PUNTUACIÓN EN IMDb
6,4/10
663
TU PUNTUACIÓN
Añade un argumento en tu idiomaMolly Louvain's plans for a respectable marriage with her sweetheart Ralph fall through so she takes to the road with a two-bit crook and becomes wanted by the police in connection with a hi... Leer todoMolly Louvain's plans for a respectable marriage with her sweetheart Ralph fall through so she takes to the road with a two-bit crook and becomes wanted by the police in connection with a high-profile crime.Molly Louvain's plans for a respectable marriage with her sweetheart Ralph fall through so she takes to the road with a two-bit crook and becomes wanted by the police in connection with a high-profile crime.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios en total
Thomas E. Jackson
- Police Sergeant
- (as Thomas Jackson)
Ben Alexander
- Jimmy's College Friend
- (sin acreditar)
Louise Beavers
- Washroom Attendant
- (sin acreditar)
Harry Beresford
- Taxi Driver
- (sin acreditar)
Maurice Black
- Nicky's Pal
- (sin acreditar)
Wade Boteler
- Detective
- (sin acreditar)
William Burress
- Policeman
- (sin acreditar)
George Chandler
- Reporter
- (sin acreditar)
Reseñas destacadas
Molly Louvain (Ann Dvorak) is knocked up and abandoned by a rich guy. So she takes up with a dirty crook (Leslie Fenton), then a naive bellhop (Richard Cromwell), and finally a cynical reporter (Lee Tracy). She's the Goldilocks of love. Fun Pre-Coder from WB is a nice showcase for lovely Dvorak, one of classic Hollywood's most under-appreciated talents. She dyes her hair blonde in this. Gotta say she looked better as a brunette. This is also the movie she met her first husband Leslie Fenton. The two married not long after this was released. Lee Tracy doesn't show up until a half hour or so into the picture but things pick up once he does. His scenes with Dvorak are filled with snappy banter and excellent chemistry. The movie really takes off when these two are together.
The great Ann Dvorak wraps this up with her special brand of magic. It's really a shame she isn't more well known today. A lot of that seems to be because she didn't really have the ambition to stay on top after her initial burst of stardom which is a shame, she was always an arresting screen presence. Here as a woman more sinned against than sinner she is compelling and once she switches to platinum hair very striking. Her troubles are common ones faced in many pre-code dramas but she handles them with grit and skill. Her large expressive eyes tell volumes. Lee Tracy is abrasive but that was his usual persona so if your a fan he isn't bad, I've always found him an acquired taste. Efficiently directed by Curtiz this zips right along even if the ending is a bit of a letdown.
Whatever it was, it's too bad there doesn't seem to be any of it left. Warner Bros. pre-code was like a renaissance atelier - genius in the air, tons of talent on hand, cranking out, if not masterpieces, some unforgettable confections. Tons of bit part players in this one, it's as though they couldn't let anyone just walk on and act, the scene had to be chewed through. This sometimes seems distracting when you're caught up in the story, which, as with "Three on a Match," uses the threatened child to keep you in suspense. But with Lee Tracy and Ann D., plus all these superb faces and shticks, can anyone really complain? Worthwhile to think about why this Warner Bros. vision of life seems to get tremendous lift from exploiting a certain idea of the US press, never better represented than by Tracy - at least until Grant in "His Girl Friday."
Curtiz' slick, odd, interesting little flick. Ann Dvorak is a small-town go-getter. Her boyfriend deserts her. She hooks up with a worthless, hustling traveling salesman and has a daughter by the boyfriend who dropped her. She tries to drop the salesman and gets involved in a murder imbroglio, but gets off with the help of fast-talking newspaper reporter Lee Tracy. Fast paced and acted in Warner's best style
Ann Dvorak was always worth watching, she often stole scenes in support and was far from bland when in lead roles. Lee Tracy likewise. Have a lot of great admiration of Michael Curtiz and he directed a few of my favourite films of all time (have named them in some of my other reviews of his work), so it was interesting to see one of his early works. The story sounded sort of interesting, though had the traps of being unrealistic and melodramatic.
'The Strange Love of Molly Louvin' is worth a one-time watch, if not much more than that. It has a good deal of good things, such as the production values and leads, but also a good deal of bad, such as a story that never quite comes together. All did much better things, Curtiz even did better at this early stage of his career. 'The Strange Love of Molly Lauvin' is not a terrible film but it is just not a great one. Don't really consider it particularly good either and only slightly above average curio level.
Will start with 'The Strange Love of Molly Louvin's' good things. Dvorak, very early on in her career, carries the film well in a not easy role to pull off, while having an issue with the character herself Dvorak made the absolute most of what she has and is in control of her material rather than the other way around. Tracy is even better in a role perfect for him, he is both charming and amusing and gives his character a likeable snap and wit. Actually thought that Dvorak and Tracy did have chemistry here and it was done very nicely, their banter raising a smile. Most of the rest of the supporting cast are solid too, Guy Kibee and Frank McHugh are good value.
