Añade un argumento en tu idiomaTwo con artists take a shopgirl under their wing, but she disrupts their marrying-for-money scheme by falling for a mathematician.Two con artists take a shopgirl under their wing, but she disrupts their marrying-for-money scheme by falling for a mathematician.Two con artists take a shopgirl under their wing, but she disrupts their marrying-for-money scheme by falling for a mathematician.
- Dirección
- Guión
- Reparto principal
- Tod Fenwick
- (as John Shepperd)
- Newsboy
- (as Billy Benedict)
- Captain Hurley
- (as Charles Wilson)
Reseñas destacadas
In the best of farces, absurd events unfold with a seemingly inevitable logic. It must be admitted that in this picture, the plot occasionally skates past short-term expedients that just have to be taken for granted -- but the ensuing situations are milked to such good effect that it's easy to turn a blind eye. The film is rich in set-pieces both verbal and visual, with a host of lively minor characters to accompany the note-perfect performances of the principals.
Laird Cregar excels as usual in the role of the resonant, urbane Warren (performing with impressive agility in his swimming-pool scene), while Spring Byington is here the best I have seen her, the actress submerging her trademark mannerisms in an actual character. Gene Tierney is sweet, smart, funny and distinctly shapely as the girl who pulls off the perfect con and then learns what she has really done. Henry Fonda -- for my money, both more credible and more sympathetic here than in "The Lady Eve" -- plays a mathematical dreamer with a passion for sailing and the sea, while some eye-catching yachts of the era star in the background, apparently shot on location!
The film starts off light and gradually gains in intensity and emotional weight as it goes along, with frequent upwellings of laughter to season some very genuine feeling. The two lovers are charming together, from a very Freudian first scene (in which the camera settles on Linda's trim contours as a somewhat dislocated John tries to describe the lines of his yacht) to the final escape, Perhaps the highlight is the taxicab sequence in which our hero, intoxicated with excitement, is convinced he has devised a 'system' to beat the roulette wheel, while Linda and the audience, in on the secret, find him both hilarious and adorable at the same time.
Like all good comedies, "Rings on Her Fingers" laughs at our human frailties, but it does so with a gentle touch. It shares with "Some Like It Hot" an essential innocence and sweetness at the root of its effervescent humour, and scarcely sets a foot wrong in the process. I enjoyed this little-known, little-rated picture very much indeed.
The catch here is that Fonda this time isn't filthy rich at all, the boat-buying con he falls for relieves him of his hard-earned, mathematically calculated, life savings leaving him penniless, although his consolation is that he and his temptress Tierney fall hard for each other so much so that she surreptitiously tries to put things right for him. Naturally there's a reckoning to be had, which fortuitously comes about when Cregar & co. and their victim coincidentally end up under the same roof, to wit Fonda's millionaire bachelor buddy's place, who himself is set to be the next target for the travelling tricksters.
While not hysterically funny, the film makes the most of its ever more unlikely situations and is nicely played by the four main leads. Fonda and Tierney combine well together as do Cregar and Byington. There are some amusing scenes, like when the young couple plod their way around a dance floor amongst some limbs-flying jitterbuggers, Fonda's "lucky" gambling streak at the casino and earlier when Fonda is distracted by Tierney in a bathing suit as he's trying to describe the dimensions of the boat he's seeking to buy.
The ending seems a bit contrived bringing all the main characters together again with Fonda improbably stepping out of character to get his girl in the style of Cagney, but at least it all ends happily ever after as there's little doubt that even the thwarted Cregar and Byington will continue undiminished on their merry way, indeed, in my opinion, an extra finishing scene showing them hooking up with another aspirant young shop girl to do their bidding could easily have been tagged on to keep the circle unbroken.
This wasn't the best screwball comedy I've seen and certainly Sturges and Hawks executed these farces a little more sharply and amusingly but this was still an engaging, pardon the pun, film to watch.
Not that it's bad, but it's strictly second rate Mamoulian and definitely second rate Fonda. This was the period in Fonda's career where he had signed a studio contract to get the role in The Grapes Of Wrath and Darryl Zanuck would be forcing him into things that were second rate. This part that Fonda has here was a ripoff of what he did on loan to Paramount for The Lady Eve.
