El barco fantasma

Perhaps not as mesmerizing as "Cat People" or as disturbing as "The Body Snatcher", but this still definitely is a genuinely creepy golden oldie horror gem like only the great Val Lewton could produce them back in the 1940's. This dark and atmospheric chiller takes us aboard a giant ship in order to examine the mysterious deaths of several crew members. They all seem like unfortunate accidents, but pretty soon the young and ambitious officer Tom Merriam suspects that Captain Will Stone abuses his power in order to get rid of rebellious personnel. The film is terrifically cut in half when the ship sets ashore and Merriam prosecutes the influential and highly respected captain. From then on, the nemesis between the two is frighteningly illustrated and a drama on-board the ship seems inevitable. Richard Dix is outstanding as the tormented Captain Will Stone! He looks naturally eerie and definitely not man to argue with. The black and white photography is stunning and the constantly sung sailor-song will remain stuck in your head, even long after you finished watching the movie. The Val Lewton horror of course isn't very explicit (considering the time and budget) but this movie does contain at least one truly unsettling sequence; when a giant chain crushes a crew member. My advise is to watch this classic as soon as you can, if it were only for the ultra-eerie mute in the supportive cast!

Tom Merriam takes a job as the Third Officer on the cargo ship The Altair. Despite a strange interaction with a blind man in port, things look good for Tom as the ship appears good and the Captain is amiable enough. Finding that his bed is still a mess from when the last Third died there is a little disturbing but he gets past it and begins to work. When the Captain puts lives at risk rather than be seen to have his authority questioned by Merriam, Tom starts to worry that the Captain is living within his own head too much – a worry reinforced when more men and put at risk and deaths are caused; but how can he change things? Apparently commissioned because RKO had an expensive ship set knocking around that they wanted to get more use out of, this film is surprisingly enjoyable and works because it tries to shun melodrama and be something much more interesting. This is not to say it totally does this, because it doesn't, but it does have plenty of good things about it. The story is fairly standard in appearance but the Captain's "madness" is convincing and realistic – he is not a gibbering loon but rather a man who appears to have lost touch with reality thanks to a lonely and sad life to date. Within this story the script develops the characters well so that they rise above being the stock figures of b-movie fare. With a low key story, the production still really goes for it on atmosphere and produces an air of foreboding and menace that is present from the very start. Shadows are well used, fog drifts over the decks and the music is constantly moving darkly in the background – menacing without ever being overused or overbearing.

The cast do very well with this product. Wade was surprisingly good in the lead and it made me wonder why I have never knowingly seen him in anything else. He was a pretty regular guy and came off natural rather than being the square-jawed hero that is often the norm. He plays second fiddle to Dix though, who sets up a strangely friendly character who convincingly moves into a sort of madness that is convincing. He avoids being a monster and naturally questions himself while also producing a character that we feel for – Dix is not just a "baddie" to Wade's "goodie". Barrett is so-so but the film didn't need her and her scene slows the film by taking it off the ship albeit briefly. Support is good from Glover, Overall an enjoyable film that produces the goods on many levels and is much better than I thought it was going to be. The plot seems simple but the writing respect the audience and makes the story more interesting than the usual goodie/baddie fare. The atmospheric and tense production only helps to produce a punchy, mysterious film that is well worth seeing even if the ending needed to be a bit stronger and darker but this is a minor flaw.

"The Ghost Ship" has Russell Wade as a naval captain, Tom, who boards a ship in San Pedro, only to find that something seems odd about the captain, Will Stone. Strange occurrences plague his time on the sea, and soon Tom becomes convinced that the captain is a homicidal maniac who has the entire crew under his thumb.

This downbeat and tightly-written psychological thriller was Mark Robson's second collaboration with producer Val Lewton, the first being the phenomenal Satanic horror noir "The Seventh Victim". This film feels lighter in tone than the former and packs a bit less of a punch— it is free from the nihilistic streak of "The Seventh Victim," though it still implements a fair amount of commentary on matters such as the nature of authority and questions about power. The more philosophical bits of dialogue feel somewhat hokey, though they are relatively few and far between.

Looked at from a contemporary standpoint, it's a film that may have been ahead of its time, as it stands as an early example of the "paranoid protagonist" trope, in which the audience comes to question the reliability of the character's potentially unfounded fears about a person or place. As Tom's fears of the captain and his wielding of power grow, the reliability of his perspective is called into question; Robson screenwriter Donald Clarke play up this tension magnificently. Wade is a solid sympathetic protagonist, while Richard Dix is fittingly aloof. The dialogue between the two ranges from somewhat weak to fantastic, but in general, they play off one another nicely.

The film has a thrilling, unexpectedly violent and grim finale, which punctuates what is overall a mellow psychological drama. Overall, "The Ghost Ship" is a modest but well-made thriller; while it's not one of Lewton's greatest collaborations, it's a claustrophobic, fine film that is lifted up by atmospheric set pieces, some very nicely-orchestrate scenes, and a consistent feeling of unrelenting paranoia. 7/10.

Tom Merriam is a third mate on the Altair, a cargo ship headed by Captain Stone, who Merriam looks to as a father figure, since Stone has the experience and the full loyalty of the crew. Merriam's opinion of his commanding officer is changed after a series of events (including the death of a mate due the captain's interference) and Merriam believes that Stone is unfit to command the ship. A hearing at the ship's port has the crew and line agent side with Stone, and Merriam is relieved of his duties as third mate. While on shore, Merriam is knocked out for trying to stop a fight, and is put back on the Altair much to his and Stone's disapproval. Stone says Merriam is now a guest on the ship, but the crew shuns him and Merriam believes that Stone is going totally insane and plans to kill Merriam, who now has to find someone to believe him before its too late. Underrated (and for a long time, unseen) classic from the Lewton-RKO 9, with above average script, camera-work, cinematography, but highlighted by probably Dix's best performance as Stone, as a man who is insane try to fool himself and those around him by acting normal. Excellent moments of suspense (especially for me when Merriam notices the lock missing from his door) make this a film one to get a hold of. Rating, 8.

This Val Lewton produced film is not what one would likely expect from the title: a ghost story...so don't expect that going in. It isn't even really an Horror film per se although there are elements at work here which will prove horrific to many viewers. What it is instead is a seafaring adventure yarn about a Captain who's slowly going mad (and homicidal) due to his obsession with authority and only our heroic lead Tom Merriam, the 3rd Officer, seems to want to do anything about it. Everyone else seems to either not believe Merriam or dismisses what he tells them for fear of losing their jobs. Merriam however retains his values and ethics throughout the film even when they don't work out in his favor. While the film possesses the mood and style one expects from Lewton's films, the content and in some cases atmosphere is really not what one expects from the producer. Also events here do seem to wrap themselves up much too quickly. Still all in all there's enough good stuff here that this film is definitely worth seeking out.