Virtue

This movie asks that not unusual pre-Code movie question -- can a woman live down her tawdry past by marrying a good-hearted lout? And, while there is the usual collection of misunderstandings and Plot Contrivances, some really sharp acting out of Lombard and (of all people) Pat O'Brien. Also helpful is that this movie never loses sight of its emotional core, the understandably troubled relationship between Lombard and O'Brien. Also interesting is that Mayo Methot (the future battling Bogart) gets a far larger role than is usual -- and is good in it. Ward Bond also appears.

See this if you want to see Pat O'Brien do perhaps his best take on his urban loud-mouth with a heart of mush character. Maybe he is reacting to the genuine warmth coming off of Lombard's character. But it's unusual to see a Columbia movie of this vintage this well-acted, outside of Capra and Stanwyck.

Definitely worth a look. But don't really look for surprises in the plot. That is standard order for one of these ex-fallen-woman numbers.

Carole Lombard and Pat O'Brien star in "Virtue," a 1932 pre-code film featuring Ward Bond, Mayo Methot and Jack LaRue. Robert Riskin wrote the script and Lombard is a prostitute who's thrown out of New York - escorted onto the train, in fact, by a policeman - but she gets off at another city stop and stays in town. She meets and eventually marries a cab driver (O'Brien) who has no idea of her past. When he finds out, he's upset, but he's really in love with her, and they stay together. Then she's implicated in a murder.

"Virtue" moves at a fast pace, has very good dialogue, and Lombard gives an excellent performance as a street smart woman who falls in love unexpectedly. She's very beautiful and quite sophisticated in appearance, though her comrades in the streetwalker trade seem a lot lower class. Pat O'Brien, who worked into his eighties and usually played the best friend to someone like Jimmy Cagney, does a good job in a rare leading role for him.

Since the film is precode, it contains a lot of innuendo, my favorite being O'Brien's advice to Ward Bond, who wants to get married. "It's your doughnut," O'Brien says. "Dunk it."

I liked this little movie quite a lot. It has a substance and quality that some of Lombard's other early movies lack. It is obvious that some care was taken with this screenplay. I would say that the key word for this film is "misunderstanding". It explores the question of whether someone can escape their past and whether love conquers all. This is the first of five pictures that Lombard would make for Columbia Pictures.

The chemistry is good between Pat O'Brien who plays "Jimmy" the cabdriver and Carole Lombard who plays "Mae" the street-girl. Mae's sentence has been suspended by the Judge on the condition that she leave New York City. Of course she refuses. On her way home she takes a cab, but has no money to pay. She stiffs the cabdriver. Later she goes back to square things and a relationship develops between the two. We watch these two grow closer and more dependent on each other, we root for Jimmy as he struggles to fulfill his dream to become a business man, and we cry as a financial crisis and murder come between them.

Virtue (1932)

*** (out of 4)

Pat O'Brien plays a soft hearted taxi driver who thinks he knows all there is to know about women but that changes when he meets a prostitute (Carole Lombard). At first he doesn't know her history but that changes after they're married and soon after more problems start popping up. This is a pretty good little drama that manages to have several good performances and a nice story to go along with it. Lombard is very sexy in her role and delivers a fine, tough performance but it's actually O'Brien who steals the show in what could be the best performance I've seen from him. He plays a complete jerk throughout the entire movie but when it comes time for that good heart to show he mixes the two perfectly. The film goes through some standard stuff including a murder subplot but in the end this moves along very fast and makes for a good time killer.

On loan from her home studio of Paramount Pictures, Carole Lombard made this film with rising new star Pat O'Brien who next year would be signing with Warner Brothers. It's the story of a streetwalker who falls for a lovable lunkhead of a taxi driver, but whose past keeps catching up with her.

Virtue could not have been made in two years once the Code was firmly in place. Prostitutes were barely seen on the big screen after that and definitely no stories were built around them as central characters.

Lombard and a group of her friends are given suspended sentences providing they leave the New York City limits. But the course of true love gets in the way when she meets O'Brien and almost gyps him out of a fare.

O'Brien somewhat dumbs it down in this part. He's not the usual fast talking promoter in fact his grammar and diction are about two steps above Leo Gorcey. It was more the kind of role his boyhood chum Spencer Tracy was doing over at Fox Films at the time. Still he's a good guy and comes through when it counts.

Humphrey Bogart's third wife Mayo Methot plays Lombard's best friend and Jack LaRue her no good boyfriend. Ward Bond is also on hand as O'Brien's best friend in one of his early films. Bond if possible is an even bigger lovable lunkhead than O'Brien.

With a nice crisp script by Robert Riskin who wrote some of the best of Frank Capra's films, Virtue is a real undiscovered treat for fans of both Lombard and O'Brien. Catch it by all means when it is next broadcast.