Persecución en el Norte

Although not quite as gripping as "Desperate Journey", or as marvelously sprawling as "49th Parallel", this slick film is everything you could ask for in a WWII actioner--even more, with Errol Flynn teaming up with Raoul Walsh. The acting is good, and the direction is taut and entertaining, with writers Bessie and Gruber providing a suspenseful story line concerning a nazi spy(Dantine) captured in Canada by a Royal Mountie(Flynn), the spy's escape from prison camp, and Flynn's efforts to thwart Dantine's nefarious mission in the great white north(and a dastardly mission it is, too--those dirty Nazis!).

Adolph Deutsch scores a cleverly subtle soundtrack to raise the suspense quotient, as he did for "High Sierra" and "The Maltese Falcon". Just the "Kick 'em in the Axis" kind of movie to watch, if you've already seen and liked "Tartu" and "The Commandos Strike At Dawn".

Attractive Canadian setting and interesting plot start-up degenerates into standard action flick with shootouts between bad guys and good guys. Well done and acted, but little plot interest the second half.

Raoul Walsh, the director of "Northern Pursuit", was a man with impressive credentials during his days in Hollywood. Unfortunately, this film, which kept reminding this viewer of Michael Powell's "49th Parallel", has its moments and will reward the viewer that sticks with it, in some ways.

The plot was typical of the films turned by the big studios during the days of WWII. Although the propaganda in "Northern Pursuit" doesn't strike the viewer as too obvious, it's there all along. The idea of a Royal Mountie, in this case, the dashing Errol Flynn, going after the bad guys have all the elements for a good adventure.

The screen play is ultimately the downfall of the film, although there are hints of greatness, especially on the last part of the film which involves a daring attempt from the head Nazi infiltrator to fly an aircraft with a bomb on board. The locations appear to be real, but we can see the scenes shot in the studio.

Errol Flynn does his job well. Helmut Dantine, playing Keller, the Nazi bad guy, is even better. Gene Lockhart has a pivotal role in the film. Julie Bishop is Errol Flynn's love interest, although there's no obvious chemistry between them.

Raoul Walsh's fans will probably enjoy this film a lot more than the casual viewer.

An Errol Flynn adventure from 1943 directed by Raoul Walsh. Flynn plays a Canadian Mountie who comes across a German air officer in the snowy hinterlands. Sending his partner ahead, Flynn's higher-ups fear his German lineage may compromise his standing w/his prisoner who may use undue influence to corrupt him. Seizing upon this notion, Flynn pretends to be a friend to Germany as he befriends the Nazi (who has broken out from an internment camp w/some other Hessians) so he can upset their plans to construct an airplane to make their escape from Canada. That's a lot of dunderheaded plotting for something that should be as light & airy as a paper plane but the crackerjack direction & the effortless charisma by Flynn is enough to keep even the most jaded viewer firmly planted in their seat for the duration.

NORTHERN PURSUIT has some well photographed chase scenes, supposedly through the snow of the Canadian wilderness, although many of the matching shots are clearly studio-bound. Nevertheless, the weak script and cardboard characters contribute toward reducing it to a standard and slick wartime adventure.

Flynn is a Mountie of German descent, pretending Nazi sympathies in order to spy against Nazis operating in Canada. Helmut Dantine is a force to be reckoned with as the head Nazi--but at times is reduced to a standard "dumb" Nazi who falls too easily for Flynn's deception.

It's all supposed to be taken seriously--unlike DESPERATE JOURNEY which injected a great deal of humor into the Flynn-against-Nazis theme. But with cardboard supporting characters adding nothing to the film's credibility--and a weak script--this is strictly for Flynn fans. Julie Bishop makes no impression whatsoever in the feminine lead.

This was hot stuff back in the 1940s, entertaining as a Saturday afternoon diversion. Now it's simply a non-involving Flynn adventure with some nicely photographed snow chase scenes and nothing else that really matters.