Añade un argumento en tu idiomaBarbers Nilly and Glub reluctantly become ambassadors for an Indian nation at a peace conference in Geneva. Facing sabotage from an ammunition executive, they persevere through romantic enta... Leer todoBarbers Nilly and Glub reluctantly become ambassadors for an Indian nation at a peace conference in Geneva. Facing sabotage from an ammunition executive, they persevere through romantic entanglements and setbacks to represent their people.Barbers Nilly and Glub reluctantly become ambassadors for an Indian nation at a peace conference in Geneva. Facing sabotage from an ammunition executive, they persevere through romantic entanglements and setbacks to represent their people.
- Dirección
- Guión
- Reparto principal
- Bouncer
- (sin acreditar)
- Schmerzenschmerzen
- (sin acreditar)
- Delegate to Peace Conference
- (sin acreditar)
- Ship's Passenger
- (sin acreditar)
- Butler
- (sin acreditar)
- Delegate to Peace Conference
- (sin acreditar)
- Indian Chief
- (sin acreditar)
- Ship's Passenger
- (sin acreditar)
- French Vamp
- (sin acreditar)
- Deaf Dowager
- (sin acreditar)
Reseñas destacadas
The story begins with the pair lamenting their opening up a barber shop on American Indian land. The natives don't have beards and don't need their services...but they do, for some inexplicable reason, want Willy and Hercules (Wheeler & Woolsey) to represent them at the Geneva peace conference. After all, they wonder why the Indian nation isn't being represented and they want peace. However, a baddie (Louis Calhern) is bent on preventing the pair from addressing the conference, as he wants war...though they never really say why!
The film is, like "Duck Soup" from the Marx Brothers (which debuted a few months later), a film that is actually deadly serious. It makes fun of the peace conferences of the day because they pointed out that these conferences really achieved nothing to protect mankind...and the film even ends on a very, very dark note. In many ways, it's very intelligent in addressing this YET it also is very dopey and filled with tons of jokes...many of which fall a bit bit flat. It's also very unusual in that the film's dialog is often sung. Overall, a good film that occasionally misses the mark...but also often succeeds.
By the way, I need to address the proverbial elephant in the room with this film. It is filled with politically incorrect stuff that will horrify some viewers. Hugh Herbert plays a Chinese man, the American Indian tribesmen and sexy tribeswomen are ridiculous and the final scene at the peace conference is a giant black-face number!! It is offensive....a product of its times, of course! But, all in all, I still enjoyed it in spite of everything.
Also, do NOT freak out at the swastikas in the opening credits. American Indians (as well as Asians) used the symbol for many, many, many years before the Nazis ever began in Germany....and it's not meant as a Nazi reference.
¿Sabías que...?
- CuriosidadesThis film was a modest success for "RKO," resulting in a profit of $65,000 ($1.27M in 2018) according to studio records.
- Citas
Dolores: Sing to me!
Willy Nilly: How about "One Hour with You"?
Dolores: Sure! But first--sing to me!
- Créditos adicionalesOpening card: There are three important things we should know about the noble red man... an Indian never shaves, because he has no beard, he has no left whisker, and he has no right whisker.
- ConexionesFeatured in 100 Years of Comedy (1997)
- Banda sonoraOod-Gay Eye-bay
(1933) (uncredited)
Music by Harry Akst
Lyrics by Edward Eliscu
Performed by Bert Wheeler, Robert Woolsey and chorus
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Rumbo a Ginebra
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 242.000 US$ (estimación)
- Duración1 hora 1 minuto
- Color
- Relación de aspecto
- 1.37 : 1