Shadows Over Chinatown

I really liked this Chan, it kept my interest all the way through. I found the plot complex, not hard to follow. I think that is why I really enjoyed it, there is a lot going on with lots of characters coming and going. Some people on here claimed the plot didn't make sense but let us be fair, a mystery isn't a mystery if you know what is going to happen from one scene to the next. I really have no complaints, this is one I want to watch again very soon. One thing I appreciate about the Chan movies is the fact that the producers tried to give you something a bit different from one film to the next. Sure, they recycle themselves after a while but some Chans really stand out...like this one. I just relax and watch all the events as they occur and let Charlie explain it all at the end! I guess some folks just like predictable films and turn up their noses at anything that doesn't follow the herd.

Charlie Chan, Jimmy and Birmingham are on a bus trip to San Francisco, where he's about to investigate for an insurance company the strange and gruesome deaths of a couple of newly wed young women - all 'torso killings', where the head's been cut off from the body; and now another victim has been found, and the lady who sits next to him on the bus explains to him that she makes the trip in order to find out if it's her missing granddaughter. Meanwhile, the bus has got motor trouble, and the passengers are forced to spend some time in a little shack - where a shot is fired at Charlie from outside, and it's only the watch Jimmy had given him for his birthday that saves him from the bullet! Then, a young man shows up who declares he's on leave from the Marine Corps to see his girl in San Francisco; but it's obvious that he left WITHOUT a leave... Then, when they arrive and Charlie goes to the morgue to see the body (whatever's left of it), he can reassure Mrs. Conover that the dead woman is NOT her granddaughter, because of a scar from an appendectomy which 'little' Mary has never undergone. And the same day, in the hotel restaurant, Charlie recognizes in the pretty young waitress the missing granddaughter, who's dyed her hair blond - and is obviously hiding from something or someone...

As it turns out, Mary is also the girl Joe, the young Marine corporal, is searching for: he'd fallen in love with her, but she'd turned him down because she was afraid - and at last, when Charlie gets hold of her, we learn the reason for her fear: she'd been working for an escort bureau, and she'd become suspicious when her boss had suggested to her to marry Joe whose father is rich, and if she'd get him to take out a high life insurance policy, they'd soon make her a rich widow! And now, it's up to brave little Mary to play the decoy in order to find the boss of the 'torso murder gang'...

A very unusual and suspenseful entry in the 'Charlie Chan' series, with an excellent cast (what a shame that most of their names are almost forgotten by now...), and as always some wonderful jokes and mishaps from Jimmy and Birmingham; a great piece of good, clean crime entertainment!

Charlie Chan (Sidney Toler) investigates insurance fraud and a series of murders. Another Monogram Chan film that is helped by the return of "Number Two Son" Jimmy Chan (Victor Sen Yung), last seen in the 1942 Fox film Castle in the Desert. Up until this point at Monogram, Charlie had been saddled with dull-as-dirt Tommy Chan, played by bland Benson Fong. Victor Sen Yung is a breath of fresh air for this stale series. That being said, he can only do so much. It's still Monogram so it's still cheap. Also, there's still obtrusive comic relief Birmingham Brown, played by bug-eyed Mantan Moreland. The good news is that Moreland doesn't overpower Sen Yung like he did Fong. So it's a watchable effort but nothing special. But when it comes to the Monogram series, watchable is about as much as you can hope for.

I was generally a fan of the "Charlie Chan" movies with Sidney Toler and this is one of the better ones. To San Francisco he and fairly hapless No. 2 son "Jimmy" (Victor Sen Yung) travel to assist their police with a mysterious murder investigation. That's not all, though. There's a missing person to be found too. "Mary" (Tanis Chandler) has gone awol and her doting mother (Mary Gordon) and her rather drippy fiancé "Jeff" (Bruce Kellogg) are at their wits end. It doesn't help that our sleuthing genius quickly discovers that this absentee once worked with his original victim. The plot thickens and the pair - assisted ably by the cowardy custard, and only sparingly used, "Birmingham Brown" (Mantan Moreland) - must get to the bottom of things before "Mary" comes a cropper. The plot here is a bit more internecine and sophisticated than with many of these adventures. That said, there is a maybe just a little too much coincidence as the thing progresses but I'm sure "Charlie" would have a profound ancestral adage for there being no such thing as luck! There's the tinies of twists at the end and en route it moves along well for an hour. It's always nice to see the original and best Holmesian "Mrs. Hudson" in a film, too!

Charlie Chan takes a bus trip with number two son Jimmy Chan and chauffeur Birmingham Brown. They stop at a bus station where a passenger notices he's been robbed. The station door is slightly ajar and a mysterious hand pokes a revolver through and shoots Charlie Chan. Luckily, the bullet hits his watch and he is uninjured. Could the robbery and shooting be connected?

It doesn't always make perfect sense but there's plenty going on in this lightweight Charlie Chan entry. As the picture starts, Chan is already expressing interest in a gruesome murder case ("Torso Victim Unidentified," says the newspaper headline) and is soon also investigating a phony bus driver, a Marine straggler, and a pickpocket, as well as promising little old lady Mary Gordon to help find her missing granddaughter.

Mantan Moreland is consistently funny as Birmingham Brown, and Victor Sen Yung returns to the series as Jimmy Chan (replacing number three son Benson Fong). Yung is brash and earnest as always; Jimmy and Birmingham provide Pop Chan with approximately equal amounts of assistance on the case and comic relief.

The plot's a little convoluted but I suppose there's a chance it would all add up correctly if one set out to understand it....however, if anything holds the picture together it's not the great plot but rather Sidney Toler's usual steady presence as the great detective.

Favorite scene: Father and son sit in a restaurant and Jimmy Chan orders chop suey. Charlie Chan: "I shudder to think what Confucius say to that." Jimmy Chan: "Aw, it's good stuff, Pop. You oughta try it sometime."