Don't Talk

We ought to know by now, that "Crime Does Not Pay" but just in case we had forgotten, this one combines with "Dangerous Talk Costs Lives" to warn us of the dangers of idle chatting in wartime. An explosion at a factory causes the FBI to suspect that some fifth columnist saboteurs are up to no good, but how on earth did they know of this precious shipment? The workforce are all entirely trustworthy and adamant that they have ever said a word to anyone. These are smart cookies, these Hoover boys, and so swiftly look for what these men have in common. The café across the street, and a waitress who once visited the Aya Sofia in Istanbul. Is she gleaning the odd snippet of conversation and putting two and two together? We know all along who is pulling whose strings and given the nature of the series, we know that the Feds will get their man, but it's nonetheless one of the more action-packed and sinister of these twenty minute features and I kept expecting Basil Rathbone to emerge from somewhere too.

MGM presents A Crime Does Not Pay Subject. Someone blows up a plant and the FBI is on the case. They suspect a waitress had been overhearing loose talk and transferring the secrets to a sabotage group intending to take down American democracy with the use of the menu board.

This is a wartime Crime Don't Pay short. It is the months following the Pearl Harbor attack and everybody is pitching in. This is perfectly reasonable for this series to do some war propaganda. It is loose lips sink ships. It is the fifth column. It is all the fanciful espionage tricks although the menu board is going too far.

"Don't Talk" is a wartime propaganda film that was nominated for the Oscar for best short. Surprisingly, it holds up very well today--despite its strong message for the folks at home.

This film is about industrial espionage--Axis attempts to sabotage war supplies being trucked across America. I am not sure how serious a problem this really was during the war. Other than a French cruise ship deliberately sunk in New York harbor, I am really don't know if enemy agents had infiltrated our defense plans. BUT, just in case, films like this were made--made to dramatize the work of the FBI as well as to drive home the need to keep quiet about secret government work.

The reasons why it still holds up well are production values, fine acting and a taut script. So, even though the war is long past, these factors work together to help make a fine short. Well worth seeing--and you can see it for free at archive.org--a site linked to IMDb for many of its films.

Don't Talk (1942)

*** (out of 4)

Oscar-nominated short from MGM's Crime Does Not Pay series. This story centers around a Communist group who are spying through people simply going to a deli or beauty salon. The spies are working at these type of places and listening to people talk about their jobs, which is how information is spread around and various objects destroyed by these groups. This film comes off more like a WW2 propaganda film than an entry in the series but either way the movie works fairly well. The story itself, asking people not to talk, seems a bit far fetched today but I'm really not sure how it would have been taken back in the day. This wasn't the only short to deal with people talking too much as we also had Mr. Blabbermouth!, which was released the same year as this film and it too received an Oscar nomination. We also get some nice performances from a familiar cast including Barry Nelson as an FBI agent and Gloria Holden, from Dracula's Daughter, as a waitress doing some of the spying. There's some nice shoot outs at the end as well.

"Don't Talk" is a cheesy, simplistic film made in the throes of WWII. The message was "don't talk" about anything important out loud, you never know who is listening. Acting was stiff, but it was still a fun short film to see. Everything was black and white, probably as it had to be in the early days of WWII.

But the message was important. You never knew who was listening to your conversations and even seemingly innocuous bits of information strung together by someone with less than pure motives was potentially a danger.

I am not sure it is clear who the baddies were, Nazis or commies, but I assume Nazis since we were allies with the commies in WWII.