Paula

I can't think of a movie in which he lost out, anyway.

Here he is a drifter who falls in with a treacherous woman. Initially, he offered work by her romantic interest, the king of film noir, Barry Sullivan. Someone once asked what movie star I felt I identified with most and it was Sullivan. The guy never gave a bad performance.

His girl here is played by Janis Carter. Her biography says that she was a hit in musicals on Broadway. I can see that. She has a boyishly cute look. (Ann Savage is hard to imagine in a musical. But look at Constance Towers, so fine in two Samuel Fuller movies and a Broadway darling.) Carter plays one evil woman! Wow, I would keep my distance from her! She's a waitress at a place called La Paloma when Ford meets her by she has high ambitions.

Edgar Buchanan is exceptionally touching as the miner who's willing to give engineer Ford a job. We can see he's kind of a loser but he is a very decent guy.

This is a tough little film. I recommend it highly.

Glenn Ford plays a stranger who drifts into town one day. However, he soon finds himself in a tiny bit of trouble and a beautiful lady (Janis Carter) comes to his rescue. However, this is NOT a kind lady but a femme fatale with an evil plan. Her and her married lover (Barry Sullivan) plan on murdering him in order to cover up some embezzlement. However, two huge monkey wrenches are tossed in--Carter's character is evil more evil than you might expect and Ford's is not nearly as stupid as she hoped. While the plot is decent (not great), the film is ultra-stylish, smoking hot and full of femme fatale badness--exactly what I like in a film! Not quite as hot and exciting as Ford's later film, "Gilda" but still quite good. It makes you wonder why Carter never really took off as an actress--she was exquisitely nasty and hot.

Janis Carter boasted a largely undistinguished filmography from the 1940s but she deserved (as so many of her female peers from this era did) better parts and greater exposure. As the scheming and duplicitous Paula Craig, she personifies the cool blonde bombshell (while her line readings are a wee bit stilted, her body language is instinctive and sensational). She's the spider into whose web drifts Glenn Ford, an out-of-work mining engineer with a bit of an alcohol problem who's looking for a break. Meanwhile, Carter's on the lookout for her embezzling boyfriend's lookalike, to furnish a warm body to provide a charred corpse. This is James M. Cain territory, and, though we've been through it with Barbara Stanwyck and Fred McMurray and with Lana Turner and John Garfield, this effort by Carter and Ford deserves more prominence; its writing, direction and cinematography are all well above average. One unique moment: a banner head in the local newspaper lets us know that one of the characters has been charged with murder, but just below it, in the mock-up, is the smaller headline "Meteorite lands near baby." I think they made that movie, too, about 10 years later.

Glenn Ford is Mike Lambert in "Framed," a 1947 noir also starring Janis Carter, Barry Sullivan, and Edgar Buchanan.

Ford plays a man who takes a job driving a truck that ends up having no brakes. Once at his destination, he enters a bar/restaurant called La Paloma and comes to the attention of waitress Paula Lambert (Carter) - and vice versa.

Turns out she's been waiting for someone like Ford to come along. Well, hasn't every woman? Paula and her boyfriend, Steven Price, need someone to be identified as Price in a car accident/explosion so that she and Price can take off with the $250,000 Price has embezzled from his bank. Unfortunately for them, they're pretty sophomoric, and Mike gets suspicious.

I can't share the deep thrill others have expressed about this film, though I love Glenn Ford's combination of gentleness, toughness, and sexiness. He had really just hit big stardom around the time of this film.

As beautiful, slender and accomplished a Broadway performer as Janis Carter was, I thought her acting was - well, awful is the only word for it. This is a Lizabeth Scott/Ann Sheridan type of role - smoky, mysterious, ambiguous as to motive.

Carter had none of these shadings, offering instead wooden line delivery with nothing going on underneath. A better actress would have made this a much stronger film.

The plot (to me anyway) was very predictable, in part due to the casting. As for the denouement, there was no explanation as to how it all came together, i.e., there were holes.

Ford and Edgar Buchanan, who plays a miner hoping to get a loan from Barry Sullivan's bank, are very good in their roles. Sullivan is fine, but he has a non-showy part.

A stronger female lead and a little more developed script at the end would have helped "Framed" immensely.

Well cast, with a reasonable original story, this Columbia B picture needed a better budget and screenplay. Several plot developments are signalled way before they occur, with some scenes being slackly directed. Nice performances help save some shortcomings with Janice Carter being a convincing femme fatale, and beautiful (it's a pity Columbia and RKO didn't utilize her more selectively)

Glen Ford is fine as the down on his luck stranger in town (who foolishly drinks too much) with nice support from Edger Buchannan and Barry Sullivan. As a little noir pic - it manages to hold attention for most of the duration. Award winning Cinematographer Burnett Guffey (From Here To Eternity '53) is probably the films best asset.

The Re-mastered Bluray disc is nice and clear but a little darkish, so, if you can get a descent DVD copy might be better.