PUNTUACIÓN EN IMDb
5,9/10
434
TU PUNTUACIÓN
Añade un argumento en tu idiomaA detective tries to unravel the strange circumstances surrounding the death of a young actress.A detective tries to unravel the strange circumstances surrounding the death of a young actress.A detective tries to unravel the strange circumstances surrounding the death of a young actress.
- Dirección
- Guión
- Reparto principal
Paul E. Burns
- Gardener
- (as Paul Burns)
William Ruhl
- Detective
- (as Bill Ruhl)
Raymond Bailey
- Gendarme
- (sin acreditar)
Joseph E. Bernard
- Man
- (sin acreditar)
Paul Bryar
- Detective
- (sin acreditar)
Caroline Frances Cooke
- Woman
- (sin acreditar)
Reseñas destacadas
Actress Marie Roget (Maria Montez) disappears and is suspected of being murdered as a woman is found murdered with her face clawed away, but one day, much to everyone's surprise, she shows up, and doesn't give much information about her disappearance...
Then at a party, she disappears again. Dr. Pierre Dupin (Patric Knowles) is determined to get to the truth. Inspector Gobelin (Lloyd Corrigan) acts as Watson to Dupin's Holmes. Suspects are a plenty, from Camille whose fiancée Marcel has been having an affair with Marie, Marcel himself who had hinted at doing away with Camille as he doesn't really love her or Mme. Cecile Rogêt who had overheard Marie and Marcel coming up with a plan to get rid of Camille.
An absolutely solid mystery from Universal studios- a mix of Sherlock Holmes and Edgar Allan Poe, and you get a fast-paced mystery, at times complicated, yet fills its one hour running time like a well-oiled machine and ticks off red herrings with ease. The climax featuring a daring rooftop chase is a nail biter. Maria Montez is beautiful as always, and I loved the chemistry between Dr Dupin and the inspector- entertaining interaction.
Then at a party, she disappears again. Dr. Pierre Dupin (Patric Knowles) is determined to get to the truth. Inspector Gobelin (Lloyd Corrigan) acts as Watson to Dupin's Holmes. Suspects are a plenty, from Camille whose fiancée Marcel has been having an affair with Marie, Marcel himself who had hinted at doing away with Camille as he doesn't really love her or Mme. Cecile Rogêt who had overheard Marie and Marcel coming up with a plan to get rid of Camille.
An absolutely solid mystery from Universal studios- a mix of Sherlock Holmes and Edgar Allan Poe, and you get a fast-paced mystery, at times complicated, yet fills its one hour running time like a well-oiled machine and ticks off red herrings with ease. The climax featuring a daring rooftop chase is a nail biter. Maria Montez is beautiful as always, and I loved the chemistry between Dr Dupin and the inspector- entertaining interaction.
I recently discovered Patrick Knowles and jumped at the chance to see him again here in the Mystery of Marie Roget. The fact that this is a Poe story just made it even more interesting. All of the performances are fine. Prefect Gobelin is a solid foil t Knowles character but he is a bit exasperating at times, but then again I guess he is supposed to be that way. The pace is brisk and moves along nicely and while there are bits of suspense they are unfortunately not very strong. Despite several shortcomings the Mystery of Marie Roget is still worth checking for anyone curious, or for those fans of Patrick Knowles.
This cast of B actors carries off a well-written murder mystery by Edgar Allan Poe. The sister of a woman about to inherit a large fortune plots her murder. But then she herself disappears. Who killed her? Her boyfriend (who was also courting the sister), her grandmother, her estate manager. Or her sister, to protect herself?
The events unfold with a number of false leads and dead ends, and with a few red herrings. However, due to the brilliant detective work of Dr. Dupin, who plays a Sherlock Holmes-type character to the local police chief's Watson-type character. The formula works to a degree, and we have an entertaining mystery.
