Charlie Chan en La Cobra de Shangai

"Most interesting case," Charlie Chan says. "In four months, three persons are murdered by bite of cobra fang."

The mysteriously murdered victims are all employees of a bank whose vault holds a valuable cache of radium. Crooks are after said radium and Charlie Chan is assigned to protect it. And the murders are not done by an actual cobra, it turns out, but by one of those dastardly sharp-tipped poison-dispensing devices hidden in a clever place....

This suspenseful series entry includes less comic relief than usual but moves fast and builds to an exciting climax that feels more like an action-adventure picture than the usual gather-the-suspects Chan resolution.

Number Three Son Benson Fong is on hand to help, as is chauffeur Mantan Moreland—so there are a few decent laughs. (Charlie Chan, fed up with his assistants: "You remain here until I find doghouse big enough to hold both of you.") Sidney Toler moves with confidence and even a bit of a swagger as the great detective.

Much of the action takes place in a diner that contains a unique jukebox: A coin is dropped and a song selected—but then instead of a record playing automatically, the request goes to a person sitting in a little room who then puts on the record manually. A video camera allows this disc jockey to view the interior of the diner and even communicate by microphone when desired. –I've never seen such a setup in real life but I have to say that the next time I see a jukebox I will be looking at it more closely.

While no one would mistake this Monogram effort for anything bigger, imaginative touches and familiar characters make it well worthwhile for Chan fans.

Yet another Charlie Chan B-Pic from Poverty row Monogram Pictures.

This time around Chan (Sidney Toler) is given the task of investigating the Murder of three Bank workers from Cobra venom, and in the same bank the Federal Government keeps valuable Radium in its Vaults worth several Millions of Dollars - The case has similarities to one Chan investigated in Shanghai 8 years earlier, although the main suspect vanished without a trace at the time.

Also along for the ride are No.3 son Tommy (Benson Fong) and Assistant Birmingham Brown (Mantan Moreland).

This 40's B-Pic by Low budget Studio Monogram Pictures is a pretty good Chan release, The Acting is above average and not as Wooden as in other episodes, There is more action and greater care in the Script and production this time and there are plenty of scenes in different locations rather than just a few rooms and despite the re-using of sets time and again (You'll notice rooms here that have been in other Monogram Chan Releases, even with the same pictures on the walls) all in all 'The Shanghai Cobra' is done with enough enthusiasm to make it pleasantly enjoyable.

*** out of *****

When the strange death of three employees of the same bank from cobra venom startles the police, they start remembering a similar case that had occurred in Shanghai eight years before - and they think that the only one who can identify the killer named Jan Van Horn that had escaped before the trial back then is Charlie Chan, because it was him who'd caught him. But Charlie, once called in for help, explains that the convict had been burnt badly in an accident and his face has probably changed completely; and besides that, he'd always insisted that he'd been framed...

But one thing becomes clear pretty soon: there IS something going on in connection with the bank, where a large and immensely valuable amount of radium is stored; and, strange as it sounds, there also seems to be something wrong with the laundry next door, and the coffee shop across the street - and its jukebox...! And when Charlie, Tommy and Birmingham finally find out that there's a secret passage to the bank leading through the underground sewers, they get into a REALLY tight spot there...

This 'Charlie Chan' movie definitely has got a BIG 'touch' of Noir, from dark, rainy streets to a ruthless gang of killers to a genuine 'tough guy' private eye (well, he finally turns out not to be so tough after all...) - only the gags that Tommy and Birmingham, and even Charlie himself, deliver, lighten up the otherwise really 'black' and pretty suspenseful atmosphere. But after all the perils are overcome, and the RIGHT guys have been convicted, we get to see an ending that CERTAINLY is one of the funniest of ALL 'Charlie Chan' films!

Sidney Toler is Charlie Chan in "The Shanghai Cobra," a 1945 film. The Chan series by now is in the hands of one of the "poverty row" studios, Monogram.

In this story, Charlie is called by an old colleague to help identify a man named Jan Van Horn,. Charlie arrested this man in Shanghai during the war; van Horn's modus operandi was killing with cobra venom. Van Horn at the time insisted that he was being framed. The man's face had been badly burned, and he escaped during deportation. Now he's probably had extensive plastic surgery.

Now four people have been killed with cobra venom, and all of them are involved with a bank that has radium in one of its vaults - radium that will be stolen if Charlie doesn't nab the criminal.

I admit I've always liked Sidney Toler as Charlie Chan, probably because I am most familiar with him in the role. And I admit that I've always loved Chan's relationship with Birmingham and find Mantan Moreland very funny. I know that kind of humor is out today, but as Birmingham the chauffeur, the talented Moreland has wonderful comic timing.

He also is treated on the same level as Charlie's son, in this case the number 3 son (Benson Fong). It's obvious that Birmingham has a close relationship with the Chan family.

These films have a certain formula - Charlie always solves the crime, of course, and whichever son accompanies him usually not only gets into trouble but drags Birmingham along with him.

However, no matter the studio, the Charlie Chan series is entertaining and enjoyable.

This is an excellent Monogram Charlie Chan that sets a mood and plays it to the hilt. Although the Monogram films never had a budget anywhere near those of the Twentieth Century Fox Chan's, this one comes close to creating the same sense of style that imbued the earlier films. From the film-noir rain slicked opening segment to the fades between scenes, this has a bold feel that overcomes its budget considerations. Sidney Toler is in fine form and appears to appreciate the enthusiasm of director Phil Karlson and the script, as he gives his all in every scene he is in. Benson Fong is good as Number 3 Son Tommy and Mantan Moreland sparkles in his comedic moments which are well timed and effortlessly diverting and not distracting to the central mystery. And it's a very good mystery too, that reminded me a bit of Castle In The Desert, inasmuch as you really have to keep a sharp eye on EVERY major character and try to remember names and relationships to keep on top of the proceedings! Your always double guessing yourself and that is the sign of a mystery doing its job! Everyone is having a great time on this one and it shows--credit too must go to the production team who "opened up" the feel of this one and didn't simply use two sets. Check this out with an open mind and you will realize that classic Chan didn't end when Fox gave up their lease.