Fonda is once again the naive pigeon of some con artists played by Spring Byington and Laird Cregar. They're using Gene Tierney who is lured by the chance of easy money into their nest as the come on in a confidence game. The three rook Fonda out of his life savings, selling him a sailboat they don't own. They think Fonda has millions to spare, but unlike in The Lady Eve, Fonda is a clerk on holiday.
But he doesn't know Tierney was part of the gag and the two fall for each other. That however interferes with Cregar and Byington's plans to marry Tierney off to a real millionaire, Sheppard Strudwick.
Rings On Her Fingers is not a bad film, but Fonda who was doing mostly classic roles in The Male Animal and The Lady Eve on loan, back at his home studio was given parts that Zanuck's favorites Tyrone Power and Don Ameche passed on. Fonda hated those years at Fox, hated them more because he wanted to go in the service and Zanuck pulled all kinds of strings to keep him home.
Fonda played naive characters since his debut in The Farmer Takes A Wife and throughout his career before his war service tried desperately to avoid the typecasting. After Mister Roberts no one thought to cast him that way again, but in his early years it was a struggle to avoid it.
Best scenes in Rings On Her Fingers involve Fonda and Tierney at a gambling casino run by Henry Stephenson where things are fixed for him to win. Of course Fonda thinks he's found a mathematical formula and his recklessness increases.
Laird Cregar is good in a most undefined role as a con man. What a loss he was at such a young age.
Rings On Her Fingers belongs in the lower tier of Henry Fonda films though it does have its moments.
Mamoulian loved scripts that contained characters with dual identities such as Dr. Jekyll and Mr. Hyde and The Mark of Zorro, so "Rings on Her Fingers" must have appealed to him. It has Tierney, a New York salesgirl posing as an heiress, Fonda, an accountant who at first gives the impression he's a rich man, Cregar, posing as a yacht owner, and Byington, posing as Tierney's wealthy mother.
I liked this charming comedy, but I have to take issue with calling it screwball. It's played too straight. Fonda creates a wonderful character - a sincere, caring person who wants to live life in the present and not live as others - lock up their money and, in so doing, lock up their lives. His internalized approach to acting did not lend itself to comedy. Tierney is gorgeous, and a good actress, but comedy wasn't her thing. Picture the airport scenes with Irene Dunne and Cary Grant, and you get the point.
Laird Cregar is wonderfully bombastic and funny as the conniver Warren - what a loss to filmdom that he died so young; and Spring Byington does a great job as his partner.
Henry Fonda never forgave Darryl F. Zanuck for forcing him into a seven-year contract in order to do The Grapes of Wrath; though Mamoulian was a great director, I think Fonda probably felt misused here. Opposite a pro like Stanwyck, he fared in comedy much better. Tierney is lovely, though.
Good film.
¿Sabías que...?
- CuriosidadesWhen Laird Cregar asks who Gene Tierney, then serving in a shop, is, Spring Byington tartly remarks, "A shop-girl, of course. Who did you think she was--Brenda Frazier?" The very glamorous and wealthy Brenda Frazier was the most famous debutante of the 1930s.
- PifiasWhen John slides his roulette chips across the table to cash them in, other people's bets are corralled with them, yet no one complains.
- Citas
Susan Miller: Say, are you really millionaires?
[Warren and Maybelle burst into laughter]
Warren: Why?
Susan Miller: Well, there seems to be something missing.
Mrs. Maybelle Worthington: Just the millions, and they can't rule you out for a technicality.
Warren: You see, nature played a little trick on us: we should have been born with blue blood, so we have devoted our entire life to correcting this... biological error.
Susan Miller: What do you do? If you're not, what are you?
Mrs. Maybelle Worthington: Well, we're sort of an excess profits tax. To criticize us would be unamerican.
Warren: We are merely bees that take a little nectar from the flowers that have so much. And you too can have some.
- ConexionesFeatured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
- Banda sonoraYo, Ho, Ho, and a Bottle of Rum
(uncredited)
Traditional
Played and sung at the beginning
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Detalles
- Fecha de lanzamiento
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- Idioma
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Taquilla
- Presupuesto
- 651.000 US$ (estimación)
- Duración1 hora 26 minutos
- Color
- Relación de aspecto
- 1.37 : 1