It is a good looking film as well, stylishly shot without being filmed play-like and the settings and costumes are handsome without being too glossy. The music doesn't overbear and is not too constant. The script has moments, especially in the banter between Dvorak and Tracy and the story does liven up when Tracy appears. Curtiz gave much better and much more distinctive and refined direction later on but does more than competently here in terms of visually and some atmosphere.
Sadly, 'The Strange Love of Molly Louvin' is brought down by the story which never really comes together. Do agree that it did feel incomplete and choppy, like there were scenes filmed that never made it into the finished product which would have helped it make more sense. The ending is abrupt to the point of not feeling like an ending at all and did agreed feel like the writers were fighting severe time constraints and ran out of time. The story also came over as ridiculous and very difficult to find any believability in, didn't mind so much that it was cliched and was a very slow starter (coming to life when Tracy enters the picture) but did mind that there is a real lack of realism throughout.
Also felt that the script was confused tonally. At some points it is very melodramatic and soapy, doing this to an overwrought degree, and at other points there were attempts at very hit and miss comedy that didn't always gel and the gear changes between the two weren't always seamless. It would have been better to stick to just one of them rather than attempting both. Richard Cromwell was pretty bland and if there was anybody that Dvorak didn't have any chemistry with it was him.
Concluding, above average curio but very little exceptional here and quite strange. 6/10
'The Strange Love of Molly Louvin' is worth a one-time watch, if not much more than that. It has a good deal of good things, such as the production values and leads, but also a good deal of bad, such as a story that never quite comes together. All did much better things, Curtiz even did better at this early stage of his career. 'The Strange Love of Molly Lauvin' is not a terrible film but it is just not a great one. Don't really consider it particularly good either and only slightly above average curio level.
Will start with 'The Strange Love of Molly Louvin's' good things. Dvorak, very early on in her career, carries the film well in a not easy role to pull off, while having an issue with the character herself Dvorak made the absolute most of what she has and is in control of her material rather than the other way around. Tracy is even better in a role perfect for him, he is both charming and amusing and gives his character a likeable snap and wit. Actually thought that Dvorak and Tracy did have chemistry here and it was done very nicely, their banter raising a smile. Most of the rest of the supporting cast are solid too, Guy Kibee and Frank McHugh are good value.
It is a good looking film as well, stylishly shot without being filmed play-like and the settings and costumes are handsome without being too glossy. The music doesn't overbear and is not too constant. The script has moments, especially in the banter between Dvorak and Tracy and the story does liven up when Tracy appears. Curtiz gave much better and much more distinctive and refined direction later on but does more than competently here in terms of visually and some atmosphere.
Sadly, 'The Strange Love of Molly Louvin' is brought down by the story which never really comes together. Do agree that it did feel incomplete and choppy, like there were scenes filmed that never made it into the finished product which would have helped it make more sense. The ending is abrupt to the point of not feeling like an ending at all and did agreed feel like the writers were fighting severe time constraints and ran out of time. The story also came over as ridiculous and very difficult to find any believability in, didn't mind so much that it was cliched and was a very slow starter (coming to life when Tracy enters the picture) but did mind that there is a real lack of realism throughout.
Also felt that the script was confused tonally. At some points it is very melodramatic and soapy, doing this to an overwrought degree, and at other points there were attempts at very hit and miss comedy that didn't always gel and the gear changes between the two weren't always seamless. It would have been better to stick to just one of them rather than attempting both. Richard Cromwell was pretty bland and if there was anybody that Dvorak didn't have any chemistry with it was him.
Concluding, above average curio but very little exceptional here and quite strange. 6/10
¿Sabías que...?
- CuriosidadesDuring her intense interview with police, Molly Louvain sarcastically suggests she is responsible for multiple crimes, including the death of William Desmond Taylor. Taylor, a Hollywood director, was indeed murdered in 1921. The scandal rocked Hollywood. His unsolved death prompted Hollywood's self-imposed Production Code. She also says she killed "Rothstein." This would be Arnold Rothstein, once head of organized crime in New York City. She says she kidnapped Dorothy Arnold --- a wealthy socialite who disappeared in New York City on December 12, 1910 and whose case has never been solved. Finally she said she stole Charley Ross. This refers to the kidnapping of Charles Ross, a four-year-old child on July 1, 1874 in Philadelphia. This was the first high-profile abduction for ransom case in the U.S. and was never solved. All of these cases would have been familiar to audiences of the day.
- PifiasScotty is supposed to be a hot-shot reporter, and yet: He knows her name is Molly, her photo is in the papers, but it never, ever occurs to him that she might be THE Molly.
- Citas
Scotty Cornell: Takes practice to live with a bullet in your heart.
- ConexionesFeatured in Hollywood prohibido (2008)
- Banda sonoraWhen We're Alone (Penthouse Serenade)
(1931) (uncredited)
Written by Val Burton and Will Jason
Played during the opening credits and at the end
Played on piano, hummed and partially sung by Ann Dvorak
Played on the radio and at the dance hall
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Strange Love of Molly Louvain
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was ¿Hay mujeres así? (1932) officially released in India in English?
Responde