Murieron con las botas puestas

This movie is good for entertainment purposes, but it is not historically reliable. If you are looking for a movie and thinking to yourself `Oh I want to learn more about Custer's life and his last stand', do not rent `They Died with Their Boots On'. But, if you would like to watch a movie for the enjoyment of an older western film, with a little bit of romance and just for a good story, this is a fun movie to watch.

The story starts out with Custer's (Errol Flynn) first day at West Point. Everyone loves his charming personality which allows him to get away with most everything. The movie follows his career from West Point and his many battles, including his battle in the Civil War. The movie ends with his last stand at Little Big Horn. In between the battle scenes, he finds love and marriage with Libby (Olivia De Havilland).

Errol Flynn portrays the arrogant, but suave George Armstrong Custer well. Olivia De Havilland plays the cute, sweet Libby very well, especially in the flirting scene that Custer and Libby first meet. Their chemistry on screen made you believe in their romance. The acting in general was impressive, especially the comedic role ( although stereotypical) of Callie played by Hattie McDaniel. Her character will definitely make you laugh.

The heroic war music brought out the excitement of the battle scenes. The beautiful costumes set the tone of the era. The script, at times, was corny, although the movie was still enjoyable to watch. The director's portrayal of Custer was as a hero and history shows this is debatable. Some will watch this movie and see Custer as a hero. Others will watch this movie and learn hate him.

I give it a thumbs up for this 1942 western film.

Whether one views him as a gallant cavalier of the plains or a glory hunting egomaniac, debates about the life and military career of George Armstrong Custer continue down to the present day. They Died With Their Boots On presents certain facts of the Custer story and has taken liberty with others.

He did in fact graduate at the bottom of his class at West Point and got this overnight promotion on the battlefield to Brigadier General. His record leading the Michigan Regiment under his command was one of brilliance.

It was also true that his marriage to Libby Bacon was one of the great love matches of the 19th century. Libby and George were married for 12 years until The Little Big Horn. What's not known to today's audience is that Libby survived until 1933. During that time she was the custodian of the Custer legend. By dint of her own iron will and force of personality her late husband became a hero because she would not allow him to be remembered in any other way.

I think Raoul Walsh and Warner Brothers missed a good opportunity to have the Custer career told in flashback. Olivia DeHavilland should have been made up the way Jeanette MacDonald was in Maytime, and be telling the story of her husband and her marriage from the point of view of nostalgia and remembrance. Even then the cracks in the Custer legend were appearing, but if done from Libby's point of view, they could be understood and forgiven.

Sydney Greenstreet gave a fine performance as General Winfield Scott. The only problem was that Scott had nothing whatsoever to do with Custer, he was retired and replaced by George B. McClellan in late 1861 while Custer was still at West Point. I'm not sure they ever met. But Greenstreet does a good characterization of the ponderous and powerful Winfield Scott. A nice Mexican War story should have been what they gave Greenstreet instead for his very accurate portrayal of old Fuss and Feathers.

The film though is carried by one of the great romantic teams of cinema, Errol Flynn and Olivia DeHavilland. This was the last of eight films they did together. The last scene they ever did for the cameras was Libby's farewell to George as he leaves to join his regiment for what will prove to be his last campaign. Both their performances, Olivia's especially, was a high point in their careers at Warner Brothers. We know through history that Custer is riding to his doom, that and the fact that this was their last screen teaming give this scene such a special poignancy. If your eyes don't moisten you are made of marble.

As history They Died With Their Boots On leaves a lot to be desired. As western adventure that successfully mixes romance with the action, you can't beat this film at all.

The Custer Legend, a la Warner Brothers Epic. There's no casting against type here, with the flamboyant Flynn as the flamboyant Custer in this rousing tribute, not only to Custer, but to the men of the 7th Cavalry. The story traces the life of the famed 'Boy General" from his turbulent days at West Point to his final fight at the Little Big Horn. Great liberties are taken with facts here, and we are presented with a Custer that is much more sympathetic to the plight of the redman than history relates. But this one is done on such a grand scale, the battle scenes alone provided employment for every extra in Hollywood. Down beat ending and all, this is great fun!

This is Custer's last stand, through the Warner Brothers' mill. As a 'biopic', "They Died With Their Boots On" is pure poppycock. One cannot help but admit, however, that Errol Flynn was the ideal choice to play the part of the dashing leader of the doomed 7th Cavalry. Of course, the part wasn't exactly a stretch for him. After all, Flynn had already led "The Charge of the Light Brigade" and portrayed George Armstrong Custer's real-life enemy, Confederate Cavalry General Jeb Stuart, in "Sante Fe Trail" (in which future-President Ronald Reagan depicted Custer).

Appearing opposite Flynn is his ubiquitous co-star, Olivia De Havilland, as Custer's faithful wife Liddy. It has often been said that behind every great man lies a great woman. In Custer's case, that was true to a large extent. The real Liddy Custer spent the rest of her life promoting her late husband's larger-than-life heroic reputation. In that sense, the genesis of this fanciful film might be laid at her door.

Rounding out the fine cast is a young Anthony Quinn as a surprisingly sympathetic (for a 1940s movie) version of Chief Crazy Horse. In fact, Crazy Horse actually comes off as the most sympathetic character in the entire film. Quinn delivered a rather more restrained performance here than was usual in many of his later films. Of course this wasn't the first time he had appeared as a Native American in a movie, but this role was a definite step up because this time Quinn got to play a Native American as a character, and actually deliver some lines.

Of course, action is what any Errol Flynn movie is all about and, in that respect, "They Died With Their Boots On" delivers in spades. Warner Brothers must have collected every horse, rider and pair of boots in Hollywood for the spectacular climax. Surely Custer himself would have approved of Flynn's final scene. One can almost imagine Custer's ghost saying; "Even if that wasn't the way I really died, it certainly is the way I should have".

Dashing Errol Flynn brings his usual flair for drama in this historically flawed but entertaining film of the life of George Armstrong Custer. The dashing, jovial Flynn essays Custer from his days at West Point as a reckless, headstrong cadet, through the Civil War years in an extraordinarily generous and partisan interpretation of history, and finally as the nonpareil Indian fighter whose blunder at the Little Big Horn is excused as a sacrifice by Custer of his command as a way of exposing the corruption of government officials and post traders as well as a protest of the unfair treatment of the Plains Indians. Olivia de Havilland, Flynn's co-star in several other films, scores as the devoted, adoring Libby Bacon, and Anthony Quinn looks the part as the fierce Sioux chief Crazy Horse. The film's battle scenes are excellent. The Civil War battles are brief and are shown as several vignettes in which Custer, seemingly supported by just a handful of troopers, hammers the Confederate army into submission. Custer's last fight against the Indians is a grand spectacle, a savage clash between red men and white, with no quarter given in a wild mix of military might between determined fighting men. Great direction, cinematography, casting and wonderful music by Max Steiner make this film a Hollywood classic.