Living in a Big Way

No, this is not "Singin in the Rain" or "On the Town" or "Cover Girl" or "Anchors Away"! It's a simple black and white comedy with a handful of musical numbers thrown in. Kelly does an eye popping dance number on a construction site and does another cute number with a dog. These are as inventive as his numbers in more expensive films, but the "B quality" of the film does not do them any justice. He also sings "It Had to Be You". The plot is totally forgettable comedy fodder and since Kelly was never really known for his comedy playing, it falls a little flat. However, the dance numbers are terrific.

The dog, the kids and the dancing were really good. Someone should take the dancing sequences out and put them into a Kelly documentary. The kids were cute especially dancing and in the bathtub. Chris, the dog, was fantastic.

It is really hard not to like Gene Kelly. There was a real fault in the screen play in the lack of character development. Phyllis Thaxter's role was underdeveloped as was Marie MacDonald's. Thaxter was as perfect as she could be granted her limited screen time; I would have thought that a lot of her material was left on the cutting room floor. MacDonald had beautiful hair and figure, but the script gave her no consistent motivation.

Ideas of divorce and marriage in this film were problematic (or fortyish) but they did not interfere with the dog, the kids, or the dancing.

There was a lot of room for further development of the with Morgan family. There seemed to be gaps, which led me to wonder what the exact nature of family tension was.

All in all, there were a lot of missed opportunities.

I only knew of this title after reading a book of the films of Gene Kelly. So now I've just watched this on a DVD I borrowed from the library. It seems to be mainly a comedy of soldier Kelly and a dance hall girl played by Marie McDonald who get married during World War II before he leaves for another service run. It's after the war's over and he comes back and she's wealthy which he didn't know at the time that things get a little complicated. There's some funny lines from supporting players like Spring Byington, Charles Winninger, and Clinton Sundberg. But the main enjoyment comes from Kelly's dances especially one sequence where he plays with some children while also going up and down a half-built house. So on that note, I recommend Living in a Big Way for any Gene Kelly fan who has yet to discover this.

Love Gene Kelly and musicals, but 'Living in a Big Way' is somewhat of a lesser film in Kelly's filmography and while there are definitely far worse film musicals out there while watchable there are far better as well.

There are pleasures here. The best thing about 'Living in a Big Way' is the dancing, which is memorable and a sheer delight. The sequence on the construction site sends up an absolute storm, and it is difficult to resist the adorable one with the dog. Kelly is charismatic in the lead and dances a dream as always, he's never put a foot wrong when it comes to dancing and has dazzled more often than not as a choreographer. Jean Adair and Spring Byington are breaths of fresh air in support, and Phyllis Thaxter charms even with a limited character and a subplot that is not developed that well.

You can't talk about a musical without mentioning the music/songs, and while only "It Had to Be You" is a classic all of them are very pleasant to listen to with nothing coming over as a dud. Gregory La Cava does reliably direction-wise with what there is, and the production values are lovingly done if not spectacular.

On the other hand, Clinton Sundberg falls completely flat and is not funny at all, what was intended as sardonic comes over as mean-spirited and Sundberg just grates to maximum effect. Outside of the musical numbers and the dance sequences, the story is nowhere near as memorable and can drag, suffering also from a lack of chemistry between Kelly and Marie McDonald, who is very sympathetic and cold with little charm or range.

Coming off worst is the script, which tonally is very confused, inept at worst, and doesn't seem to be able to decide what it wanted to be. It tries to be comedy, drama, a musical and social message film, and only really succeeds at the musical. The comedy has fleeting good moments, mainly with Adair, but frequently grates and lacks wit particularly with Sundberg. The drama lays it heavy with the sentimentality and the over-maudlin quality is hard to stomach on occasions, while the social message element was forced and unnecessary.

On the whole, an obscure with pleasures, like the memorable dancing, but because the script is as poor as it is, is worth it for curiosity value and for Kelly completests but not much else. 5/10 Bethany Cox

I absolutely fell in love with "Living in A Big Way" when I first saw it! Reason #1 is because I LOVE, ADORE, and am a HUGE fan of GENE KELLY. He was such a wonderful dancer, actor, and choreographer. Not to mention his extremely handsome looks and his sensual personality. I love his role in this movie. He was such a gentleman. This movie showcased his wonderful talent for acting. I enjoyed Marie MacDonald as well. It was my first time of ever seeing or knowing anything about her, and this excellent movie made me a fan of her's as well. Actually, the whole cast in this movie was enjoyable and great. The humor between the butler,"Everette Hanover Smythe", and the father, Mr. Morgan; Mrs. Morgan's courtroom humor, and especially grandmother Morgan's immediate attachment to, and concern for "LEO GOGARTY." And GENE'S number "FIDO AND ME" is adorable. The opening dance number with GENE and MARIE is very nice too. I would recommend that anyone see this movie. It will truly remain dear to your heart forever. Or at least it has to mine. And you'll fall in love with GENE all over again. I rate it my #2 favorite GENE KELLY MOVIE, and I've seen and own a quite many of his movies. They're a part of my daily routine! So trust me when I tell you, you'll love this movie! Watch it and enjoy!!