The events unfold with a number of false leads and dead ends, and with a few red herrings. However, due to the brilliant detective work of Dr. Dupin, who plays a Sherlock Holmes-type character to the local police chief's Watson-type character. The formula works to a degree, and we have an entertaining mystery.
This was among the very few remaining vintage Universal Horror titles, a genuine 'B' movie but a surprisingly effective one nonetheless – if only tenuously related to the genre (being based on an Edgar Allan Poe tale, the presence of an ostensibly dangerous animal i.e. a leopard, thus anticipating the Val Lewton chiller THE LEOPARD MAN {1943}, and its utilizing a steel-claw for a murder weapon that literally obliterates the victims' faces
which, apart from the latter film itself, would subsequently see service in at least 2 more of the studio's efforts, namely the Sherlock Holmes adventure THE SCARLET CLAW {1944} and the maligned SHE-WOLF OF London {1946}!).
Incidentally, this can be considered an unofficial sequel to one of the earliest Universal horror classics, MURDERS IN THE RUE MORGUE (1932), since it is not only set in much the same surroundings as that more popular Poe story but it actually features one of the protagonists, forensic expert Pierre Dupin (here played by stiff-upper-lipped but likable Patric Knowles, who around this same time would co-star in two higher-profile genre efforts for the studio in THE WOLF MAN {1941} and its direct successor in the Larry Talbot franchise FRANKENSTEIN MEETS THE WOLF MAN {1943}!). For the record, MYSTERY OF MARIE ROGET managed to rope in another cast member of those very pictures, Maria Ouspenskaya who is at her most outspoken here, constantly belittling Prefect of Police and Knowles' long-suffering sidekick Lloyd Corrigan (who indeed has no easier time with the doctor, in view of the fact that the latter never bothers to fully explain his schemes in entrapping criminals to his understandably flustered superior!).
Which brings us to nominal lead Maria Montez though, given the brevity of her appearance in an already tight 61-minute film, this cannot be deemed a star vehicle for her (as it happens, I currently have 7 of those in my "To Watch" pile!). Anyway, while heavily-accented, she does get to warble a song in French (to the evident delight of Corrigan) and, in any case, her character is established as being wicked which Knowles goes to extreme lengths to prove (by stealthily extracting the brain from her corpse in the morgue – the scene evoking FRANKENSTEIN {1931} in conception and MYSTERY OF THE WAX MUSEUM {1933} in execution – and, under advise from some eminent authority on the workings of the criminal mind, carrying out experiments on it off-screen!).
Despite watching this via a worn-out VHS print, where the detail is so far gone one can hardly discern the actors' facial features(!), the unmistakable atmosphere of a good old Universal horror movie is well in evidence, thus making this a blast (if clearly a minor entry in the field). For what it is worth, we are also treated to a horse-and-carriage chase along the cobbled streets of a studio-built Paris and, while I was sure I had figured out the culprit's true identity, the script (which is surprisingly complex and eminently engaging) went on to prove me wrong by making him out to be the guilty party the Police had fingered all along!
Incidentally, this can be considered an unofficial sequel to one of the earliest Universal horror classics, MURDERS IN THE RUE MORGUE (1932), since it is not only set in much the same surroundings as that more popular Poe story but it actually features one of the protagonists, forensic expert Pierre Dupin (here played by stiff-upper-lipped but likable Patric Knowles, who around this same time would co-star in two higher-profile genre efforts for the studio in THE WOLF MAN {1941} and its direct successor in the Larry Talbot franchise FRANKENSTEIN MEETS THE WOLF MAN {1943}!). For the record, MYSTERY OF MARIE ROGET managed to rope in another cast member of those very pictures, Maria Ouspenskaya who is at her most outspoken here, constantly belittling Prefect of Police and Knowles' long-suffering sidekick Lloyd Corrigan (who indeed has no easier time with the doctor, in view of the fact that the latter never bothers to fully explain his schemes in entrapping criminals to his understandably flustered superior!).
