The Bowling Alley-Cat

I Consider the Realistic Animals Tom and Jerry era to start at Puss Gets the Boot and end in Sufferin' Cats.

The Story is that Jerry is having some fun at the Bowling Alley, when Tom appears and wants to eat him, leading some fun and inventive gags, that didn't take place inside a House.

This is Tom and Jerry first cartoon to take place outside a house. And for me, it's for the best, it allowed some new gags, that weren't seen in the earlier episodes, such as Jerry using a bowling pin as a baseball bat, Or Tom trying to catch a bowling ball like a baseball ball and gets smashed by it. Another Highlight was Jerry teleporting himself to other Bowling Ball inside another far away bowling ball.

I recommend it to every Tom and Jerry fan.

'The Bowling Alley-Cat (1942)' isn't complex. Its narrative plays on the most basic dynamic its two stars can possibly have, which is perhaps only natural considering that it's one of the earliest shorts starring the now-famous pair. The classic game of cat-and-mouse is made more interesting by the setting, however, which provides opportunity for some inventive, engaging and visually-stunning set-pieces. Indeed, the animation here is absolutely superb. It's probably the main reason why the piece is as entertaining as it is. It's peppered with satisfying sight-gags that seem so fluid you could almost swear they were real. The whole thing is just so well-accomplished. It's highly enjoyable and often funny, to boot. 8/10

This "Tom and Jerry" short "The Bowling Alley-Cat" is one that has plenty of action and chase as the two continues their game this time it's in a bowling alley. The animation still is okay and the duo still entertain with their crazy ways as it's like an actual game of bowling when Tom gets pounded by some bowling balls! Overall different setting still a good early episode.

The Bowling Alley-Cat is the very first in a series of Tom and Jerry cartoons about sports. This cartoon is where I think, they finally really nail the pacing. The jokes flow naturally, the cartoon is constantly exciting, and the jokes are very good. The most entertaining was definitely when Tom runs to the lobby to try to catch the bowling ball. It is consistently entertaining, but this cartoon doesn't really have the artistry of some later entries. Despite lacking in that department, the cartoon is very consistent. It is able to overall remain funny throughout. I just don't like the color of Tom, and some jokes are just ok. Other than that, a very solid cartoon.

The Tom-and-Jerry shorts were unquestionably, UNQUESTIONABLY, the most violent cartoons of the golden age. I recall reading that, in terms of bashings, stabbings etc. per minute, the Pink Panther cartoons are the most violent, followed (not surprisingly) by the Road Runner - but we know better than to trust such statistics. It's the Tom and Jerry cartoons that make you say "ouch". This is a tame sample, actually, from the days before Tex Avery came to MGM. Orthodoxy (for instance, Leonard Maltin, "Of Mice and Magic") has it that even the cartoons directed by Hanna and Barbera perked up after he arrived, and orthodoxy is correct. This is still a good cartoon. Watch it, and you'll see the violence I'm referring to clearly enough.

It's a clash between two forces that makes Tom and Jerry so bracingly brutal. Firstly, there's the detailed, polished, true-to-Newton realism. That bowling alley floor really is slippery, and the bowling balls really are heavy - one could get hurt playing with such things. Secondly, there's an element's somewhat muted in this pre-Avery cartoon, although it's still there - the hyper-exaggerated, sadistic anarchy which Avery brought over from Warner Brothers, back when that studio really was producing loony 'toons (mostly not very good ones, it must be admitted). Put them together and you have a bowling ball that will go out of its way to injure a cat, as only a cartoon bowling ball could - except that, somehow, it also behaves like a REAL, genuinely dangerous bowling ball. Ouch.

Tom and Jerry were at their best in the years following this cartoon, when the balance between realism and cartooniness was precisely maintained. At some hard-to-pinpoint moment in the 1950s, the realism got lost, and the cartoons became unbalanced in the opposite direction.

Another factor which enhanced Tom and Jerry cartoons, right through to the end, was their uncertainty. Usually, we side with Tom (the cat), who is mean-spirited but at least honest about it - and usually, it's Tom who is roundly walloped. But Jerry rarely emerges unscathed himself (unlike the Road Runner, or that unendurable creation, Tweety Pie). And sometimes, just once or twice, he gets the worst of the exchange. We suspect that Tom will somehow end up losing the battle, but we don't KNOW that he will - which, I suppose, makes his defeat sting all the more.