Tres días de amor y de fe

The Stage Door Canteen really existed in New York. It was the east coast's answer to the Hollywood Canteen (there is a movie by that name too). If you want to get a good look at America in 1942 this is it. You can see the stars of the east and get to see some funny people and hear some great stars and some of the great bands of the era. All using their talents for those fighting for freedom. In WW2 Americans were into supporting their soldiers. This is a slice of American life that we don't often get to see.

In wartime, a group of soldiers stop off at a canteen before they are posted to heaven knows where. In this canteen they are entertained and served by luminaries from stage and screen (so much fun for the viewer spotting big names in little roles). The soldiers (California, Dakota, and Tex) are the lynchpins who carry the paper-thin story around delightful performances from the likes of Ethel Merman, Ray Bolger, Gracie Fields, Benny Goodman with Peggy Lee, Kay Kyser, Xavier Cugat, and Count Basie.

Blink and you might miss (a few names for a taster) Tallulah Bankhead, Ina Claire, Judith Anderson, Aline MacMahon, Katherine Cornell, the Lunts, George Jessel, Ed Wynn, Ralph Bellamy, George Raft, May Whitty, Harpo Marx, Ned Sparks, and Dorothy Fields. You'll remember Katharine Hepburn as she goes all patriotic at the end of the movie.

Is it a good film? Probably not, but it is certainly historically interesting and probably has the most big names in one movie. The three soldier boys stand for all their compatriots who went to war'during both that conflict and the ones which followed. They aren't glorified, but are simply depicted as young lads who like dancing with girls and being treated with courtesy. We may never know what happens to California, Dakota, and Tex (and millions like them) but 'Stage Door Canteen' gives you a bit of their lives, and a snapshot of the wartime canteen.

This movie has more stars in it than the firmament! Even more stars than its cousin Hollywood Canteen.

I remember seeing it as a child in 1943 and have had it on tape for years and wonder why it has not been digitally remastered. The picture is scratchy and bumpy in parts, but nothing can spoil the innocence of our youth in uniform ready to go off to war.

Cameo appearances of so many entertainers on one stage give you an idea of what vaudeville and the big band era were like. There is no plot line or even a semblance of continuity in the performances of these stars, but all are polished appearances as if the casts were on tour. Their time was donated and their patriotism shows through loud and clear.

The story line involves a group of army enlistees who are given a mini furlough in New York City before they ship out. They are in awe of the big city at first but are told of a place where there is entertainment and free food. This, of course, is the canteen. Over the course of less than forty-eight hours, Dakota, Californa, Tex, Jersey, and others pair off with hostesses at the Stage Door Canteen. It is amazing how quickly love blooms in this setting. The hostesses have taken a vow not to get involved with the fellas, but how can they resist when they see the innocence, charm, and sincerity of the boys?

If there are starring roles in the storyline, they belong to California and Eileen, though they are not paired as sweethearts. California (LonMcAllister)looks like a teenager and is so likable. He has never kissed a girl! Eileen (Cheryl Walker) is torn between her duty to the canteen and her love for Dakota.

Some have said this movie is a morale booster or war-time propaganda. I like to think of it as the way things were during World War II.

I was lucky enough to stumble upon this during a week of WW2 B&W's run on TMC. Read all the other posts for a description. I'd just like to add my admiration for my dad's generation. What a fabulous film! I so envy their patriotism. Sure there were plenty of scumbags exploiting and dodging the war but this film makes me think of all those young men going of to an almost certain death. Our losses were bad, but I was surprised at the tribute paid to the Russian and Chinese servicemen (and women) whose losses were each in the multi-millions. I appreciated the performers for their skill and professionalism. The violinist seemed out of place until you see the crowd, enthralled, quiet, and admiring, politely keeping quiet, and then the applause. It made me think of how my dad's generation, without our over-bearing music industry, appreciated real classic music. Now, classic music is largely unappreciated by the masses. The comments of others on Hepburn are not deserved. As usual, people often try to judge films, attitudes, and events based on present-day ideals. Yeah, patriotism may be embarrassing and corny now, but in 1942 after some of your relatives are killed trying to stop Hitler I don't think it was out of place. Hepburns performance was one of the few of hers that I liked. I hoped she didn't have to be coaxed.

I am old enough to have seen Stage Door Canteen when it first appeared.It was a morale booster, and nothing more than a delightful musical with a lot of big bands and performers. But after more than 50 years, it is not only a wonderful piece of nostalgia, but the perfect reflection of an era and of the spiritual climate of the war years. It is now that I can understand that the miracle is that Frank Borzage was called to direct it. All the classic Borzage feeling is present, and the sentimental master was able to make gold out of Delmer Daves' sentimental dialog. I wonder why these two gifted gentlemen did not collaborate again. I strongly recommend that every old timer who remembers the war years, the forties, the music, the bands and the feeling, should see again this picture which has become a magnificent piece of authentic nostalgia. I own it and intend to see it again and again.