Which brings us to nominal lead Maria Montez though, given the brevity of her appearance in an already tight 61-minute film, this cannot be deemed a star vehicle for her (as it happens, I currently have 7 of those in my "To Watch" pile!). Anyway, while heavily-accented, she does get to warble a song in French (to the evident delight of Corrigan) and, in any case, her character is established as being wicked which Knowles goes to extreme lengths to prove (by stealthily extracting the brain from her corpse in the morgue – the scene evoking FRANKENSTEIN {1931} in conception and MYSTERY OF THE WAX MUSEUM {1933} in execution – and, under advise from some eminent authority on the workings of the criminal mind, carrying out experiments on it off-screen!).
Despite watching this via a worn-out VHS print, where the detail is so far gone one can hardly discern the actors' facial features(!), the unmistakable atmosphere of a good old Universal horror movie is well in evidence, thus making this a blast (if clearly a minor entry in the field). For what it is worth, we are also treated to a horse-and-carriage chase along the cobbled streets of a studio-built Paris and, while I was sure I had figured out the culprit's true identity, the script (which is surprisingly complex and eminently engaging) went on to prove me wrong by making him out to be the guilty party the Police had fingered all along!
"Mystery of Marie Roget" is a sub-par B-movie from Universal. While the story purports to be from the Edgar Allan Poe story, it's really very different.
When the film begins, Marie has been reported missing and the police have so far found nothing. They do eventually find a corpse that MIGHT be her...but her face is missing. When they tell her family that they've found her, she then walks in the house...so the corpse obviously was NOT her. However, eventually Marie really is murdered and it's up to Poe's Dupin character (Patric Knowles) to solve the murder. As for Dupin, he's a know-it-all who acts a lot like the movie version of Sherlock Holmes and has a partner (Lloyd Corrigan) who is even stupider and more useless than the movie version of Watson. In fact, he's such a bumbling moron that it totally ruins the movie...as does Dupin's bizarre manner in which he investigates. Overall, just a silly and inconsequential B murder mystery--complete with all the usual clichés and plot problems. A time-passer at best...but you could easily do better.
When the film begins, Marie has been reported missing and the police have so far found nothing. They do eventually find a corpse that MIGHT be her...but her face is missing. When they tell her family that they've found her, she then walks in the house...so the corpse obviously was NOT her. However, eventually Marie really is murdered and it's up to Poe's Dupin character (Patric Knowles) to solve the murder. As for Dupin, he's a know-it-all who acts a lot like the movie version of Sherlock Holmes and has a partner (Lloyd Corrigan) who is even stupider and more useless than the movie version of Watson. In fact, he's such a bumbling moron that it totally ruins the movie...as does Dupin's bizarre manner in which he investigates. Overall, just a silly and inconsequential B murder mystery--complete with all the usual clichés and plot problems. A time-passer at best...but you could easily do better.
¿Sabías que...?
- CuriosidadesThe original Edgar Allan Poe story is based on the real-life murder of Mary Cecilia Rogers, who was found floating in the Hudson River near Weehawken, NJ. Poe transplanted the events to Paris and placed the case in the hands of amateur detective C. Auguste Dupin. In a weird twist, Poe's ultimate conclusion as to the circumstances of the crime were proved correct when the murderers confessed well after "The Mystery of Marie Roget" was published.
- Citas
M. Henri Beauvais: Dupin? You had something to do with those murders in the Rue Morgue didn't you?
Prefect Gobelin: Something to do? Monsieur, Dr. Dupin practicaly solved those murders single handed.
- ConexionesReferenced in DVD/Lazerdisc/VHS collection 2016 (2016)
- Banda sonoraMama Dit Moi
(uncredited)
Written by Everett Carter & Milton Rosen
Sung by Dorothy Triden, dubbing Maria Montez
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Mystery of Marie Roget
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 1 minuto
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was El misterio de María Roget (1942) officially released in India in English?
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