

    This film also has one of my favorite lines from a movie poster:

    Would You Keep Your Mouth Shut If You Were Nora Prentiss?
    7BaronBl00d

    "I'm Willing to Die Remembering This"

    Awfully frank thriller about a chance meeting between a doctor working late one night and a singer who gets a bad scrape in a minor accident hooking up into a extra-marital(for the doctor) relationship that heads South in a hurry. Kent Smith, the male lead from Cat People and Curse of the Cat People, plays Dr. Talbot rather nicely I thought. He portrays a man who has worked hard his whole life and sacrificed his "life" for his job and family. Ann Sheridan plays the genuinely nice singer who appeals to the doctor not only because of her beauty but her ability to see him for who and what he is. She does a phenomenal job in what really is a complex role. The rest of the cast is pretty decent. Bruce Bennett may come off miscast as a doctor, but Robert Alda as a night club owner and Rosemary DeCamp as Talbot's wife both excel. While not really a mystery - or a very ingenious one as we know what is going on early on, this picture really depicts what at once seems quite harmless and its transformation into something very harmful. Director Vincent Sherman is more than adequate behind the camera. Some might say this really isn't film noir - I can see some of their points - but this is noir all the way for me: the suggestive black and white cinematography, the voice-over narrator, the man being changed by the "dame," and the ending that is bittersweet. The biggest problem with Nora Prentiss is the title. Ann Sheridan was the box office grab - and this grabbed a lot of tickets - but she is not the star of the movie nor is her character the central character. Kent Smith is the star and a more appropriate title should have been selected. Hmmm...maybe, "The Cheating Surgeon" or "The Doomed Affair." Definitely needs more thought!
    7sol-kay

    Obsession

    **SPOILERS** Straight laced at his practice as a big city, San Francisco, doctor and wonderful family man Richard Talbot, Kent Smith,has never done anything more serious in his life then being late at his doctors office. That was all to change when one evening going to his car he ran into singer Nora Prentiss, Ann Sheridan. Nora has a fainting spell falling on the street and bruising herself. Bringing Nora up to his office Richard after treating her starts to slowly fall madly in love with Nora. That leads to him throwing away his very successful practice his family, wife and two children, and later even his life, which in the movie he loses twice. Where in the end Richard faces the California gas chamber for first degree murder. The movie "Nora Prentiss" is about a mans obsession. That obsession leads him into such depths of depression and depravity that he destroys everything he held near and dear to himself in order to keep the woman, Nora Prentiss, that drove him into this madness and in the end loses her as well. Nora for her part is totally unaware of how far her lover was willing to go to keep her from disappearing out of his life. Spending money like crazy on Nora and using the excuse of working late at the office so that his wife Lucy, Rosemary DeCamp, won't suspect his almost nightly lateness from home Richard is still very reluctant to divorce his wife, on what possible grounds? Then like heaven sent a patient of his Walter Bailey, John Ridgely, who not only fits Richards hight and weight but is even Richard's age,43, pops into his office one night and collapses and dies from a heart attack! Going to call the police to pick up the body Richard get this bright idea to switch identities and thus bury his past, as Dr. Richard Talbot, and start a new life as whoever he chooses with who he feels is the love of his life Nora Prentiss. Nora who was leaving for New York for a job as a singer at the Sea Gull Cafe run by her very close friend and former employer Phil Dinardo,Robert Alda, runs into Richard who excitedly tells Nora that he's divorcing his wife and within weeks when his divorce papers go through they'll be able to get married. Rchard in fact disposed of Bailey's body with his wedding ring on him to make it look like he was the one who was killed. In New York living like a fugitive from the law Richard has Nora becomes a bit annoyed of his constant secrecy and avoidance of people. It soon gets to the point where she's forced to live with Richard in a hotel room and only having her job at Phil's nightclub as the only contact with the outside world. Richard, now calling himself Robert Tompson, for his part constantly keeps up with the news back home in San Francisco and learns that his "death" is being investigated by the police as a murder suspect with evidence found at his office; The cops found a letter of divorce that he partly burned that's interpreted as a blackmail note. Also at the accident scene the police found a can of gasoline with his fingerprints on it. Richard finally lose it when he finds Nora, who by then he already confessed what he did, in her dressing room with Phil! That has him go into a jealous rage and attacks the startled nightclub owner. This causes the police to chase Richard all through the streets of Manhattan ending up in a fiery accident in Central Park with his face badly burned. With Phil not pressing charges and Richard getting a face-over, plastic surgery, it now looks like he and Nora can finally get married and put his life as Doctor Richard Talbot behind him. It's then his being fingerprinted by the police for car theft and those fingerprints matched those back in San Franciso on the can of gasoline come up as a match! This made Richard the number one suspect in his own murder! how's that for ultimate justice. Now with nothing to look forward to with his wife and family as well as Nora out of his life forever Richard, or as he's known now as Robert Thompson, can only sit in his dark prison cell and count the days leading up to his scheduled execution. He can also see what a mess he made of his life by reaching for something that he should have known was well out of his reach Nora Prentiss.

    Más del estilo

    La infiel
    6,8
    La infiel
    Su propia vida
    6,2
    Su propia vida
    La hora radiante
    6,4
    La hora radiante
    Nadie vive para siempre
    7,1
    Nadie vive para siempre
    The Man with a Cloak
    6,6
    The Man with a Cloak
    Ellos no creen en mí
    7,2
    Ellos no creen en mí
    El aullido del lobo
    6,6
    El aullido del lobo
    Calle lateral
    7,1
    Calle lateral
    Tension
    7,3
    Tension
    El gran robo
    6,9
    El gran robo
    Abismos
    7,0
    Abismos
    La fugitiva
    7,2
    La fugitiva

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Sheilah Graham reported that Ann Sheridan had an infection in one ear during production, and during the final shots of the film, could only be photographed from one side.
    • Pifias
      When the surgeons are washing up for an operation, before gloves, the elder surgeon touches the door before going inside the surgery room, which would break sterility.
    • Citas

      Dr. Richard Talbot: [finishing her bandage] There, it doesn't look bad.

      Nora Prentiss: The bandage or the leg?

      Dr. Richard Talbot: Young lady, I...

      Nora Prentiss: Can't you decide, doctor?

      Dr. Richard Talbot: Well, I made the bandage. I didn't make the leg.

      [Nora laughs]

    • Conexiones
      Edited into The Green Fog (2017)
    • Banda sonora
      Would You Like a Souvenir?
      Music by M.K. Jerome

      Lyrics by Jack Scholl and Eddie Cherkose

      Performed by Ann Sheridan

      [Nora sings the song during her act]

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    Preguntas frecuentes16

    • How long is Nora Prentiss?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de febrero de 1947 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Nora Prentiss
    • Localizaciones del rodaje
      • The Embarcadero, San Francisco, California, Estados Unidos(outside ferry building)
    • Empresa productora
      • Warner Bros.
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 51min(111 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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